 I'd like to have Daryl come up, and as Daryl comes up this way, I'd like to also mention I just spoke with Don's brother, who happens to be named Daryl. That's right. And his comment was, he's extremely touched by the turnout today and the support the Sheboygan musicians are showing to his brother. And I'm proud of everybody here, and I know he's touched. Thank you, Don, for coming, for Daryl, for coming out. I think every musician in this room, at some point or another, has had the opportunity to sit down with this man and talk about music. And he's led us all and given us amazing opportunities. And I know that Don was a very close personal friend of yours, and Daryl, would you like to share some thoughts with us? Testing, OK. Don Grinder and his dado death, it's just wrong. I'd like to start off by saying thanks to Ed for doing all his hard work and everybody that backed him up. And I wrote out some words here. I can't even read them. OK, have you ever gone through life and tried to speak? And you got a knot in your neck, the size of a watermelon? That's how I feel right now. Don was more than a musician that I worked with. He was like a brother. I probably played about 500 jobs with Don over the 25, 30 years. The Grinder always made me happy. I walked on stage, and I always felt 10 feet tall next to Don. 20 feet tall, maybe. I'm sorry I can't read. I'm not one to have prepared remarks. I'd just like to wing it. And I'm usually a rough bastard, but anyway, I know that Don's up in heaven right now. And he's jamming with Ricky Nelson, Buddy Holly. I know that for sure. They got a band already. You can always tell somebody how they go through life if they love animals. And Don had a deep love for his dog, Queenie. And Hannah, his cat. And if you think of Don, how many in this room can honestly say that they heard Don say one bad thing about anybody? Don was a master musician, as you know. And I remember a lot of times, he used to play these high school dances. And these young guitar players had come up. You could just see them out there. They were just awestruck. And they'd come up to Don and try to speak. And I remember one young kid, he goes up to Don and goes, but he's like, guitar. Don knew what he was saying. Don was really a gentle giant with a very warm heart. I saw a lot of people when Don would come up to him for the first time. They'd get all freaked out. And he got to know him. And he's one of the most wonderful people in the world that I've ever met. Jesus, I can't put all this together. I just want you to know that me and Joel Groms came up to me. He's the bass player with Bogeyman. He stares at me. And I stare at him. We haven't seen each other for years. We can't speak to each other. The message came through. I'm going to let you go. Thank you for your time. And thank you, Daryl. All right, let's hear a little bit from Lorenzo Menzersmith. I'm shining down to find when she's coming. Oh, here she come now. Windows are filled with fraud. I tried to tell you I didn't want you. And if I die on top of the head, I know I'm a babe. Thank you so much. Well, all right. That's a Bob Dylan song, of course. Or Bobby up there from Duluth, Minnesota, you know? Anyway, what a thrill it is to be here playing for you all this afternoon. And in honor of our late friend Don, man, his presence will surely be missed around here. I'm really happy to be up here with my good friend Tony Menzer on the bass. And Victor D. Lorenzo on the drums back there, beating them skins. We got a new CD out. We got them over there on the table on the side, if you want to take a look. And a little tune from that by a fellow named Blind Blake called The Police Dog Blues. Best I came, my trunk weighed down to Tennessee. I shipped my trunk weighed down to Tennessee. It's hard to tell about a man like me. But a gal I couldn't get her off my mind. He passed me upset. She didn't like my gate to bother around her house at night. I'm afraid to bother around her house at night. He's got a police dog, and he's craving for a bit. Gets a chance, gets a chance. I'll travel, I guess I'll let her be. I guess I'll travel now, I guess I'll let her be. Oh, she sicks that poliest I can. That's how they used to play that blues back in the 20s there down in Atlanta, Georgia, and Chicago. I'm going to switch guitars. I'm going to get out a cigar box guitar. Only the finest instruments for these occasions, don't you know? Going to do the song of ours here. Wrote this a while back, but it just doesn't seem to go out of style. This one here is called It Don't Work That Way. The blues of us are the world to be so much better if everyone was just like us. But it don't work that way. Don't work that way. The beach and you can pray. It's hard to believe what you hear anymore. They talk about peace, yet they keep on making war, because it all worked out with a little trouble. Headlines day and night, just keep on spending money, and everything going to be all right. Won't work that way. Won't just go away. Is it all right? Thank you. Thanks. Now here's a song that I know Raw Don played probably hundreds of times in his life, because you can't be a rock and roll guitar player and not play Johnny be Good by Chuck Berry. It's a requirement that you play it at least 100 times before you turn the age of 30. And we're going to play Johnny be Good, but we don't play it like Chuck played it. I don't think Don ever played it this way either. And I'm sorry that he's not here to join us on this one. Here's our take on Johnny be Good. And I close to New Orleans, way back up in the woods among the evergreen. Sits a log cabin made of earth and wood. They lived a country boy named Johnny be Good. He never, ever learned to read or write so well. But he could play a guitar, did like a ringing. But his guitar and a gun it sat, said beneath the trees by the railroad track. Engineers would see him just sitting in the shade, just picking out the rhythm that the drivers made. Well, people passing by, they would stop and say, my, that little country boy can play. His daddy told him one day he would be a man, a big old man. Well, people will be coming from miles around just to hear you play your guitar when the sun goes down. And maybe someday you'll need might be in lights, saying, Johnny be good tonight. Yeah, right, come back no more. Johnny be good, Johnny be good. Thank you, thank you, thank you. Sort of takes Johnny down into the swamp there, don't it, for a little while. Put him on a riverboat. We're going to play a little rock and roll number here. Kind of just straight on. Rock and roll, this is about a highway in Wisconsin here. Cuts across the northern third of the state from Green Bay all the way on over to Eau Claire. So Highway 29, I've been up and down it so many times. I believe I know every crack and crevasse in the old pavement there. So I had to write a song about it, just because that's what I do. This one's called 29 is a Good Road. That's a good roadway to Tattletown. It's so good to get off, good to get off. I ask in the play, put the crews on 74, maybe even 75, if you're feeling like crazy. And there's a big blue prison there. Fence, cops, incarceration, and he asked, what's our town? Go past, what's our town? Gets to jump in when the snow is falling down. Yeah, come down. East end, rolling past Bondiwell. You all heard of Bondiwell. Yes, I'm down on the east end, rolling past Bondiwell. Or maybe it was Sean's time. It's hard to tell, do Tattletown. One more time, boy. We recorded that song about a week later. I was watching the news. And there was, during the midst of all the heatwaves this summer, and the massive, massive heat up north. Highway 29 actually buckled. And there was a car on it. And there was a video of this car flipping in the air. And we take no responsibility as the point of this here. We're on the subject of rock and roll. We're going to play a Carl Perkins song. Him being really one of the greatest of all the rockabilly artists ever. And he put out a little song back in 57 that just kind of shook up the whole world eventually. A little number you might have heard called the Blue Suede Shoes. Well, we're not really a rockabilly band. So we're kind of a blues outfit thing. And so we're going to do it kind of blues outfit thing style here for you. It's a one for the money, two for the show, three to get shoes, and don't you step on my blue suede shoe. Sit down, you can step on my face, you can slander my knee. Here I choose, and don't you choose, honey? You can wreck my car, you can drink all my liquor, here from an old fruit jar. Well, you choose, and don't you a blue suede shoe? My blue suede shoes, baby. My blue suede shoes for satisfaction. No, we do like our long endings, don't we? Five minutes, all right. We're getting the high sign here. Oh, we want to thank everybody. Particularly, we want to thank Ed Stalter for having us here and putting us on. What a fabulous party it's. And what a great reason that we're all here. So Ed Stalter, the Ed Sullivan of Sheboygan. That's right. And twice is pretty, too. We got two more songs for you. We're going to get the heck out of here and get down with the show. This one is older than dirt. This one's called Pay Day. I can do, and I can't get along with you. I'm going to take you back tomorrow, Pay Day. Well, there's a rabbit in the log. I ain't got no rabbit dog. Lord, I hate to see that rabbit get away. Rabbit get. I'm going to keep my skillet greasy if I can. I can't if I can't. Greasy if I can't. Well, I've done all I can do. And I can't get along with you. And I can't get along with you. I'm going to take you back to your mama, Pay Day. Back to your mama, Pay Day. Thank you. We got one more quick one for you here. We'll try to keep it quick. We almost didn't play this song until Tony reminded me we have to play this song in Don's honor. This is a song that, if you ever make it to Madison at 420, they're playing this song every 420 now on Triple M. So you'll dig it. We want you to help us with this, too. You'll know what part is yours. Just help us sing along. We know there's a Jillian singers here in the house. Oh, up on the stage. Everything's better. Yeah, when you check the gauge. I check the gauge. There's a couple of two. I check the gauge. There's a good foot. There's real good stuff. I got to check the gauge. Board style. I'm checking the gauge. A couple of two. Check the gauge. No, don't you rattle, couple two. Check the gauge. It's good for you. Check the gauge. Just a little puff. Check the gauge. It's real good stuff. You've got to check the gauge. Board style. It's a pressure, boy. It's just a little puff. Check the gauge. It's real good stuff. Check the gauge. There it now and there. Well, check the gauge. Just a puff or two. Check the gauge. It's good for you. It's good for you to check the gauge for it's time to check it again The gauge for it's time to check it again Gotta check the gauge for it's time to check it again You had to do that one for Don, right? Thank you Thank you