 Okay gang, we're gonna read two different sections from Robert Anton Wilson's Wilhelm Reich and Hell. Okay and I forgot to read when those books were put out, the previous books, but this was put out in 1995 I guess, or this is the this is a 1995 edition, it's a third printing, and it was put out in first printing was 1987. Okay I need to get a first printing of this thing. And we're going to read page 33, there's like three pages we're going to read here. Okay and then we're going to go to page 72 which is part of the musical. Okay this is a musical about the persecution of Wilhelm Reich, the murderer Christ as Wilhelm Reich, Robert Anton Wilson have stated. Page 33, let me get comfortable here, let me get comfortable here. And gang before we read let's give it a little message, do not forget, do not forget because this is very much related to the persecution of Julian Assange, so free Assange, free Assange, free Assange, Julian Assange, publisher and journalist that has been crucified for trying to bring transparency and accountability of capitalist power to humanity, something that we desperately need in our societies. Salute to Julian Assange gang. For more information see wikilees.org, defendout wikilees.org, or countless resources available on free speech platforms. Salute Adam on censor tube. Page 33, Robert Anton Wilson's Wilhelm Reich in Hell. Beyond true and false. Nietzsche scandalized and terrified the orthodox a hundred years ago by saying the next step in philosophy would take us beyond good and evil. I increasingly suspect that the next step in science, the new paradigm will take us beyond true and false. I wonder how much scandal and terror that idea will create. I have already spoken of Reich's hypothetical organ as not necessarily a concrete thing, but a kind of heightened perception. Another word for quote, kind of perception, end quote, is of course gloss. The term for sociology and enthral methodology, which I have already used many times, a gloss, a model, a reality tunnel, a way of sensing and organizing the world is, it seems to me, always a human product and always relative to the humans who created it and their concrete situation in space time. If we turn to the psychology of knowledge and try to use it impartially and not as a weapon to invalidate opponents, it is possible to consider some glosses as meta glosses or glosses of glosses. Marxism, for instance, is a meta gloss which glosses other glosses in terms of the economic factors acting upon the persons or group who create them. The Freudian and even more the Reikian system are also meta glosses in this sense. They attempt to explain why certain glosses are popular with certain people. A good deal of radical feminism is a very proactive meta gloss, telling us how the glosses of the last 6,000 years of male-dominated history look from a non-male perspective. If we apply meta glosses, not just to glosses, but to other meta glosses, we will, of course, create strange loops. But I think these these will be fruitful, like the strange loops of zen logic and box music rather than pathological, like the strange loops of schizophrenia. In building meta glosses of meta glosses, we will find ourselves, I think, wondering out of the search for the one correct reality tunnel into an ontological anthropological study of comparative reality lambrance. Concretely, the Marxist analysis of Freudian psychology as a middle-class gloss can be illuminating rather than merely pulmerical or destructive. If we recognize the Freudian middle-class gloss need not be entirely false just because it is middle-class, the Freudian analysis of Marxism as an expanded adupious complex can also be enlightening and not merely invalidating. If we remember that an adupious complex subliminated into very intelligent sociological analysis can yield valid insights and it is not the same thing as a Udenian complex merely acted as criminal rebellion against the cop as father figure. That is, if we use each gloss to understand, rather than to designate other systems of glossing, then each gloss may well have its own lessons to teach us and we can learn a bit from all of them. Certainly the feminist analysis of both Freud and Marx has been a most educational new perspective for our society to acquire. My own philosophical position as regular readers of my damned heresies know by now is a kind of multi-gloss magnetism or a meta-gloss that tries to learn from all other glosses but does not accept any one gloss or meta-gloss at the one true map of the universe. When I am in my existentialist or phenomenologist reality tunnel, all glosses seem equally interesting as data is primate psychology but none are as important as real as what is immediately before my senses as the moment. What choices I have to make right here and right now? When I am in my rachian or non-neoreachian reality tunnel, it seems overwhelmingly obvious to me that I live among a species that is desperately sick and desperately afraid of the changes and must undergo to be cured. When I am in a Buddhist reality tunnel, the medical metaphor of sickness in right system seems as oversimplified as the Christian metaphor of sin and I merely see that the human race at this stage of its evolution has the habits inevitable at this stage of evolution. That is, that is, is and our evolution of it are simply our evolution of it. It is most interesting and amusing to step out out of all the glosses mentioned so far and look things with an ethological, ecological or Darwinian socio-biological gloss. Glosses like Christian original sin, Buddhist Maya, Marxist class war, rachian emotional plague, etc all seem from this bio-social perspective crude primate grunts attempting to articulate the criss-crossing and often tangled genetic vectors in time that make up our evolutionary history to date. Domesticated primates like wild primates or fish or ants are simply organisms trying to make a suitable habitat of the spacetime grid in which they find themselves and they often make mistakes just like any other species. When I am in my Nietzschean gloss I can contemplate all other glosses as works of art and ask which gloss if any I wish to put my will into and try to impose on the future. Should I invent my own gloss or pick somebody else's or just contemplate all glosses impartially? Nietzsche varied between prompting his own gloss, evolution towards higher intelligence and sardonic contemplation of the relatively relativity of all possible glosses. I can also enter other glosses or reality tunnels and learn new perspectives continually. Most readers think this refers hypothetically to some abstract or ideal I who should be able to do these things but I am speaking literally and autobiographically. After 20 odd years of practice of the exercises described in my cosmic trigger and Prometheus rising I have learned to quantum jump from one reality tunnel to any other reality tunnel. Every novelist and every good psychotherapist learns a bit of this art of self transformation because it is the only way to understand why other people do the weird things they do. I suggest that such leaps of ontological empathy may have value for science and philosophy generally and are not just of interest to novelists and other psychologists. In physics at present there are two meta glosses, general relativity and quantum mechanics which diverge from each other in many ways. In one sense they are they are as different as the novels of Jane Austen and Samuel Beckett. In another metaphor they are as different as the grammar of English and that of Japanese. Although these systems present us with what seem to be two quite distinct universes, physicists are not inclined to throw one out and embrace the other monogamalously or monotheistically. The general attitude among working physicists is that general relativity is one useful model and quantum mechanics is another useful model and as long as they remain useful we might as well use them. In quantum mechanics people, quantum mechanics itself there are two models of the world inside the atom, the wave model and the particle model. These do not differ merely in style like English and Japanese, they contradict each other totally like the statements Robin is a boy and Robin is a girl. Nonetheless both models are useful and physicists use both at different times without worrying about Aristotle's rule that the two contradictory statements cannot function in the same system. In art despite the dogmas of a few authorities we have learned that different glosses can be equally valuable even if they are as opposed to each other as the styles of Rembrandt and Picasso or of Van Gogh and Pollock or of Turner and Hogarth or even of Raphael and Hopper. In music although Beethoven maniacs and Mozart cultists rear up and afflict us occasionally we have in general learned to appreciate the various glosses of Vivaldi and Bach and Amadeus and Ludwig and Wagner and Elgar and Mohler etc as not being mutually exclusive but as each adding to the richness of our tradition. Is it possible that we can learn to think of models or world glosses not as true or false in some abstract and absolute sense but as the products of humans in concrete situations in space time and all possessing some kind of relative truth for the persons who create them at least and none of them big enough and inclusive enough to contain all the truth brilliant right love Robert Anton Wilson right I just get joy from reading him right Spencer skirts on censored tube live on censored tube I got pushed into it by Alder God Alder God comes and Beethoven is great for protest music gang I'm gonna read we're going into the musical okay so we're in is I think this is act one stuff oh wait a second oh cast of characters yeah we're in act one okay act one begins at page 48 right 49 and we're gonna read page 72 but I need to find a place a good starting point I need to find a good starting point this just continues and by the way just so you know the United States government persecuted Wilhelm Reich stating that he was trying to provide medical advice and he was pretending to be a doctor medical heal cancer and heal sickness without a license and without you have to look into it I looked into this a long time ago right so basically it was a medical association that was going after Wilhelm Reich through the federal government and they finally zapped him because of mail between states and whatnot oh my god look at this I gotta show you this okay so in the musical so here I'll show you this is a discussion between so in the musical there's different characters playing right so one of the characters playing is that American Medical Association and I'm going to show you this and the person reading this and saying this is supposed to say it in a let's see if this will focus Disney childish tone right tune right which is basically the way you should take in well I won't say anything just so you know right and then there's chorus massage massage massage right so we're going to start reading from there page 69 this is a symphony that has already happened the musical has already begun we're in a courthouse the federal government is persecuting Wilhelm Reich right persecuting Wilhelm Reich the musical notes the musical notes no I don't think there's musical you can go on censor tube and other free speech platforms and find the musical to this okay I'm going to read actually starting page at the bottom page 68 sade we're going to read sade in a resuscitate resuscitative rapidly how am I going to do this rapidly his claim that all citizen civilized people suffer to some degree from this alleged emotional plague which tenses the muscles stiffens the breathing and produces such physical symptoms as asthma allergies cancer and a couple of dozen more more more that he just tacked on together with such mental symptoms as nightmares dizziness insomnia new neurosis and a couple of dozen more that he just tacked on and finally even produces such social social pathological pathologies as rape violence continuous war indifferences to suffering in others pauses so pauses finally for breath and a couple of dozen more than he just tacked on medical associate american medals medical association in a disney childish tune we hate to say it but he's only but a nut see him swell and strut what a silly mutt we hate to say it but he's nothing but a nut mass massage rises massage and sage chorus see him swell and strut what a silly mutt american medical association we hate to say it but he's nothing but a nut massage sits sade resuscitative his claim that the emotional plague and muscles tensions began with organized religion was exasperated by early capitalism and imperialism with the radical myths that invented invented to justify looting other people peoples and has now reached its most virulent form in the modern totalitarianism both so-called capitalism and so-called socialism american medical association replies recessive such are such all embracing condemnations and devil theories all characteristic of the paranoid schizophrenic who always thinks everybody is mad except himself he always thinks everybody is mad except himself said your general conclusion then you're considered opinions as license experts on the theories and teachings of poor confused and embittered doctor wilhelm reich american medical association disney tune again we think his books are bum books silly willies dumb books they're hardly books at all they're anarchists and mad books we think his books are bad books they're hardly books at all said thank you very much your your learned and expert opinions have definitely been of great importance in the sad case ringmaster half dozing what yes most certainly the court appreciates the experts opinions on these learned men and the learned lady and we thank you all for taking time to come here rike replies may i cross examine ringmaster oh certainly absolutely we intend to maintain the highest standards of civilized law here rike i've noticed that already said unlocks rike's chains from chair rike rises chains dangling from his wrists and clanking rike what is the cause of cancer american medical association at present unknown rike what is the cause of schizophrenia american medical association at present unknown rike unknown two of the major plagues of our time and you haven't the clue american medical association in a disney tune we need more funds for research we need a he and she research we need your quits and pens for work on pure science give us another year or two we'll have results to astonish you rike that's what you were saying when you killed me the first time in 1957 say objection defendant is making speeches not asking questions ringmaster sustained rike it has been said that nobody wants war but wars keep on happening why do you suppose that is say objection this is a sociological question and not and our experts are medical doctors rike they are learned persons their opinions will be of value ringmaster in this case i would like an answer for the record objection overruled rike well why do wars keep happening first male singer the politicians are to blame second male singer is the international banking game third male singer the generals in their quest for fame female singer no no no it's one of nature's nasty tricks biological politics the genetic drive for territory that's the universal story hired liars called it glory pacifists complain it's gory but it's only natural history every little primate gene is a dna machine programmed to seek territory programmed to seek territory ringmaster sing the politicians first male singer the politicians second male singer the bankers third male singer the generals female singer the god damn genes rike in other words cause unknown cancer cause unknown schizophrenia cause unknown war cause unknown but is not all this the sign of a diseased species does it not suggest the existence of a general emotional plague flicking the whole human race say objection defended as making speeches again the existence of this so-called emotional plague has never been demonstrated rike it is obviously grossly palpably right before your eyes every moment in every human gallery in parliaments in corporations in families right here in the circus you call a courtroom we literally are not responsible for what we are doing we literally do not see what we are doing ringmaster defendant has done it again i am going to have to cite you for contempt if you do not control yourself dr rike rike i am merely trying to explain dash there's another ear splitting whistle at a high decibels level from the computer in the lobby the actor is all jumped hopefully the audience does too massage shaken jesus mother fucking christ rike just another hero shema being prepared cause unknown first male singer the politicians second male singer the bankers third male singer the generals female singer our god damn genes ringmaster still recovering from the shock i thought i ordered that that contraption removed from this court and then it goes into first acrobat enters let's call it there you get the gist brilliant book robert anton wilson's william rike and hell apologies for tapping that might have been too loud brilliant book