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Ballets Trockadero | The Dying Swan (DVD highlight)

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Uploaded on Feb 12, 2009

The best of the Ballets Trockadero de Monte Carlo, the world's greatest ballet parodists, known for combining rock-solid classical technique with a blazing love for the art form and a fiendish eye for its conventions and pretensions : now available in a unique DVD box-set !

Vol. 1 : http://amzn.to/2fRnZ2l
Vol. 2 : http://amzn.to/2g6sXvD
Complete box-set : http://amzn.to/2fqi59Y

Subscribe to BelAir Classiques : http://bit.ly/2g1aCPA

Founded in 1974 by a group of ballet enthusiasts for the purpose of presenting a playful, entertaining view of traditional, classical ballet in parody form and en travesti, LES BALLETS TROCKADERO DE MONTE CARLO first performed in the late-late shows in Off-Off Broadway lofts. The TROCKS, as they are affectionately known, quickly garnered a major critical essay by Arlene Croce in The New Yorker, and combined with reviews in The New York Times and The Village Voice, established the Company as an artistic and popular success. By mid 1975, the TROCKS’ inspired blend of their loving knowledge of dance, their comic approach, and the astounding fact that men can, indeed, dance en pointe without falling flat on their faces, was being noted beyond New York. Articles and notices in publications such as Variety, Oui, The London Daily Telegraph, as well as a Richard Avedon photo essay in Vogue, made the Company nationally and internationally known.

The original concept of LES BALLETS TROCKADERO DE MONTE CARLO has not changed. It is a Company of professional male dancers performing the full range of the ballet and modern dance repertoire, including classical and original works in faithful renditions of the manners and conceits of those dance styles. The comedy is achieved by incorporating and exaggerating the foibles, accidents, and underlying incongruities of serious dance. The fact that men dance all the parts–heavy bodies delicately balancing on toes as swans, sylphs, water sprites, romantic princesses, angst-ridden Victorian ladies–enhances rather than mocks the spirit of dance as an art form, delighting and amusing the most knowledgeable, as well as novices, in the audiences. For the future, there are plans for new works in the repertoire: new cities, states and countries to perform in; and for the continuation of the TROCKS’ original purpose: to bring the pleasure of dance to the widest possible audience. They will, as they have done for thirty four years, “Keep on Trockin’.”

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