 As an artist, I'm interested in how we relate to public space. In Australia, I found how the song lines help the aboriginals to describe their landscape, their nature, which for them is public space in music. I then started to make music from buildings, inviting skateboarders or a dancer to translate their architectures according to their own local culture into music. From their thumbs and their slides, I create music to which they can perform in a second act. This Korean dancer takes on the role of a shaman working on the theme of the trauma of the bloody student riots that took place on May 8th, 1980 in Gwangju, South Korea. Now this space in its entirety becomes an instrument that the audience can play whilst plucking the 250 strings that are connected to contact microphones that trigger echoes and delays in a computer. Or cellists can play them, or dancers can dance this space. And finally this music, these song lines are cut into vinyl that are given away to DJs for free, which can use them as samples to create new music, and therefore distribute and share these spaces that we can finally take home in the shape of a song. Thank you very much.