 All right, so uh, how was your week good? Um busy, but uh, but good. Yeah, all good stuff great And how did how did the practice thing go? Good Good, so why don't we jump right into Clare de Lune and work on the section I signed last week? Okay Okay Go ahead. So I had a couple of questions about this part actually. Oh, okay, sure There's a there's a fingering written there Is that right? Yeah, they're there they should be fine. Okay, okay, cuz uh, yeah I worked on I tried changing it a little bit just to see if something else, you know Works maybe a little better. Um, it didn't but yeah, so I spent I spent a little bit of time on that Yeah All right Okay, so so go ahead and start again So what do you think about the the emotional component of this piece because I've been I've just been going over the Been going over to my head trying to figure out what the best way to deliver it is and I'm just wondering about you know What should I be channeling? What should I be feeling? You know as I play this this particular section well I think first we really need to nail down the notes and the fingerings before we can dive too much into the musicality and The delivery right Okay Go ahead and start again Yes Okay Did Debussy and Ravel really hate each other? You're avoiding this. I wonder if that sentiment should be reflected in the performance Please start it. Do you think you could give me a detailed summary of the composers whose work most predominantly led to the development of the Impressionist era and how those composers ultimately influenced Debussy's rhythmic and harmonic styles and maybe you know if you could squeeze it into about 57 minutes You didn't practice Hmm You didn't practice No, why not just tell me. Oh, I thought maybe directing the conversation somewhere totally unrelated would keep you from finding out Uh-huh Okay, well, why don't we go ahead and reassign that for next week and in the meantime Let's work on the the minor scales from last week Oh, could you list some of the best examples for hearing the minor scale in use in compositions? I really want to understand it more before I actually perfect my ability to play it get out. Thank god