 So I have some references that I'm trying to work with, so basically we are trying to achieve moods like this, a lot of shadows, you know, to add some punch to the picture. Yeah, I mean he to have some matches more and some tattoo sentences when we come out in Shadda, we hope to see you Pogo and enjoy him. I just want, I want to put a light on one side and shadow on one side. So if I put on 45 degree, the other side too. Yeah, you make me try this on you. The flash, it might not be there. They think the blacks or they absorb the lights. They can increase their ISO's. This is what I'm producing because if somebody points a camera at me and I'm like, come on, that's the problem. The day I come here I can't do, even if I hear wrong. That's what I'm expressing, I go day by day. Because it's a big role, it's a deal. Same. Hey, it's great. If you say you can find a way, oh you do. July. So you are actually older. Goddamn. So, Tisha. So watch the side for me. Is it just looking at you? So watch the side. I'm shooting. You're shooting? Let's go back small. The shadow. The blacks, plenty. Yeah, come out to your set. Now change your body. Change your body. Change your body. I'll just say. Have you had a good job? Yeah. Come back small. Yeah, watch it there. Yeah. Look into the light. You answer me. So laugh for me. But you go look this side. Okay, okay, then look into the light anyway. Open the buttons all. Yeah, then I'll turn the phone on for me. Now, rule the top. I like the... But this will be harder. Hello? How about the shoots? Yes. Can I call you back in like five minutes? I'm wrapping up the shoot then. Okay, sure. Alright, bye. Hey, that's enough. I don't know if they did look at me you, but tilt your head this way. I want to see you.