 Alrighty, let's take a look at this Which already did. I think it's definitely better. There's a better progression I think there's still some issues in terms of timing and giving the character enough time to Process what they're seeing what they're doing what they're deciding on and now seeing this Later like that my question to you is But my impression was that you're doing a clear, you know, there's a clear one two three and go Then this happens and then there's another one one two three. Oh, man And then here there's a one and then why would he look here? That's my question and I know we had that before but for some reason watching it now I feel like we can do this one two three and it will be faster and Then it would still end up with this so you do one two three is this but I would close the fingers a bit more So it's a clean paper view and then her arm is up here. So there's no It's a call tangent right there So your your thing will be here is she knowing the fingers are out clear clear gap between these two for negative space, but so it do one two three and then that's your This would be your ends and then she can slap him. I think that would be okay Let's go step by step here. So we're starting off and it's still a bit funky where That's okay, but then he he's kind of looking here And not quite looking at what's going on here and then overall It seems like you have a bit of a drift And the characters going forward. I still think that it's it would be interesting to just have a move at least this far back and Then as he does his Yes Going from here, which is also just a bit rushed you would do this where then you kind of Wiggle yourself forward from but cheek to but cheek You know moving one leg forward and then scooting back in to the will be closer And then this happens and he would do it again, and I guess then you could just leave it I'm just concerned about eyeliner and again the overlap of those arms So I know it's more work But I think it will be just interesting to get a bit more separation than something for her Was then that way you can have if she's further out here, right? And he's further out here and Did with the game? He's happy and then you change it that she's okay with that as well, and they they will both Go forward meaning that okay. It's very clear. It's it's a game. They both are okay with this goes forward And then second game she goes. Oh man, she would stay where she is He would scoot forward a bit more and you could end up then in this position here And this where they both are then this happens and then one two three and then this happens in that way She's close enough to smack him That's personally what I would do in terms of just a visual progression And then you can see how he goes forward once goes forward twice because he's still into this She goes forward once goes okay Why not once then she's frustrated and then she doesn't move forward that would be also kind of a cool visual cue that you know that in her change of Emotion or you know And how she feels about all this and The speed of this is cool one two three. I will keep it within that realm Just one two three goes. Yes. So what I what I'm missing here is that you going? Yes, and straight into this so I would do a That and then he goes. Yes, and from here I will bring those arms down and he looks at her. That's a beat and Then he goes forward like I said scooting forward Into this pose from here to here. It feels like we're rushing through every kind of skipping a couple beats Then this happens. That's all fine. And then what you could do is when He does this right and she goes forward. You could potentially Let's see if I'm sitting here and go forward, you know, she could lift her hands It could be up like this. Oh, that's a great pose Useless scribbles meaning that you know, she's in this pose and when this happens her arms could be maybe just a bit off The the legs just so it's not The thing where this is her pose and throughout the whole thing. She's always stuck in that pose I mean, it's just like that arm is just gonna be constrained there and that's all there is So when this happens here, you lift her arms kind of change the posing a bit and then you go back here one two three Actually what I like here is that you have her lean forward and then when they do the second one I think this is actually cool That he is actually more leaning into because he's more interested in this and she is a bit more Upright, which means that at the very beginning Go back and push this further have her lean in as well, right? So again, she would be further back. He's he would be further back and they're both leaning in meaning They're both interested in this the second one. He's still leaning and she's more straight and then the third one She's all pissed here That's all good. See that's great. He's still leaning in and she's actually leaning back She's really not into this. I think that would be a great progression So you already have a lot of that in there, which is cool So again, we could do this And same thing here you want to three and I think even here you can have a bit of a bigger moment of ha You do a bit of a yes again not as big as this obviously, but just a bit of a bigger moment there And you're mentioning that you tried to out thought process and you're hoping it's reading I think it does it's definitely reading better, but I think you can push this a bit more Especially for her because it feels like we're doing one two three and then on a whoa We go straight into this and we want to see a bit more where one two three and He goes into a ha and then we wonder wow How does she feel and then you can have a very clear Change in her face of ah man, and maybe her shoulders slumped down and she's a bit more like ah Bit bit inflated the back and round in the bit Then this happens and that's good that she goes back a bit And then this happens, you know and also when you go forward like this. It just feels like this is one Rotation forward meaning in one axis so at this point where she's less into it You know it could be me that this arm goes back here and she's a bit more twisted in why so the body is a bit more towards us The arm goes here and even her face could be slightly three quarter my drawings be nothing But slightly three quarters so that when he goes to here You know she could be a bit tilted also away from us. I would just change the posing so it's not here's a pose Here's a pose the only thing that has changed is a rotation through the route going forward so you can change your arm poses you can change the Curvature the tilt the rotation in Y so you have just different There's a different emotion between here and here and you can show that in your overall body pose And this Again, that's great. She's a bit further back. He's still leaning in and I would probably just still go one two three And this could this could be faster than this. This is already pretty fast, which is good But just for variation you can potentially even have more Speed in there. There's a bit more rush one two three So this is progression the first one is a certain speed second one is even faster And the third one is full-on so he gets really into this and she just wants to go over it get over this I Do like this though, I do like that. He looks at his hands and Then back and then slap but again, I would do one two three and that's your third one and goes. Oh, wow And that's cool I like this Face towards us. I'm a little pause But then you could probably Have to watch out if that's his butt cheek here just from a mechanics point of view He's kind of shuffling backwards and sliding back. I would have him Rotate and pivot off this side of the butt cheek So that you know that part of his pelvis here, which means his ear will be here But that's okay because you could just probably take this line out and that will be this would be your render resolution type of aspect ratio So you see a bit more room Or you go crazy where you know, he goes further out And we would say it's almost off which would be kind of weird, but I'm just thinking out loud What if what if we don't see this and it gets off off screen? So we lose the face as an audience we go to the only face that's there Which is her and then she can have a bit of a giggle good for laugh so that she's not going This is a pose. This is the same facial pose. You need some changes in there. She has this which is great This and now that she won now that everything is to her liking How does she feel at the very end? So I think that would be a different pose here, but again, it could be something where Full resolution aspect ratio be something like this or you can see him And then from a technical point of view, you've got to be careful how that IK leg They're stuck of all the rest of the knees are moving Just mechanics wise that hand is kind of floating and not really resting on that leg So just detail stuff towards the end you want to look at that But that's it. That's kind of what I have in terms of Body changes and just ideas that I know it's a pain on the side It's a pain to have him move back and have him scoot forward But I think visually will be more interesting and just mechanics wise would be more interesting than Then basically just staying put throughout and you know, you can you can see the change if I go from front to back He's a bit forward here We can kind of push that but you want to show this with him wiggling forward and trying to change his position was right now He's just kind of sliding you can see that foot here over time. He had just kind of slides forward and drifts So definitely need to address that in terms of proper Body mechanics. All right, that's it. Like I said, thank you All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you