 donc le microfon fonctionne, j'ai poussé le bouton, c'est le 7 mars et c'est le second week-end, hi tout le monde, oh j'ai coupé le son, oh non le son pour le feedback, j'ai tout, vous pouvez voir ma face maintenant mais je changerai ça maintenant, j'ai dit bonjour à tous les gens sur le chat, je vais mettre le chat ici, je vais mettre le couvercle pour que je puisse le cropper plus tard et je vais mettre la caméra sur ma tablette ha ha ha, hello Valvine, hi Ramon, donc aujourd'hui, cette windows est toujours à la top, donc aujourd'hui je voulais montrer tout le travail fait sur les brèches, les next crita default brèches et il sera probablement un live short, peut-être une heure, une heure et un huit, pas longtemps que les deux heures qu'on a eu la semaine dernière ou la semaine avant et j'espère que vous avez aimé cette vidéo, si vous avez une question à n'importe quel moment, cliquez-le dans le chat et j'ai essayé de le lire en même temps, c'est un exercice très difficile mais j'en fais, j'en commence à, à aimer beaucoup, je vais, je vais focuser un peu plus sur mon anglais, donc je vais l'assurer, je vais voir si j'ai un crita ouvert, donc j'ai ouvert, oops, crita et j'ai mis ça de cette façon, donc vous pouvez voir la tablette et pas ma face, ce n'est pas très révélant, ok et ça, je peux le mettre, reposz le webcam comme ça, peut-être comme ça, c'est encore mieux et nous sommes à la place, donc je vais ouvrir juste un nouveau document, c'est un de mes templates, c'est juste un très grand heat digital de papier et je vais zoomer à 50% et nous reviendrons tout ce nouveau bruit, donc juste un peu de contexte avant de commencer, tous les bruits sont un travail collectif, ce n'est pas seulement mon travail, j'ai fait le final touch avec tout le thumbnail, mais tout le travail est fait par Raman Miranda et il est dans le chat, donc vous pouvez lui demander des questions aussi directement sur ça, il y a des presets, il y a des presets faits par Volsira, qui est aussi un développeur, par Pablo Cazorla, je suis désolé si j'ai écrasé un peu le nom, RAD par Scott Petrovic et Razvan, donc nous sommes un petit groupe et juste pour le pass final, c'était difficile de voir qui voulait le thumbnail, qui voulait le style du thumbnail, le style du curveur de pression et c'est juste besoin d'un global pass et aussi il y avait un pool dans la communauté Krita et le résultat de ce pool a montré que 70% de l'utilisateur utilisait mon brushkit, celui sur mon site, je vais le montrer, donc vous pouvez, parce que j'ai préparé des choses sur le second moniteur pour un petit peu de bla bla, ceci, donc ce n'était pas un gros, juste un petit, et j'ai retiré un peu sur ça, mais j'ai marqué le style de celui-ci et tout le brush qui était collectivement fait avant, donc aujourd'hui je vais essayer de demo tout ce brush, donc à premier, je vais commencer par painter ici un petit bloc, parce que je vais montrer l'éraser et si je n'ai rien à l'éraser, c'est un peu difficile, donc j'ai trois éraser à la top, donc le premier est un gros circle, et il y a des expressions, je dirais un sensor, quand il y a un sensor sur le côté, ou un sensor sur la pression à chaque fois, et celui-ci a un sensor sur le côté, donc vous pouvez érainer les petits petits choses, et le large aussi, et bien sûr, un large, un gros pour érainer tout, c'est très classique, je suis désolé pour demo celui-ci, peut-être que l'éraser n'a pas besoin d'un demo, celui-ci est un petit éraser, et vous pouvez voir que c'est un petit bloc, et la forme de square est très conveniente quand vous retirez, et vous utilisez la clé slash sur la clé, pour changer l'éraser au dernier preset, donc j'ai fait le set-up différemment, donc oui, quand je clique, il utilise l'éraser, il automatiquement tombe, et quand je clique sur la clé, il change à l'éraser, et parce que l'éraser, vous voyez la petite forme sur le canvas est une square, c'est très conveniente parce que vous savez toujours que je suis en éraser mode, ou que je suis en éraser mode, même si vous peignez dans une fullscreen comme ça, donc je vais juste regarder un peu à l'éraser du dernier, celui-ci est un soft, donc il y a des expressions sur la pression et sur le flow, l'opposité et le flow, donc vous pouvez éraiser les choses très légèrement, comme ça, ou si vous mettez beaucoup de pression, juste délaissez-les, et c'est bien si vous avez, on dirait, vous faites une ligne de construction, par exemple comme ça, pour un personnage, je le fais très rapidement parce que vous ne voulez probablement pas voir moi en dessous, et vous utilisez cet éraser juste légèrement, juste pour faire la ligne un petit peu plus distante, juste un petit peu plus en arrière, et donc vous pouvez érailler le pencil de nouveau et érailler comme ça sur le dessus, donc c'est tout pour l'éraser 3, je vais juste regarder un peu à l'éraser du chat maintenant, oh oui, il faut bien ramener, oh c'est bon que vous pouvez regarder le streaming sur un smartphone, donc je continue, le next one est le basic, donc tout ce liste de ici à ici, je ne peux pas sélectionner tous, mais c'est le basic preset et il commence avec un gros éraser, donc c'est classique, je vais aller très rapidement sur le basic, ceci est un éraser que vous ressentez le cercle que vous avez sur la table et c'est fait avec le quick brush engine, donc c'est un brush engine qui a seulement le diamètre et l'opacity, vous ne pourrez pas changer rien d'autre dans le slider avec ce brush engine, c'est un très basic brush engine, mais c'est aussi un très très très performant, vous pouvez painting très grand, arrière très rapidement, et vous pouvez faire beaucoup, par exemple, de painting avec ça, même, vous pouvez, avec l'opacity, faire beaucoup de petits overlays et ce preset est sur le top de la liste, parce que même avec un computé crap et même si vous voulez painting, vous ne devriez pas avoir aucun problème de performance avec ce 1, c'est très très rapidement et, oui, j'ai fait un quick barrel ici, c'est, c'est un très très rapidement brush preset, donc ceci est presque le même, mais avec un peu d'expression sur le preset, donc plus j'ai pressé, plus c'est opaque et moins j'ai pressé, plus c'est transparent et vous avez ici des variations avec ce que nous pouvons dire le flow, donc le flow est la transparence, mais de chaque petit dab, donc le dab dans la painting digitale sont les petits cercles qui font un stroke de painting et, comme vous pouvez le voir ici, ils sont tous transparents, donc nous pouvons voir quand ils overlapent ici et ici, et ici, sur ce stroke, comme vous pouvez le voir, c'est continuous, parce que l'opacity est sur le stroke directement et ici c'est sur le, sur chaque dab, donc ceci est la différence entre pressé sur l'opacity et pressé sur le flow, ce sont des termes très digitales, donc ici il y a une autre variation avec les deux, donc il y a une opacity et un flow, à la même fois, donc ici vous avez encore plus de variations et un preset comme ça avec les deux est très bon pour faire un gradient, parce que peut-être que le blanc en blanc n'est pas le meilleur exemple, mais si vous piquez une couleur et une couleur, vous pouvez avoir une transition très smooth avec ce type de preset. Donc, en passant à la prochaine, nous avons un autre basique, mais l'icône commence à sembler comme un petit bruit et ceci juste a l'unité sur le pressé, donc plus je presse, plus je presse, plus je presse, plus je presse, plus je presse, plus je presse, plus je presse c'est un autre très basique et c'est pourquoi c'est en basique et ceci est exactement le même avec un peu d'opacity sur le, donc moins je presse, c'est l'accent transparent et plus je presse, c'est opac et grand. Donc oui, vous avez ici comme ça une combinaison de toutes les basiques et c'est pour tous les painters digitales qui veulent trouver le bruit basique, donc je les mets sur le top et c'est facile à trouver. Et ici, nous avons un bruit qui est un peu différent et ça peut être utilisé pour faire des détails, mais c'est toujours dans le bruit et c'est comme un petit bruit, mais j'ai préféré un petit bruit pour l'icône parce que nous avons sur d'autres parts un bruit et ceci est l'un que j'ai utilisé pour faire mon inking et faire le détail sur le papier et le carot. Donc c'est un bon bruit détaillant, mais un basique. Je vais couper tous les canvasses et maintenant on va trouver la catégorie de l'oeil et je vais tomber un peu sur le chat pour voir votre commentaire. Hello David, how is it going? It's going well. I'm watching from my iPhone issue with my tablette this morning. I hope it works. Wow, sir, really inspired by your works. Thank you, godson. Are you using Krita 4 beta? Yes, I'm using... It's not really the beta, it's the development code from this morning. If I press about Krita, I have here the git and this is the revision number in the code and this is from this morning. Oh, it's a good news from... For the speed brush, I guess, yes. Wow, first time catching this live. Thank you, Léner. I just wanted to say thank you for the great tutorials. I need to produce more. Thank you, Mep Production. Greetings. Hey, Scott. On the list I introduced about all the people who work a lot on making all this brush, Scott took a lot of time on this. I'm really happy to have Anne Ramon and Scott on the chat, too. Now we move to the pencil. At first, there is two pencil from my brush kit. It's exactly the same. It's a 10 pixels and it's only one with 60 opacity and 40 on flow. So it's good to make this little quick sketch about the guideline. Like this for character. I should invent something else. So maybe just a box. And you have just one with the opacity and the flow to overline it. So it's very classic, but I really like them. I put them often on the wheel, on the preset wheel. I have here my little brush. And then this brush are not really made to be especially realistic pencil. But they sort of match very well when I do a scan of my own pencil in reality. So at low opacity, if you see, there is a little grain. It's not really regular. And at high opacity, it's pretty regular and thick. So this one, the third one, is actually the maybe the most realistic pencil if you want to get a little some digital grain, a little of expressivity. And you can sketch. This is a good preset to work at high resolution. So maybe you need to switch at 33% of the viewport. And with this one, you might have this little scratch on the paper. That looks really good. The pencil next to it is another pencil that can go much deeper in the detail because you can do really thin, thin line. And at the same time, if you press really thick. So maybe this is a pencil to make good little cross-hatching. If you have line that you want to make more density with more expression on it. Like that maybe. And then there is this preset I really like because this one is... I will have to look at my webcam. Yes, you can see how I tilt the pencil. So if you have a tablet that supports the tilt. This one, you can see that supports and the rotation and the tilt at the same time. So you can then do sort of shading like that. And it's a bit like using a real pencil. I have one here for the webcam. And putting on a angle like that on the paper. So it's a very good tool for shading. And that's not a preset from my brush kit. And it's a very, very good brush. If you want to get some really good sketching aspect, I guess. That's the word. And the last one of the pencil is this big one. The quick shade. It has different name during the development. And this one is just a brush that makes a big texture like that. And that can help to shade very quickly her area. So you can enlarge it. And if you use it, you can make quickly. Like if you spent a lot of time with a little brush. And shaded a big part of the area. So, yes. You can do that and make some highlights later with a thin brush. It works really well. It renders really a feeling of using a pencil on a smooth paper. If you plan to make more realism, I suggest that you take after a brush back et just extend it with little irregular things just to show that it was done maybe manually. But it's a very good tool. So, the icon, maybe I will enlarge them a bit because we don't need the palette. And because I'm showing them, boom. I know the video is in little, maybe on a lot of smartphones and everything. Yes, the icon is representing little pencil like that. And then there is the next category. And it's the inking. And it starts from here and finish here. So, six. And I will just look at the chat at the same time. Wow. I never understood the use of your alchemy brushes. Oh, it's here. So, yes. I will commit to it. I will show you. I will do a demo of this. Thank you, Lenya. Hello from Texas. Oh, it's surely very early this morning. Here it's the afternoon already in France. Talking about OpenGL. Yes, I hope you can sort it. There is really competent person on the chat that can help with all the GPU and things problem. I will do the dulling setting a lot on the smudge brush. I will come to it when we will come to the wet brush. I take a note in my head. So, for the inking brush, we start by one that I call the annotation, but it's precision because of the previous name on the kit. I like to use to note, to write actually. So, sometimes when I do concept art or when I do a drawing for my coworkers, I like to add some little text. For example, some little text. And if you are familiar with tablet, it's a bit difficult to write with a brush preset. And there is some of the preset that you can do it. And this one is one of them. So, it needs always to be very thin, very little, and has a good precision. So, this is the little preset. And it's also a good one if you press V on the keyboard and you will get the line appearing here. And you can use this preset to also make some good perspective grid things. Or, if you need to trust things on the fly. It's always convenient to have a little line that even at 150% render pretty good. There is no aliasing problem. You can see it's really smooth in the detail. So, a very convenient little one preset. The next one is a bit the same, but more thicker. And this is just because when you do this line work, especially if you are inking with a tool like that, and for example, you making a wheel or something of a car. If you want to switch to a preset to use the V key to draw some line, this one will have a better size automatically to match the inking family. So, because if you use this one, it will be... Ah, sorry, I have preset the V key. But if you use this one, it will make very thin line all the time. And with this one, you will have a more thick line. Ah. So, this one is a good brush to do inking with thin and thick. And when you zoom, it keeps a good anti-aliasing. It will be totally different for this one. It's another pen. But this one does this little texture here. It's not really regular. And it simulates better what happen really on paper. If I take one of my drawing during Inktober and I zoom in after the scan, I can see the line is not really regular. And if I need to match that, this is the best preset to do it. And then there is a brush that does also a little of irregular border like that. And I don't know if you can see it. It's probably difficult on the video with the video quality because it's very subtle. And for a lot of brush presets, you can see in this very subtle detail that they will be different. But when you work, you don't need really... what I want to say. You don't need really big difference. Sometimes just a little... Like this brush for example that does this little paper scratch effect. They look really natural when you remove a bit of black here and there. It looks really more natural than just taking for example this brush that looks a bit the same. But when you do this, this one will be totally regular and will get a perfect rendering. Totally white here and perfect border. This one is, as you can see, a bit more organic. So, the last one of the inking. And it's the Ink Sumi E. Sumi E is a very complex technique and it's not a simulation of that. But this brush uses a Bristol engine. It's a complex engine in Krita that can make all this little air bristle in the stroke. And so, less I press, more it's opaque, more I press. More there is the bristle that divide themselves during the stroke. And so, you can use this to make these little bamboo things. And it's very useful brush to make a lot of cool decoration with that. Like a little rose or something. Just playing a bit because I see that I'm not really drawing in this slide. But I like to demo also all the work that was done on the past week. But it's a very good brush for all this decorative effect. And of course, if you have a character and want to brush the hair with this, I guess you can get a very, very expensive brush. It's a very good brush. So, I will look at the... Yes, Japanese brush. Yes, exactly. Still discussion on the hardware. Ah, will those brush available on my paint? Oh, Damien. My paint has a totally different brush engine. And no, it's not compatible. This does totally something different than my paint. My paint is really advanced in its own way. But they are really two different technology. And so, the brush are not compatible. Ah, yes. Crimson at the... At the answer right already. So, the next brush are the marker. So, I will wipe again this little brush. So, I will wipe again this little experimental sheet going back to 50% of the canvas. Taking black. I will probably take another color for the marker. So, the first one is one sensitive to tilt. So, if you put the pen very, very... I don't know how to say it, but if you tilt it this way, it will be very thin and circular while when you have tilt on the canvas it will be flat and it will take the direction of your hand. So, yes, it's very convenient. I wasn't using this on my previous brush kit because I think I simply didn't know how to set up it properly, this type of effect. And I like to keep it I think it's very convenient and it adds a little bit more expression to all this little stroke. But there is one drawback. It's when you try to grow this type of brush with a shift key and when you maintain shift key it's really hard to see the diameters because you basically set up the diameters when the brush is tilt totally. So, it's not the maximum diameters like this one, but the diameters when you are on this position which is a position more texture and everything but this preset was also unpredictable and had a lot of glitch on the canvas. So, I had to modify it a bit and then we have now a marker like that that do like the self collision and also had this nice little texture into it. So, it works kind of well. Oh, there is a lot of message on the chat. Ah, speaking about live things. And so, just after this we are coming to the painting one. We have the first series here it's the dry painting. So, what is dry versus wet painting? You probably hear this a lot on already on the digital painting. The dry or the regular painting are just a preset that draw on the on the layer you are using and if you pick a color you will just get the color. And wet on the other family here are preset that combine what you have on the canvas with the color you are selecting. So, I'm selecting here yellow and here I have blue already on the canvas and if I press slightly I will obtain a bit of green and if I press a lot I will get the color I decided. With all the preset here you find with a black stroke here you won't get this effect. I take this one I get it maybe by transparency because the preset became more transparent but at no time it mix the stroke already on the canvas with the new one. And with all this one in violet and this one also in green you will get this type of mixing. For example this one, wet you can see that I took some orange and we get a brown on the transition till the orange. So, that was to introduce these are all the paint tool in the next Krita 4.0 and it starts with one little for detail. So, this one has some little bristle like that and can do some little pointy detail. You probably saw it this type of preset a lot in my webcomic, I'm using this a lot. And this one also because I'm I'm more a user of dry for the control and for my character, dry preset like this one and this type also. And for all my background I'm more using the wet to get a mixing effect. So, this one is an interesting one especially Z in glazing. So, when you have a character and there is a color that you need to offset a bit you need to get some color on the top. This one already has like a opacity and flow directly built in the curve like that. That will help you to make some glazing. As you can see I can patch a Harrier like that and glaze it. It's convenient because it also keeps some little expressive edge as you can see here. And this helps to get a more natural effect than the pure digital one. This one does a lot of big stroke like that. And I use edit a lot on the I will show some picture because just demoing the brush like that is more boring than what I thought. So, it was on the storyboard of the spring open movie if I should find it. So, I had a lot of little things like that and for example I think a shot like this one is very representative, yes. So, yes, it's storyboard so I don't have a lot of time to paint that. I probably painted like 10 in a single afternoon, maybe even more. And you can probably see here that if I'm using this type of preset it's matching perfectly because that was what I'm using to put really little things and if I want to put some hair back, yes. Or if I want to shade a bit. So, this is a nice working brush for this type of things. That storyboard looks familiar. What is that from? It's from the next open movie of the Blender Foundation. It's name Spring. Hey, you're Fred Eric. So, Pia Lorena are though the new brush. I can't get tired of the old one, David. They are really awesome. Yes, the old one will be also Delivered inside Krita. So, in the next Krita you will have to go if you want to get the old brush, the brush of Krita 3 by default. You will have to get into Manage Resource here and it will have here the bundles ready with Krita 3 bundles. So, you just have to take it, select it and push it into the active area and all the Krita 3 brushes will populate your brush docker. We are working on it now to make all of this working. So, this brush this brush is a bit particular because I represented with like a little stone like a black stone like a black charcoal or something. It's a preset that is not really natural it doesn't really simulate a charcoal or something but it's a bit digital but it really helps to to set up scenes. I wanted to to show maybe I will just go to Paper and Carrot to my webcomic folder and just show during the episode 1 I'm sure there is still a lot of this brush in the background or everywhere, yes. When you see a line like that in my artwork it's really this brush like that you can see it's the same that get painted and I'm using it a lot you can see here to sketch the scene so if I want to add another drawer here I will just quickly paint like that and I will probably switch to a pointy marker like this one and paint here the new shape that's just a quick workflow about how I do it with this type of brush so on the next one we have this brush dry roller and I'm using it to make a lot of sketches so I will try to find sketches because it's even more fun with showing some artwork at the same time I have a big collection of sketches but at the same time it's hard to pick the one made with preset but this one was done with this type of paint roller yes it's selected in the list when a new artwork is loading so you can see I have this little texture in it and these two are just good to quickly add new shape to a drawing and then here we have the texture red one so the texture red one leaves a very heavy texture on the canvas I will just switch back to my white digital sheet of paper pick a stronger blue color and you can see that if I use the pressure I have some glazing and at the same time leaving some heavy texture so this brush are really good if you are more into simulating traditional media and you want to get brush stroke like if you were using maybe acrylic on a canvas and when the brush is unloaded with a lot of painting it's scrubbing the surface and making visible the pattern on the canvas and at the same time the subtle of the brush here so I really like to use this type of brush in my workflow for simulating sometimes the canvas border around an artwork because I really like this type of brush but I don't usually have a lot of control on them it's really hard to go subtle to make some shading on for example the face of someone or to shade some hair but of course with this type of preset the preset itself take a lot of style in your artwork by itself and this one is a bit similar so it's one that had this little texture of when you use a brush that is a bit wet on a canvas and the layer under already dry so you have a like a plastic effect and the water on your stroke for the glazing is fading and you have all this little bubble that start to appear on your brush so this is a good brush stroke to add some natural to your piece also same for this one this one has a more little scrub on the canvas this is actually the expert scrub brushes I'm just picking something else like that if on the car drawn I want to make a weird reflection or a reflection to show also the material of the car drawn I can use this type of brush it's really good to add at the final stage some expressive little stroke like that or like that to show the material to show the brushing of the surface while getting some control with the brush before you can still add this little stroke dry stroke at the end to simulate better the material and this one that is just another variation about adding some good texture on the canvas so for example you can add things like that or it's very expressive stroke but this one has also a bit of control so at low pressure you scrub the canvas so you can see through it some detail and at high pressure it just cover everything so it's not evident to describe all the work on the brush but I think I'm managing it if you have any question I will read them ah yes storyboard is done does the synthetic trace HG have parallax from UPO or is it really accurate no it's not accurate and there is a huge parallax I think it's like 3 or 4mm it's not like drawing on a sheet of paper it's still very very digital and it needs to get use it to it it took me like 2 months to get used to draw on this because of the parallax because of the distance but when you see me drawing like that on this demo for example I'm not watching at the screen here I'm watching I have a screen in front sorry I'm picking the webcam to show you my point of view I have the Synthic here keyboard and I have a screen in front that is cloning exactly what is it on the Synthic so I'm using it as a regular tablet in 80% of the time because I'm probably most use it to draw I try to fix the webcam but I'm mostly use it to draw on traditional tablet tablet without screen and everything because I'm still very disappointed by the precision of this type of hardware for me it doesn't work and I'm really more precise with a pencil on paper seems I need to Yawout Krita Git this evening Oh ! Ashlinux user or Monjaro user yes I just look at a spring and now I can not believe that I haven't seen this until now it's so cool to see your heart type translated in 3D thank you yes with the social network everyone is in this little bubble and it's really hard to to get known for a project so before it was easier when everyone was for example looking at a forum before the social network because the forum could put some feature rate content and everything but now it depends the retweet or the reshare or the repost and everything and it's really hard because I know people get really afraid to reshare things that their other follower can't really like or something it makes really difficult to get outside the bubble and discover new things I'm happy that this little live stream can make you discover this project oh ! the chat is jumping when there is a new message I just want to thank you for this tutorial and all the work you've done with Krita thank you very much is Ubuntu 16 or is it good for multimedia which is good for Krita I'm using but I never use it oh this type of question I would say that obviously the 16.04 version of Ubuntu is a bit old now with old package but it's at the same time stable so it might be good if you use the ape image of Krita that can be installed in any type of Linux I'm using here the 17.10 version and yes, it's working well with Krita obviously because I'm using it but there is not a lot of tools for the tablet for configuring the tablet or configuring for having, for example the thumbnail on the file manager and everything all needs a workaround or all need to be tweaked it's not out of the box experience so if you know your your things with Ubuntu you can install it for sure it will works but I would say that if you can make Ubuntu 17.10 working for you you probably can make every type of Linux working for you here I'm jumping from time to time to open sues Fedora Arch so yes you can give me almost any type of Linux distribution and now I could make it work but that doesn't mean it will be more quality is that the new darker theme you are using no, that the Krita default the new Krita dark theme is here the darker I will switch to it it's looking better that's a long time I didn't saw the source file of the first episode wow the chat is jumping just wanted to drop in and let you know that I'm a long time fan thank you thank you very much living life I'm blushing I will not show my head I'm very red right now I find drawing on traditional tablette while looking at monitor it's better for my back because yes yes that's a good comment for me it's the same and also the distance with the eyes is also better with the screen so maybe it's a bit more healthier but I'm not sure about this hello David, how was Lozan I'm a bit mad I learned about your visit just one day too late it was really good but I felt also very old because it was a conférence with only people of 20 years old a conférence the audience were around 20 years old so a lot of 17 years old a lot of 23 years old and me I was like the old man like the dad of the show so it was really cool because a lot of anime a lot of cosplay and everything and I really enjoyed it it's a bit frustrating to watch this while working but it's very interesting for a traditional casual drawer to see what those digital brush are actually meant for thank you that's why I'm trying to do this so let's continue the next part is still in the dry but this one are more to simulate all the dry technique like pastel charcoal maybe oil pastel also and it's all the type of preset that when you press lightly you will get texture, paper texture and when you press more you will cover things so sorry there is a cat passing he has to do this go hey so you have a variation here just a small one because it's always good to make some details and this one also covers a bit more so when you need to make some line over it and detail things it's better to have already preset than tweaking the curve on the fly and there is one rounded that leaves a lot of paper texture so it's a bit more dry it's more like a pastel and this one is more like an oil pastel because you have some very slight blending into it and then this little part ends with 3 of my presets from my brush kit and this is the charcoal pencil you probably saw it if you know my channel my youtube channel it's just 3 brushes that are good to sketch sketching, medium and here very thin for detail of course all this brush I have like a little name so it's easier for you to remind to remember them but you can use them as you want this one for example is also good if you take a grey to get like a pencil shading thing and the medium if you choose a color can look really like color red pencil so of course it's always depend how you use them I painted the stem nail just as a suggestion and just as a way to remind about them in a different way it's very different from each other because when I started this work all the brush were looking like this and when you have 3 brush looking like that next each other or 3 like that it's really difficult to know what they are looking good for so my work was to redesign the icon for this and now the wet one so in the wet category I will zoom back a bit we have this one so this one leaves a lot of imperfection on the canvas so when you are scrubbing the color like this I will select another color you can see that this is perfect I have my example you have this little pattern of repetition but at the same time from a distance it can look also like the texture of the canvas so it's pretty good for painting effect painterly effect but of course this brush are demanding a lot of performance because of the texture of the smudging you have another variation here with a more rounded brush tip a bit more control so this one is really good because it has a long way to smudge so if I am taking a color I am taking this yellow and you can see that I pick at this color here but I could like pulling the color from here to this and get all the transition and get my final so it's a very good brush for getting this type of effect so the two here works very well together and then we have the more digital one so this one is a very round circle but the more digital are also convenient when you are looking for something more smooth maybe like coloring some flat comics or everything so more you press more you feed the canvas with the color and less you press more you blend the color the knife the knife is as a tilt expression on it so if I turn my hand you can see that I can get this type of effect and also what I like is it's pretty good about simulating some little imperfection on the border here for example you can see that make a tool ready for making more traditional aspect it can be really good if you have for example you can play with your hand and paint like a roof with it and you want to paint the little tile so with this you can paint the tile into the direction of the roof from distance and then I like a bit of them and if you need to paint the wall for example for a texture under you just have to adapt the rotation of your hand to get the shading or something so it's a very good little brush to probably to sketch a canvas and then when you are ready to add some more material on the top here I will probably take the dry brush and add some scrubbing texture to break a bit the too smooth aspect about it but that's probably personal taste about painting oh yeah very good brush preset and this one, this one is from my brush kit it's probably a bit duplicated with this one so this one was a digital one with a lot of smudging but mine is a bit like the same but a bit more smoother and with a more heavy smooth blending color so yeah you can really I will pick another color so maybe yes you can from a pink like that go to violet over the blue and with this one it's very smooth but with this one it's also very blurry so I like also to blend and have a blurry effect it's very good for making all the cloud and everything psychedelic color and this one this one is wet but comparing to all the other one in the category it's not really one where you will see a lot of wet effect for example if I am over let's say that's a brownie blue grey and I'm taking like a green I will almost replace at 100% every time and I will just see color mixing on the entry on the tail of the brush you can see it each time and this is a brush I am using to make all the almost all the background on paper cut are done with this I will find an example because maybe it's easier with an example yes on the sage of the mountain maybe the last page there is this scene of the bath if I remember yep I will remove the steam effect steam lighten and you can see that all the the even the clothes this year and everything are painted with this one even the the cloud and everything so I will show it just take the right things and if I take this preset the large one I am making just little blob of painting here and with low pressure I am doing a shape like that and I will use a blender just to make it just to blend the base of the cloud for example so as you can see it's really the similar preset I use it for that and same for this if I want to add like a square or something a structure here I just have to paint this so I am blocking just the main shape so the light from the above is this color this color as you can see is the light from this side and I have a shading like that here so I am making the general shape with this brush so it's a little bit blurry on the side and I have some interesting already color smudging and then I select this brush a bit more thin to just add some I don't know, crackers or every detail I need just put thing like that maybe I adjust little variation so when someone say check your edges on a painting it's because for example here the edge doesn't work objects that overlap like this and doesn't smudge like that so I need to make a edge working a bit with a bit more contrast but yeah, you get how it works for this wet brush and how you can use them and obviously you can see how I use it for making this scene it's not really different from that I will keep this scene because I have a blue sky here and I can experiment the watercolor after then we have another brush here that is for exactly also painting some detail but when you use it you can see that at low opacity it has this effect than the brush itself creased the center so I will take another color to show it creased the center where there was more pressure and the painting was shazed on the border of the painting so this is a more traditional effect it's a brush more to simulate this and so if you have paint stroke or something it can help to simulate that this one is one also from a brush kit and it's a smudge brush that has also very subtle bristle so this type of little paint stroke and I think it's good to give some life to the stroke and not go totally digital and has at the same time just a slightly little texture that appear and then you can just take another brush and clean up the edge the edges like that maybe but yeah it looks like a grey cloud that is raining on this scene so I will check now before going to the water paint selection the wowowow ah yes Nootie is a pretty cat yes and sleeps always I don't have a visual of my webcam yes it sleeps always here next to me is very calm a very good cat when he was really little and just a little ball of fur he inspired me the character of carrot sorry it's a french word Crimson the parallax issue is greatly reduced on the new syntic pro models which have a thinner glass oh so you have this model that's good to listen because every time they say that they improve it they improve it they improve it and I not tested yet the new one I love to test it what is the kitty name so it's not carrot it's Nootie like a small note of music I'm drinking a bit of water oh thank you Samuel docker brush presets and you can make a tag example favorite and right click brush and add a tag yes yes yes and I'm working on making the the default tag right now so there will be a favorite with the little star here and with a brush that you can make on your wheel and of course you will be able to customize everything I made a mini version of the kit and a medium one that is not so big and all with everything with every texture and everything so maybe I read some comments that people want some default tag with all the family like the dry family the wet family and have more tag but I'm a bit hesitant and I want to know what do you think about it if we need to get wet, sketch pencils, basic and everything as tag here in the list or if you prefer to just have 3 or 4 minimum and then make your own I think it really depends what is your model of tablette it's a vacuum Cintiq 13 HD ah it was reply hey from San Francisco I love your work you are young sorry for misspelling your name probably and hi from Montauban, France so let's continue we had the watercolor here so the watercolor I kept them into green it's not because you have to paint green things with it I will close this this maybe I will open episode with watercolor effect like probably the page 3 of episode 3 yep so this watercolor effect you can decide to paint with them I will just put a layer on the top like here only work tool, just select the brush and you can create this little diffusion like that for clouds and everything this is a episode where I put some watercolor effect on it so I use a scan of watercolor but also brushes and I use this type of brush to make this type of effect of water and pigment going from white for example so if you look closely it's just a little oval brush that is spinning very very fast and make this little fringe effect so this brush is helpful because it's a wet brush so it picks I took some white but it picks the color of the background here the blue and then if I press go to white and you can get this type of effect I used it a lot also on another comic one of my first on internet maybe it's on archive I just have the thumbnail but it was this one for this one every background if you look at it now have this type of effect everywhere so that's a brush I made in my paint at the origin and I really like it so I made a sort of conversion in Krita and then this brush were proposed by the community and this one I really like because it makes a big texture of watercolor I think it was done with a lot of scan from watercolor and if you pick it maybe in white it will make this effect of texture red but at the same time with fringe and border effect so for example if I put this here so it's good to start with that and then take the fringe one and just polish it a bit because of course Krita is not and there is not a lot of software able to do real watercolor simulation so it's always like tricking it a bit and watercolor for real is also sometimes a nightmare because you want some effect but you can't control them really that the beauty of it but that's also really hard to control into a professional environment so here you have maybe the best from the boss world and the control with some texture and some fringe effect and here you have some extra edges so that's a brush you can take to get some watercolor border edges when you put a lot of water you have all the pigment of the watercolor that flea on the border because here you have a big bubble of water and so when it dry you have this type of effect so it's usually very hard to simulate on computer but here you have brush to help you to simulate that and simulate a bit of dot like that and you have a smaller brush to help you also to make some detail with more fringe effect but there is always a blending between getting the effect and getting the control so yes you have two here with one more effect and one other more control then we have the blender these are brushes that beginners don't understand a lot because they often test it on white pages and this brush doesn't put color you can pick any color you want they will not put this color on your canvas they will just blend on your canvas for example this stain if I want to smooth them I will be able I will pick just color quickly because I need to have something to blend that's a bit extreme but yeah why not so the first one if I zoom does a very it's a very good blending you can really if you go on one side like this and on the other side like that get a very good gradient between any color so first one you will get your stroke visible but second one and you will get usually a very better result so yeah it helps to but to blend the second one is one that blend also but directly blur really quickly things so in a single pass you can get a good result but at the same time everything turn very blurry very fast so this is the type of preset that a lot of manga artist with coloring likes because they can do some hard sell shading and then do a single stroke on it to get some gradient and I I totally like it here I'm mostly using this type of brush when I reduce a bit the opacity to get a little blurry effect so in speed painting it's useful sometime I will open something maybe episode 9 8 maybe episode 8 this page so I have rain but if I have a scene like that and I want the background to be a bit more blurry I can use the filter and the Gaussian effect but I can also use this preset and I reduce a bit the opacity and I can really blur oh this was a bit too quick if I really low opacity I can obtain really subtle blur I don't know if you can see it because on dark color it's probably a very subtle but I will switch back to my other one maybe it was page 3 yes with the gradient and here we have a knif I don't know if I should pronounce the K the knif and this one is like if you take the edge of the knif and do some mixing with it so this is a special technique and you can do it on traditional painting when you have for example water and when you need some blending like that this is a bit specific but I'm sure it will help a lot of traditional painter around and here there is a blender that is already a special effect it's because when I'm doing this brush kit and when I'm reviewing it I had a constrain using also all the brush engine of Krita and this is the grid engine and the grid engine does a lot of things and with this brush preset you can get a pixelated effect like that so it puts everything you touch on the layer because I'm still on a layer on top and with big pixel like that it can be very funny if you look for a very digital look and aspect and then the one of the last blender is the rake so this one make you mix color but also get very expressive effect so it can be used by traditional painter but also if you want some airy effect on a surface spiky things this one is a black blender so there is a blender normal and a black one on the icon and it's just smudge the equivalent of the photoshop a finger there is like a finger icon I didn't want to put a finger because yes you directly have should I paint a yellow finger or a finger just a silhouette of finger and a finger of man of woman or everything so I usually paint a black a black blender so this one doesn't really blend the color so it takes the color under your cursor and move it and by moving it as you can see the other color that were around are just pushed along so it's not really blending it's smudging erase this black blender to show so I will just put two color two very distant color yellow and this purple and this one is really similar to this brush it does just the blending but with a subtle texture so it's not as violent as the rake one this one adds a lot of texture on the mix and this one is more subtle but you always have with this brush kit the more extreme and the more digital and soft that's what I try to do every time and now I will do a little pose to read the chat ooh ooh ooh oh a lot watercolor yeah ah hello David and the finger from Photoshop where do you find it in Krita yes it's a preset and it will be this one blender smear I'm reading our question apart from a thinner glass the Cintiq Pro also has this about pressure levels I always make a little fun about this because it's really hard even with a very good tablet to make more than 6 strokes of different pressure so even if you have one two three four five you see that even one two three four five so yes there is some little variation here here and maybe here so this is really important to have more than 256 but going from this to that was really some marketing marketing marketing to get the higher number because it sells I have a new tablet and I don't have a new number to show that is better than the number before but the guy at the marketing will just laugh at them they want just a better number and when I discuss it to the developer of Krita all this number will be crunched anyway so yes they will be considered as zero point some little number of opacity into this math but a lot will be and between this and this one there is enough quality so this is not really an argument but 4k resolution this is an argument and less parallax this is a very good argument also so thank you for all the the information ah yes Mirza got it right yes the knife can work really well for making wooden texture oh 88 thank you oh discussing the other tablet so I'm back to now the last part of the family so when we cross the blender we start to reach the experimental part of Krita it's not really experimental for everyone there is a lot of user that will really like this part and that will use a lot of brush from this part ah I will include myself into this because there is a lot of brush I really like ah but for example the first one if you saw my blending mode video I will probably skip this one because just in a nutshell oh yes I will pick brush preset to fill her area but yeah maybe in brown like that so the color one will just change the color so if I pick yellow it will change the color in this area so it's a very good brush if you happen to have some area very saturated in a hard work and you want to go to more grayish you can go back to black and white if you want but this is a a set of brush here to adjust the color so this one can bring some light can see that more and more I'm doing some pass more and more it makes some more light light light I will try to open maybe not this one because but for example this one if I want to to make more light on the lantern you can see how it works with this type of brush I could do it with a green so it works really better if you take a very saturated so this is very gray very saturated and very dark and you can increase the light or decrease the light as you want this one is the light end and light end will just fill all the color darker than the color you picked so if I pick this color and I paint all the color like this one I will paint on them but the color bright like the face for example I can't paint on it because it's brighter than the color I have and the result effect like a fog effect because when you have light it can go through the fog and the fog cover all the shadow so if I want to make some mysterious green fog on this scene it's a a very convenient brush for this so that's why I painted like a little smoke machine on this preset I wasn't supposed to dilate everything just the effect this one is a big multiply so it will darken everything there is no mysterious about this and this one is a overlay so depending if you are over the gray the mid gray at 50% you will enlighten and under so this is again to do some adjustment when you have a scene like that and pretend that you prefer that the light of the moon is more intense on the top this is a good preset to do that and more dark on bottom this is extreme of course you need to tweak the opacity to get a more subtle effect and then the shape tool the alchemy tool and I had a question about them so how to use them I will fill this canvas or yes with a blue like that and so this is a brush this one that if you draw a path the origin of the path and the end of the path will be linked every time so as you can see there is a segment here every time so you can draw and design stroke for example with this even if you want to make some shape and it has a very clean border but also it doesn't have a lot of stabilization so you can see all the little shake on your on your brush and this one is very good for designing concept art in a way that when you focus on the shape on the silhouette of an object you can really design quickly the shape with this type of preset so let assume that I want to make a creature if I want to just draw some leg and everything I can quickly we made some very thin things I can use also the eraser I can reduce the opacity to make the other side and why not some sort of wings but this can help me just to design faster some shapes that's why it's the name the shape fill and I kept the little green potion but the logo and it is still the logo of the alchemy project who invented this type of brush and it's a really good project I'm designing a very weird fly so I will remove the fly and in the same category you have also all this tools that are also on the shape category and this one are also inspired from alchemy and it's the pool shape so I will probably try to start from canvas a little bit brighter selecting it boom a little bit less saturated I will activate the symmetry and this just create some parts it draws a lot of little shape like this on the canvas and you have three family of shape one are just abstract shape like that and one is more shape like with pike and bones and everything and this can help to for you to design also things some quick detail on it random detail and there is the sort of game like guessing into the cloud something and for example you start to design something like that and then you start to see something appearing on it for example on this artwork right now I can see the shape of a very massive head of a beer that beer here like that and it gives some textures it gives some ideas it's a good tool to do those things it's like if it's a helmet of someone like a character here just for the fun but I don't like it I shouldn't kill an animal to get a helmet anyway but you get it maybe not for designing a beer this is not maybe the purpose but if you do a quick character a quick silhouette with harm with body and everything like a little dress and probably a weird crown of something and you don't have really high ideas for how to make the design you can just throw a big shape like that and sometime you will get good results it's just provocating the happy accident this is like a voodoo with like a skull mask and everything and then you can just I will use this other clothes or like that and everything so this is just to trigger the imagination these pull shape things and there is this tool here that is a shape square that is a very digital tool that does this type of square here like that it's very good if you want to make some background or even if you want to draw with it you can quickly draw things this is scary I will just put a now it's a ax a lot now this is just big square and it can be used also to make some design a bit more high tech for example in few stroke here you can make the silhouette of a futuristic plane or something and then start to work on it why not use some this type of brush to get some pattern and then clean a bit the edge of course all of this needs a lot of detail when you paint but sometimes it helps to get some really quick ideas especially for concept artists but if you have a comics and if you want to design a specific things you will need also to quickly play with this type this is put some fire booster pew and some pew pew pew and then that's for video game that's not for killing people but you get how to use this family of brush now so with Krita I will just read a bit because I see that is Rorschard is proud of you yes I think he would be terrified to listen to all the shape all the shape I see in every shape but that's exactly the same the same process mirroring makes every doodle bar rock yes I agree so psichedelic hello David thank you so much for your work I use Krita but 6 years for now or 6 years is a lot so you knew a lot of version that's cool and if it's not because of you I wouldn't even know but thank you I'm really liking your comment hi David is color on a vacuum cintiq trade HD is good especially for linux user colors on this screen is not good it's not a good screen it's okay I think it's a okay screen but it's not a very very good screen for for coloring or everything I had here the 100 euro screen and I think it has a better RGB space so wow it's a I think a vacuum should really work on putting better screen on their cintiq I think they do a lot of profit Neruchan I think to buy the 2vH13 it's a computer with a tablet and a stylus and I want to install debian on it I have to tell something about all in one computer and tablet at the same time I'm very afraid of this type of hardware because if the computer is break you also lose your tablet and if your tablet just scratch you also sort of lose your computer I'm not really fan of this all in one even if probably in the future I will buy it and because I think the hardware industry wants everyone of us to buy a device for the sofa a device for the desk and a device for the pocket and a device for this and device for that so they will probably succeed at making me buying like a tablet for for outside for when I travel and everything but I'm still very afraid of getting a computer and a tablet at the same time on the same box Oh Hasvan Nice collection of brush you got there in the default if I were to have one complain is that some of the stamp are pretty low quality overall nice I will come to it thank you Hasvan and Hasvan was also a designer of some of the brush in the default pack as I introduced said on the first I'm coming to all of this Hmm Ah yeah no the voodoo wasn't great it was scary so the next part are the pixel brush here so there is three pixel brush because in the next version of Krita when you zoom you have this grid I thought it was a feature that only Krita had and I was really happy about it and then I saw a video yesterday and I saw other software I got this too and oh I thought it was something really new so I was always excited to show it but probably it's normal for a lot of artists so first you have a brush that can draw make some line and everything and fill the pixel so it's probably not ideal for the pixel artist because I saw that when you do a brush like that oops I have to move my glass because my cat is wants to drink in it so so this brush maybe when you do a diagonal doesn't make a pretty line and I remember that I had on my very old computer software for doing a dedicated pixel art that could do very better oh sorry that's my cat playing with the cable of the webcam nope and in Krita you will get the basic tool but if you draw a circle or everything you will not have the perfect circle as you can see so this is probably because Krita is not a specialized software for pixel art but pixel artists are very welcome and with all the sorry with the webcam I have a fight with the cat he plays with the cable of the webcam and but you can do already a lot of things and because of the animation tool it's already pretty advanced and you have here another preset to fill only a part of the pixel it's do this ring so this ring this effect and you can use it to shade or to brighten some area and there is just one brush a bit bigger that act like a sort of normal brush but very aliased with pixels so it can be good to block quickly a shape or something the clone tool so you have to press control to take the origin and then you can clone the other part nothing to to see about this and the move tool the deform family so the deform family there is the one to expand so this one will grow this part and the one to shrink so this one will shrink this area and between the two there is one to move things so this is convenient to when you need to move for example a part of a design or when you sketch something and you want to move a part there is a drawback with the deform engine it's the result is really blurry so I keep doing this for example you will see that it really destroys the effect but in overall for a quick tweak and at early stage like when you just need to experiment it's really good yes big blaster so there is after the other experimental engine of Krita this one is a particle engine that does this type of shape so it's good to if you want to simulate a smoke effect I think I would use that with this way but if you want to make it bigger it doesn't really grow and you don't have really a thicker side and more space between the web so it's a sort of low resolution tool it works well at 100% because you can see a lot of effect and it's pretty but it's a tool that have difficulties to scale for printing for example and these two brush from the sketch engine that does this type of sketch things when it's when your brush get very close to another stroke you got a feel a webbing between the two so you have this effect sometimes that looks sometimes a bit realistic because when you ink with very fluid and very how can I say yes very fluid ink you have this effect of when you cross your stroke this blob of ink that attracts itself so oh by the way this was another side view this is not the eyes for this side view so there is two brush one with a big webbing effect here so you can see the the connection and one with more natural webbing effect yes the connection are more dark and more deep and then there is this one the curve engine that has a similar approach but does line how can I show it to you it does line along like that so yes I made the vignette the thumbnail of the as a as a feather oh yes you can see the stroke as a feather and it looks good to write something like it's a good preset I think but I will not use it to ink because sometimes you have this very unpredictable little step here on the stroke so it's really hard to predict and a little hole like that or a little effect of webbing like that a good preset to sketch things so bye bye I will replace this maybe with a texture like that I will remove the this symmetry effect and then we have the pointillism and impressionnism so this is like who looks for a preset that can do it's like semi automatic little point like that so I will do it a bit larger and you have a lot of stroke that appear on the screen and they all have your color the one you select but they will pick the color nearby so a bit of violet and a bit of turquoise so you can paint some scene like that but it wasn't designed for people to make all the scene with only this tool for example if you want to make a little path something like that make like green tree it helps to to set up this type of style but of course it doesn't look really natural so you really have when you are done with this type of with this type of thing to take back a brush like one like that and polish stroke by stroke what you wanted to do same for detail or everything etc etc but it can help to make some textures and to get a quickly something for the pointillisme it's this one next to it it's a bit the same but with dots and because it's a brush engine the brush engine spray engine if you want to change the diameter it will not work really it will change the diameter of the area where you can put things on the canvas but not the diameters of the particle so to change that you will have to play into this with the scale of the particle here I'm not sure if it's working but that's not the type of brush engine I have my speciality in this and then there is one preset and this is also a bit sad it's a preset that I I know the the normal textures of 3D and this is a preset using the engine made by Voltira the tangent normal engine with a lot of settings for making normal map normal map is very specialised for 3D so I wasn't able to build a new preset for this and I just kept the preset made in the development of Cretive 4 but I remember the previous version I had a lot of preset for this normal engine and they will be in part of a bundle hey we start to reach the the last part that's taking a little time I will watch the chat it's taking longer than what I thought that accent yes I can't remove it sorry I'm glad you like it because I really can't I don't want to sell you the things but the Cintiq Pro models have a native oh that's good so they are working really on the RGB display that's really good ah yes oh oui David j'ai suggéré un tutoriel pour painting trees landscape, urban landscape et furniture ce sont les choses que pas seulement moi mais beaucoup d'artistes l'ont Rona Mura oui c'est une bonne idée je le prends en considération peut-être pour le prochain streaming merci je suis un fan de Peppercara merci Sonam bonbon bonbon Rochard Van Gogh maintenant donc oui je continuerai avec le autre brush on a ceci et ceci qui est ici pour démarrer un brush engine donc ce brush engine si Krita n'a pas de bug oh Krita oui ça prend longtemps parce que le preview ici avec ce type de brush engine ça prend longtemps donc quand je clique il y a un délai, c'est normal c'est le filtre-engin et le filtre-engin va faire exactement le même que appliquer un filtre ici ou Gaujain Blur ou Agest ou tout mais sous votre brush et c'est pourquoi ils sont vraiment en train de prendre beaucoup de performances donc pour voir comment ça fonctionne ceci fait plus de bleu mais c'est un Gaujain Blur donc si je le presser il va pleurer sous la partie du canvas mais c'est plus pour démarrer le filtre-engin de bleu donc vous pouvez l'enlever ici c'est un filtre Gaujain Blur et 5 pixels 5 pixels et ceci est presque exactement le même mais en utilisant le Sharp donc ça va juste faire le détail un peu plus crispier et puis un peu plus crispier aussi puis nous avons ici 3 tools pour celui qui fait plus de manga manga drawing ou bleu et blanc drawing si il n'y a pas de bleu et blanc donc ceci est un tool qui peut juste l'enlever ce type de texture et vous pouvez le faire un background derrière le caractère et le faire un peu plus noir si vous avez un peu plus ou vous pourriez probablement voir ce type d'effectif c'est un effectif très commun oups je vais choisir pour le faire comme un panneau et puis dans le centre de ce type de panneau vous aurez probablement un petit caractère comme ça donc vous pouvez utiliser le background situation et vous pouvez aussi l'utiliser pour couper quelque chose vous avez aussi le petit dot l'effectif des screentons donc vous pouvez l'utiliser pour couper quelque chose comme couper le caractère ou couper l'air et ici c'est un autre screenton mais ceci est linéaire donc si vous presser si vous ne presserez pas ce sera le même screenton et si vous voulez un petit dot ou un petit dot vous devez aller dans la texture ici, dans l'option et jouer avec la brillance donc oui, ici ça va faire une grande texture avec la taille aussi et vous pouvez vraiment l'utiliser pour faire tout le pattern que vous avez besoin donc si vous avez un screenton de travail c'est probablement mieux de ne pas aller dans le pattern chaque fois et jouer avec la taille et tout mais quand vous avez un preset que vous aimez vous savez un nouveau brush et faites votre propre version et puis vous pouvez dupliquer ceci par 10 et faire tous vos presets screentons et puis toutes les autres parts il y a deux groupes le screenton ici et ici la texture et donc Razvanck ajoute quelques commentaires sur le screenton pas être une bonne qualité et c'est totalement normal j'ai hâte d'avoir une texture comme ça pour une flore ou quelque chose c'est de haute qualité parce que plus vous utilisez et plus vous aurez l'effet comme si vous avez pris une photo et passé quelque chose sur le screenton et le but de la texture comme ça c'est de rapidement avoir le sens d'avoir quelque chose mais pas d'avoir l'actual rendu d'avoir quelque chose pour exemple parce que je ne pense pas que je suis vraiment précédent mais si je veux utiliser un screenton et celui-ci bien sûr c'est bruyant c'est fait pour la purpose parce que celui-ci va m'aider à peindre quelque chose et vous devez en détail sur le top parce que si vous gardez haute qualité, beatmap comme ça pour exemple sur la peinture ça va vraiment devenir un élément pasté donc j'ai préféré les faire sur la peinture j'ai préféré de garder celui-ci qui est un peu plus haute résolution parce que oui, dans le cas de la peinture on regarde pour les silhouettes et c'est bien de ne pas avoir quelque chose de haute qualité donc on peut peut-être se faire un peu comme ça je vais essayer de faire plus oui, même celui-ci ce type de big rake j'ai utilisé il y a un moment pour faire des rousses non rousses rousses parce qu'il a cette texture et c'est rapidement pour couper les choses c'est pas vraiment pour obtenir des choses avec ça c'est un moyen convenant pour travailler avec les choses pour sketcher les choses c'est le bon monde pour sketcher pour exemple, celui-ci pour ajouter le gras c'est mieux de mettre le gras maintenant et puis prendre un bruit thin et brûler sur le top votre propre gras comme ça et avoir des détails un petit fleur peut-être, ou quelque chose et ça brefira totalement le fait que vous utilisez un stamp, comme ça tout ce qui est bleu et la résolution basse va falloir dans le background alors que tous vos rousses ont une meilleure résolution qui est plus définie, comme ça va tomber sur le foreground donc c'est pourquoi je n'aime pas utiliser trop de résolution basse pour un bruit je l'ai updates celui de la montagne parce que pourquoi pas parce que c'est drôle d'avoir des rousses de montagne dans le background très vite c'est aussi quelque chose que vous avez besoin de nettoyer juste ça ne fait pas le sens par exemple et avoir 1, 2, 3 de la même dimension n'est pas bon on veut un contraste donc je ne suis pas vraiment en train d'avoir le parfait stamp mais d'avoir quelque chose d'inviter l'utiliseur d'appliquer je pense que c'est un bon compromis ou quelque chose donc, ensuite sur cette liste, vous avez compris cette liste vous pourriez jouer avec il y a un ici que j'ai gardé pour faire tous les trucs furtifs tout le monde il y a tous les trucs que vous dîtes pour faire tous les plaques les plaques de painting comme ça ça peut être toujours utile et il y a un que j'aime vraiment qui a été designé sur le feu on l'a utilisé pour l'appliquer et c'était le starfield celui-là il a vraiment des petits dots sur ça et oui c'est très subtil mais les petits stars sont vraiment vraiment bons donc c'est encore le jet donc vous devez jouer avec la scale, avec les diameters avec le spacing et tout et le compte vous pouvez faire un gros jet ouf je pense que je vais regretter d'avoir fait ce stroke parce que j'ai déjà écouté mes compétences scrimmer dans le background mais oui il ne me laisse painting quelque chose entre finir donc c'est un bon petit brush effect pour faire star mais ne jouez pas ne jouez pas avec tout le setting comme je l'ai fait, parce que c'est vraiment ressource intensive j'ai mieux de me tuer maintenant comme ça, oui et oui, vous avez un autre petit stamp pour faire plus de petits dots ça va aider à faire un textur un peu plus dure par exemple etc etc donc je vais finir le brush kit donc je vais zoomer le brush kit et si vous avez des questions sur ça je vais le replier et si non je vais terminer le stream mais je vais regarder la question wow, il y avait beaucoup de discussions sur hardware oui, donc ce que j'ai vu Linux sur Vacom Mobile oui, Tizen Tan peut-être hi David je suis désolé, mais je dois avoir mis quelque chose où peut-je avoir ces brushes j'ai checké votre site mais il n'y a que version 8.2 que j'ai déjà j'aime le stream par contre merci Prima Bardin Air Bardin ce brush va être la prochaine brush par défaut avec Crita 4 et Crita 4 va arriver à la fin de mars donc ça va être par défaut, mais si vous pouvez aller au website Crita il y a une version nitelie ou une version beta mais vous devez prendre une qui est très récente, comme une semaine ou 3 jours parce que j'ai juste ajouté ces brushes et si vous voulez jouer avec ces brushes vous êtes bienvenus il y a une version nitelie pour Windows et il y a l'image 8 pour Linux de cette version oui, Crimson est repris, merci je vais regarder tout lent quand c'est fait parce que l'adjustement dans le brush et le jean c'est vraiment ce qui me intrigue oui, je vais probablement faire un live streaming en créant un brush custom parce que je pense que c'est un topic qui est vraiment intéressant et aussi Crita 4.0 sera très bien pour ça parce que vous avez cette preview et quand vous scalez quand vous jouez avec la brillance quand vous ajoutez une taille vous pouvez voir directement l'effect pour override le brush ou pour sauver un nouveau preset et il y a aussi un nouveau libraire icon et vous pouvez décorer votre propre icon et peindre quelque chose et dire, oui, je veux ça pour une copie et renouer et vous en avez comme une copie c'est vraiment facile maintenant pour faire vos propres presets sur Crita 4.0 et je vais essayer de trouver le temps pour faire quelque chose d'autre l'art butterfly, l'artful butterfly oui vous reposerez cette live ? oui, sur le papier et le carot il y a un blog post et j'ai posté tout le live donc c'est celui de la dernière week et c'est celui de la semaine avant et je vais aussi poster une vidéo et je ne vais pas être sur mon canal YouTube parce que je veux garder mon canal YouTube pour le tutoriel donc oui, la nouvelle version est bien oui donc si vous n'avez pas de question je vais prendre cette live streaming ici merci beaucoup pour votre attention j'espère que vous avez appris quelque chose et j'espère que vous aurez aimé sur Crita 4.0 je répète si ce brush kit vous n'avez pas aimé par default sur Crita et vous préférez l'ancien brush de Crita 3.0 il y aura aussi vous devez aller sur le setting managé ressource et il y aura dans le bundle inactive donc vous pouvez directement activer et ce brush vous devez faire seulement votre brush et pas le brush de Crita default vous devez aussi pouvoir nous travaillons beaucoup pour faire tout ça possible moi sur ma scale donc seulement par tweaking ce brush preset et le developer Crita fait un travail d'amaisant et vous pouvez le suivre c'est amaisant, ils font beaucoup de travail donc merci beaucoup tout le monde et à bientôt je vais faire du travail sur ma comique web donc bye bye je vais juste changer la webcam pour vous dire bye bye oui avec cet homme et on dit bye bye