 All right, so let's put it in full first Whoa easy on the shrimp. Those are supposed to be for everybody. Oh, I took a few. Yeah, I took a few hundred Right put that back. Okay. Yo, keep this girl away from the ocean. That's all the shrimps that Whoa easy on always make me laugh. All right, let's see. I think it's overall a lot tighter. That's great Whoa, you just start Well, you're saying here that you mostly focused on jewels. Okay Whoa easy. Oh, I think it would be I know you said this but just as a quick note There's anything you can do to give her just a bit more weight Whoa, she's she's slinkies a bit softly, especially on this step here. It'd be nice to have a little bit more of a Imagine graph it like you to you why has a little bit of an up like you're it's not fully splined But it's also not linear. It's kind of the middle right there so that you can feel Bam that step and it pushes it pushes up the hip and then that and then the route up Through this so this is on your passing. We have the route go a bit higher Whoa easy on the shrimp those are supposed to be for everybody Everybody I Think I'm looking again. I'm looking at her just because so I get some quick notes out there Those are supposed to be for everybody. I think it's okay to have her look up Those are supposed to be like that again in a soft matter For everybody. I don't think you can sharpen everybody I think I would sharpen this a little bit. This is literally a two frame. Maybe Just a bit more of her going wait. I just did this like a little quick down quick over Yeah Maybe even here To this a frame or two out and here frame out, but I like how you stop. It's fairly sharp But still eases in the only thing I would say I pick keys. I would probably just go Fully profile. I don't know if you want to rest for those frames just seeing that part of the eye Just a little bit here Yeah, it's a few hundred. It's not crazy, but it feels like well, I either want to see her. I don't want to see it I think we could either cheat her over so she's a bit more like this or We might as well go fully Is their frame like here But then you get that cheek Silhouettes wonky with that nose, but if you haunt red, why put that back Yo, keep this girl with me rest is pretty good tone. I like how she How she deflates it could also be a little bit of a then she goes that exhale You have it there and I'm wondering if it could be lowering the shoulders a bit earlier This is really not like nothing's wrong. What do you have here? I'm just curious in terms of a look Just to really it's almost like The deflation starts from here like, you know, she got goes a little bit lower Already with the root eyes deflate Slight rotation down then shoulders then chest. I don't know. Maybe maybe that's too literal of you start here and go down It's almost like something where I feel like she you know You can almost be a bit higher with that shoulder and then feel that a bit sooner Yo, keep this girl away from the ocean, but Exit is great now and him Whoa Whoa, I would just be careful. I don't mind how he starts again. It's all very subjective but Like here on that look down. I would find a bit more of a solid moving hold And now this feels a bit too drifty He goes down and that nose keeps on going and then out and this is really again just couple frames I go for all I like it a lot This is really just picky things where you go over there and have like he registers this and it's so offensive to him That it's a bit of a stronger hold. So you'll this hold a bit and then whoa And then watch out even the return here and that stop is a bit soft. I think given his his Outrage anger and condescending nature. It's a bit soft. I think you can be more. Whoa, if a stronger stop Oh easy on the shrimp on the shrimp easy on the shrimp I think it's okay With this because now he's getting into making fun of her. I was gonna say maybe this is a bit sharp But I think it's okay easy on the shrimp because you have a sharpness here ramp. That's supposed to be for everybody The head is great there for everybody The only thing I'll be careful about is when you have like a chest forward move like this I like the head goes up, but I feel like there needs to be a little bit of Rotation in Y towards us just a bit. I'm concerned that we're always at that same angle Through all of this if you watch him right after we're done turning here everybody Yeah, I took a few hundred. It's better there as we start with that lean. I'm just slightly concerned through there That forward move and then move over That weird it ends up being almost like a 2d card We're always on that, you know that that 2d flat angle You don't want to rotate anything in Y and it feels more like a card on the neck Give us a bit more Y Rotation there it goes over for everybody You're everybody like everybody can come back with the nose a bit towards us and then back towards her like that Yeah, I took a few hundred Yeah, if you hundred why put that back then the other thing is this move here Feels a bit even in timing as well put them that translate feels a bit a bit straight turn the graph It's gonna be what could be imagine like he's leaning like that and then He's you know, it's not a super off balance, but it's look quite a lean. So it's almost like he's it's slower Going over there and almost with like a raise like a foot roll He might almost go into like a tippy toe to get higher even higher than her and look down to be mean So that when if you track the head will be why would that back Put them back. There's never that a bit of this in there instead of just that What that that makes sense it over there's a bit slower root up So that the whole thing has a bit more of a what that back put them back Or you know in your case goes over by the bit of a Up and bam, okay. Yo, keep this girl away from the ocean Yo, keep this girl away from the ocean Now you're mentioning this in the email like you have a few issues there my main issue here is his hand It just seems like a default like it fell asleep And he's not able to get into a different pose And it almost looks like it's intersecting. It's so close to the To the lip and the nose. I think I would tighten that up into Hold on you just he does go I don't want it's going to say well, you know, like the hand would be more To his sides as if he's yelling, but then you would have to bring the elbow down I don't know if you're going to be that close. So it's going to be It's going to be a bit of a destructive. No girl away from the ocean I think to me it just more like what is this does this mean This is more like He's yawning versus is that like Hey, I'm telegraphing that I'm yelling out to everybody that you know, I'm being mean to her here I mean it could be that you're here and you keep it low and it's just he has his head out here. Hey But the main impression is that it just feels like a limb Hand that fell asleep while he has the energy ocean That's what this Yo, keep this girl away from the ocean That's what and watch out. There's something hold on might just be me but Like this seems weird like he goes into this Stare like it's almost like a very specific stare at someone over there Ocean I know there's something I think what I'm reacting to is That we're seeing mostly white here just careful with that angle like we're losing a lot of that pupil You'd have to bring that head over to us a bit more so you can see a bit more or cheat that pupil out But I think that's one of the things I'm reacting to that. It's so Hitting it's almost white. It gives me a bit of a creepy Look to it. I don't know. There's something in there. It might also be how much we see here of the white above the Areas in the pupil. I don't know. Maybe they feel he feels really creepy. Oh, maybe that fits. I don't know. Maybe that's his character That's all the shrimps that And anything's great ocean Watch out ocean. This feels a bit strange How this kind of pivots off of here and goes up there Usually I'm all in favor of not making this like an IK Hand where the angle is always the same while all of this is changing But now it almost feels like that hand is too much following that Forearm while he has liquid in there. I think it's a fine line I was going to say if he's like this and he goes up I would counter rotate and keep that cup a bit more level just a bit And the danger is going to be that it's going to look like a weird counter rotation to this and almost feel IK I don't know if that's an IK arm that you have here, but So it might be a tricky thing to do, but it's the only thing here And there's something I don't know again. This feels like the critique ocean of vagueness I just feel like I will keep this around here. So as he goes up Count of that wrist a bit up. That's all the shrimps that Whoa easy on the shrimp This gets also a bit soft. I'm looking at his hand now specifically Whoa easy on the shrimp There's something you tell me you're probably IK There's an IK feel to this at least shrimp Those are supposed to be for everybody. This is great. I love this love that detail everybody now the fingers come back in Yeah, took a few hundred Now I think here on the way back. Yeah, take a few was he's going to lean It's going to tense up everything was he has that lean in your muscles if you off balance It's going to it's going to tighten everywhere. I think you on your way back here You can make that move with the arm a bit sharper. Yeah, took a few hundred like that feels a bit I know it's kind of like hey, but how tight in this is it's not so soft and then tighten the fingers a little bit Yeah, took a few hundred was that to me feels like I'm like, yeah, he has a little bit of a there's some attention in there And I feel like we don't feel it quite in there again. This might be super picky, but Yeah, took a few hundred Keep that back and forth sway a bit stiffer and tighten those fingers a bit Why put that back? Okay, isn't that we also get away from this constant same pose in there? Because then on the way forward put that back now you can relax a bit again Because he's more balanced. It's going to be less tight through there And he has now this focus there back. Okay. Yo, keep this girl away from the ocean That's what the shrimp said I think that's it I hope it helps. I hope it wasn't too vague or too too picky, but you're in a really good spot I don't think I took a few. Yeah, I took a few hundred Why put that back? Okay Yeah, I think that was supposed to be for everybody I'm looking at her, but you haven't you haven't touched her too much. She's on the shrimp Those are supposed to be there's something a bit here's like one of those things where You can't tilt this too much. It would slide off But I see movement in the forearm While this is always the same perfect angle I would give it a bit of a rotation change in this. Those are supposed to be for everybody? Oh, that's cool. Yeah, I took a few hundred Here again that back and forth gets a bit ik feeling. It was very straight Why put that back? Okay. That's great. Do I love that change? That okay. Yo keep this girl away from the And here it gets a bit ik. We suppose it's how angled this is how far And then as we go out with all that change how that kind of stays the same So you might have to move over with this and then rotate that a bit more towards us and flatten that angle just give it a bit more very connected feel to that forearm Yo, keep this girl away from the ocean All right, and I'll leave it at that. All right, thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you