 Hi my name is Matthew Koshy, I'm the product marketing specialist for Canon for projectors and I'm here to talk to you for our projector solutions that we have here at IRC 2010. You have the 8K projection system right here, how do you do that? Absolutely, so what we have done is we have edge blended four of our native 4K projectors together to create a single 8K solution. This has been made possible with the Pixera 2 server which is delivering all of the content and driving it to each projector. Where's the server? The server is underneath in this inbuilt rack, so you see it there. And how does it merge all these different, is there a camera somewhere that kind of like gives it the feed or? No, so the server takes each feed, distributes it to each projector and accordingly edge blends it as well. So how big is the screen? This is a three and a half meter widescreen. So we're talking about something like 250 inch or something diagonal. 158 inches diagonal. 158, nice. This is using the LCOS technology, right? LCOS technology, yes. So LCOS is liquid crystal and silicon. It's Canon's proprietary technology. How does it compare with the L30 projectors, DLP projectors? What's achievable with the LCOS? Because I see right here, you're talking about 4K, 10-bit, DPX, 60 FPS. There's also an Intel Celeron inside a projector. Is that inside? That's all related to the server, but in terms of the projector, the reason why LCOS is quite unique is because you'll have less gaps in between pixels, so our pixels are denser and thicker, so your image will appear smoother overall. So you'll get a lot more color-rich images and the image overall will be a lot smoother and clearer. So this is the most cutting-edge projector demo in the world right now, 8K. It's not very often people will show 8K. No, so 8K projection is still quite limited at the moment, but because we've now got an 8K camera here as well, we're able to capture the input as well as display the output. So the content you're seeing on the screen there is all shot by Canon 8K camera, so we've got the input ready. We've got everything ready to kind of create an 8K imaging ecosystem. So this is 8K, it's super 35 millimeter. What is this 8K camera? So the camera is a professional video camera in terms of if you wanted more information about that, I can pass you over to the video specialist. And then there's also a bunch of professional lenses. To go with it. People use that for movies? Yes, exactly. So in terms of the lenses we have, we always design the lenses first rather than design the hardware, so we want to make sure that 8K can go through the lens first, but as you can see on the screen, we're able to display 8K content via input cameras. How far are we from a single projector doing 8K? Is this something that's going to happen in 2020? It has to happen before the Olympics, no? I can't tell you when it's going to happen, but maybe, maybe it's coming. But right here you have the four solution that also provides huge brightness, because each of them is doing how much brightness? 6000 lumens brightness per projector. How much is a projector? I can't give you that figure at the moment, but I can get that figure over to you. This is for the professional market? Yes, so it's used a lot in simulation, it's used a lot in museum environments, so every kind of vertical you can imagine that we use this in. And the contrast is great? Yep, very high contrast with L-cost technology, and we've got a native 4K panel as well, so our projectors don't use upscaling technology, they're all native 4K projectors. You don't do the oscillation that some of the cheaper DLP solutions do. So our projectors are only native 4K, so we don't use upscaling technology. All right, but Canon doesn't do these 4K projectors for the consumer market? Not currently, we're more B2B focused, but as I said, who knows where the future takes us. And over here you see something that's talking about the Pro-AV production simulator with a bunch of cameras. What's happening here? So what we've done here is we've rigged three of our camcorders and one cinema camera, so we've got our entry-level XA55 camcorder here, we've got our professional camcorder, the XF705 camcorder here, and we've got our premium cinema camera, the EOS C200 camera here. So the idea here is to replicate a setup that was done in Germany, which you can see over there, where students were practicing videography and using a projector as a scene to shoot on. Projector as a scene. So instead of shooting directly out into the Raya ISC, what we decided to do was use a concert style setting so people could simulate being a professional videographer. All right, cool. And then there's over here a bunch of lenses. Yeah, so this is our army of lenses, everything from projector to broadcast to cinema lenses as well. So Canon's heritage is in glass. It always has been. We've been making glass for a very long time. Lots of technology in doing good glass. It's not easy. No, it's not. So we're really proud of our glass making skills. We really like showing that we create the glass first and then design the hardware behind that as well. So this is the lightest, most compact native 4K projector 6,000 lumens under 20 kilos in weight. One of the lightest on the market. And what you can also see here is our specialist 4K lens as well with it. So it's got the Canon red line around it to show it's the L series lens. Is that the same we saw before? The same projector? No, so this is a different lens. Different lens, but is it the same projector? Yeah. And what's happening here with the CEDE 4K 6021Z? So it's the same projector as I said you saw at the 8K area, but it's using the 4K lens which gives you true edge-to-edge 4K resolution. Do you have any sales in the cinema market or are people using this for cinemas? Not really. Not at the moment for cinemas, but that is definitely a market we're looking to get into as well. So great. And over here we have a robot. Is this a Canon robot? What is this? So this is a new solution by Canon. So it's using our PTZ camera at the top which is acting as the robot's eyes. And then the actual robotic arm is provided by Denso, the Japanese brand, is the robotic arm which is doing all the movements at the moment. It's got another camera on there? Yes, and the software itself is Canon Software 2. So it's able to recognise which block is what and the software tells it where to place it. All right. And what's happening here? Crystal-critical brightness. Yes. So this is our brightest laser projector we do at 7000 lumens, our cost technology. Brightest lens. So the brightest projector? Projector. So 7000 lumens laser, minimal maintenance, no lamps need changing, with our short throw 0.6 lens as well. So 0.5 lens ratio and very big vertical lens shift as well at 86%. All right. So this is an important show for Canon in terms of the AV market? Yeah. So this is our biggest show for audio visual in Europe. It's, I see is massive. We're so pleased to be here. So it's always a big show for us here at IC for Canon. All right. And this kind of market with professional projection is exploding, right? It's booming. Yes, absolutely. So Canon projection is still going strong for us. We're quite unique in that we make sure our brightness projectors are meeting our customer demand. So they used a lot in simulation. We did a really big case study in Germany recently for Daumeyer and they used three of our native 4K projectors to create a 12K presentation rule. So we're going really strong in the simulation and corporate market and it's only hoping to grow this year as well for us.