 You can pull more trash out of your trash bag. More trash out of my trash bag. I don't know if you saw this. I don't think you did, because I did this over at Stone Oak. Who? Did you see those? Yes. Oh, okay. Yeah, I did. Oh, because I performed it at Harvest. That's right, because it says there's Harvest performed by Rick Siegel, the Director, Conservatory of Fine Art, Harvest Schools. I forgot this was the poster for the Harvest one, because we did it also at the Church at Stone Oak. I like how they called the Conservatory of Fine Arts. It was a private school. Well, the school, but... It's a fancy name for a shitty school, Rick. No, but within the private school, we had a Conservatory of Fine Art. Because you just called it that? Yeah. There was no fine artistry done there. Lies. Lies and propaganda, there was. I watched it. Yeah, there was. You were good. Well, thanks. Oh, not in that. Juice! Hey, welcome back to our YouTube Direct Subcorpion. I'm Rick. You can follow us on Instagram, Twitter, for more juicy content. Thanks for waiting for our followers to look around. Blah, blah, blah, blah, blah. Blah, blah, blah, blah, blah, blah, blah, blah. What? Huh? What is happening? Corbin Miles. What is happening? Corbin Miles. What is happening? Corbin Miles. I'm about to tell you. Gross. Today we got a video. This is something. Read this. It is... Is that it? Is that it? Yeah. Kataki Matakokar is a famous Marathi singer and actress, and in the video, she's singing a slow meditative classical song in which Sant Tokoram, a 17th century Marathi saint, is describing the ecstatic state of mind that he's experiencing while remembering Lord Vitala. And if I've pronounced things, everybody, please forgive me. You did pronounce that? I don't intend to mispronounce. It's my ignorance. The meaning of the lyrics of the song. I want to speak of Vitala. I want to see Vitala, and I want to make Vitala my very own. With this uncontrollable desire, my mind has become very greedy and it does not wish to come back to the world. The knots of worldly bondages come undone and I was leisurely able to hold Vitala in a deep embrace. Tukka says, my whole being is filled with the Vitala through and through, so no place is left for the desire and anger they had to vacate their abode. Thank you for letting me. Thank you. And is that the word that we always sing in Maheshgales? Right. Is that the... Vitara, Vitara, Vitara. Is that what that is? Am I just saying it completely and utterly wrong? Or maybe he's pronouncing it that way because that's the way it's pronounced. Well, he's Marathi, so he would be Marathi. He would be pronouncing it properly, yeah, yeah, yeah, yeah. Vitara, Vitara, Vitara. That's probably what it is. Yeah, and he had us echo it back. Yeah, he did it for us. He did. He even shouted us out in his concert. He did. And he spoke English in that part. He did. The rest of the time he did not. No. But it was wonderful. It was absolutely wonderful. And then after his busy day and a busy day coming ahead, he graced us by sitting down with us. So if you haven't seen the interview, please. Please do. It did quite well. There's 150,000 views. Oh, wonderful. That's good. Which is wonderful, because I always wonder, because obviously the big stars, I know I was like, people will probably want to see this, but then the classical singers, I'm like, I hope people, but those are probably some of our most watched interviews. Well, and they tend to be our best because when we start getting into artistry. Yeah, yeah, yeah. That's the bread and butter for us. It was a beautiful, beautiful experience. Yeah. I love Mahesh Galle. Really, really sweet guy, too. Oh, okay, there was just a delay. Yep. Oh, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la. The same song, it was right here on the screen. The Mahesh Galle, Gale. I'm trying to pronounce his name right. Did, and then that we sang at the concert. You sure it sounded and felt like it at one point. It's just a different re-endition of it. Yeah. It felt like it at one point. And obviously I'm saying, because I thought it was Viterre, but it's not. I kept saying Viterre, Viterre, Viterre, Viterre. But it's like V... Yeah. She was saying Viterre, she was a lot softer than I was, but that was just mastery at its finest. Yeah, I'm just repeatedly, and this one was one of the best, astonished by Indian classical music, finding notes within a chord that in Western music, we just don't use, but it exists in the harmonic series if you keep going down that path. But it's staggering. It's just staggering. One of the reasons among many, it wasn't just the spirituality of India, it was the music of India that really impacted and attracted the Beatles. Yeah. Because they understood that. And in their songs, especially the latter parts of their songs, they do some things with chord structures that make no sense when it pertains to Western music, but it does make sense in music theory. The kinds of modes that are used and utilized and accessed, it's not just impressive that they're used, but that a singer, that a singer can find those notes. So if you're working, for example, in musical theater and you're singing different parts, you're often gonna have to, especially if you're a lead, you're gonna have to find a note in your head that wasn't really given to you in the chord that the orchestra played. But it's relative to the key in the chord. It may not be. It happens in phantom. It's one of my favorite moments in phantom where they have just finished singing. And the phantom hits a note at the beginning that is not given to you in the song that was just played. It's in a completely different key. There's nothing relative to it at all, but the singer doing phantom has to know music well enough and be able to hear those things well enough to know that the first note I sing, acapella, you've gotta hit it because the orchestra's gonna be in the right key. And if you don't, you're gonna start either flat or sharp. She did that, not just what, she did it throughout the song. And there were so many times, usually when if you hear me listening to classical music and I make an audible sound, it's cause I can't fathom two things. I can't fathom that musically it was written that way. And even more so, I can't fathom that the singer so effortlessly found that note. It's, as usual, gobsmacking. It's like watching someone painting and you're used to the colors they're using and then all of a sudden they do something and you go, what the heck is that color? Where did that come from? It's that staggering. I just thought it sounded pretty. That too. But I'm stupid. Yeah, that was incredible. Absolutely incredible. She's incredibly gifted. And I'm sure we don't even know the half of it because to really appreciate her, you'd have to have an understanding of the art form itself to truly, you know, the people who know the art form can appreciate her best. Have we reacted to her before? I think we have, she looks familiar. Not seeing anything. No? Oh, she's absolutely beautiful to listen to. Incredible. Takes you on a journey. Just beautiful. Yeah, if there's more from her, please let us know that we can react to it because she was absolutely wonderful. You know, we love listening to these classical singers and performers and that's the interview started with Ustaji, which is incredible. Unbelievable. We've been blessed to talk to some of the greatest of all time at their crafts, the Indian classical artistry and acting obviously. Yeah. Directing, we've got to talk to a ton of people and it's really a blessing and she's absolutely amazing. So please let us know more from her that we can react to down below.