 My name is Christian Poske. I'm from Germany. I study at Source and the British Library. The title of my PhD is Continuity and Change, a re-study of the fieldwork of Arnold Artie and Barke on the folk and devotional music and dance of Bengal, 1925 to 1956. In terms of day-to-day work, I use the Saumdachife and the British Library, where the Arnold Barke collection is a part of. This collection comprises a lot of recordings on many obsolete recording media, which have fortunately been mostly digitized now. There are a lot of un-catalog recordings which give a good impression of Barke's work, how he managed and how he struggled with the technical limitations of that equipment that he had in that time. It's definitely very interesting to go through this old archival material, although the sound quality is often terrible, but it brings the person definitely alive, I would say. I think the benefits are for the British Library, for Suas and naturally for me also as a student. For the British Library, it's useful to have an academic who evaluates collections that are not yet fully assessed. For Suas, it gives the whole research a more practical outlook also in terms of outreach. And for me, it gives me insight in the two worlds, in the academic world and in the more practical, hands-on world of the British Library Saumdachife.