 My name is Adam Linder and I have a show opening today at Moudam called Full Service. It comprises of five choreographic works that are framed as services. So the client, in this case Moudam, can hire the choreographies to be at work per hour or per day. The services they propose to use choreography to transform or enact something. There is a contract that is undertaken with the client and that contract hangs on the wall of the gallery space. And this states how long the service has been hired, for what price per day. And it goes into detail in the way that any contract would regarding the nature of the service that is provided. So I use this space of legalese language to provide a kind of artistic interpretation of how this service is offered. In a way, providing or offering choreography as a service is an extension of the theatrical model. Performing artists have always been providing effective services. And so when my work started to be invited to be shown in an art context, it seemed relevant for me to just find a way to extend the economy of the theatre outside of the theatre.