 It's the mat work! To your process and yourself just do that. But I will say this Is people are discovering music from publications anymore. That's not their goal You go get you can have purposes right now Five racks that will get you a height to be some complex and shit and not gonna do anything for you because Fans aren't finding music from blogs or publications. They're more so of a solidifier It's more of a stamp than a place to get and it's more so for your existing fan base Or for people that look here to go like oh, shit. This guy's legit because he's been in complex But people who've done that shit know that they're not getting any real translation back unless you're already a big artist But they gain more from it than you do. So I always tell people like You realistically don't need to worry about press And so you have like a story to tell and I don't mean like the story being like Such such artists who drop in the project like no, it's this boy. It's fuck. Let's drop. All right. They're not gonna write about that It's like a real narrative built out around you. And then you're trying to push this That's when you want to start talking to the person in the beginning man A lot of your stuff really should be built around digital advertising online marketing And then the real style stuff beating people who like, you know, or like A fucking with you and that you can actually get to because that's going to end up being your leverage when you try to Get these public that they want to know if I write about you are people going to come read this shit I'm sorry If I write up write up about you and you post it How many people are actually going to check it out because if it's not a lot They don't have any incentive to do it because then they they're doing more work. You then you're doing for them um But I'll say a lot of it's just like sticking to the online stuff because it's live It's a lot less expensive to run a facebook ad than it is to hire a public like it's a good publicist Don't run you like minimum like 30 by 100 in a by band like that's from the moment It's like it might be like a mid-level publicist, you know, someone who's still But You could put that same money into facebook ads youtube ads and then go directly to people Collect their information and then there'll be a lot of shit you can do on your own Like it's a lot of the game is Coming the arse fuck up that y'all do out a lot of emotional efforts without any real tangible thing coming out of Like I said, the biggest power you really have is the ability to do some of this online stuff And then just take that and start collecting like email numbers and shit and it gets me Those are the places where you see people like you Building those markets if you see that I'll be running these ads and I got 70 people in Atlanta who are out of date That's my email. This is like cool. Can you start figuring out how you can do something that I don't know how you can do the show out there Um, but yeah, I would say I don't don't worry about pressure like a minute like Like if you start a campaign today Unless you just have the budget for like I said the budget and the public's for I wouldn't just bother Press for like another like Oh, wow, hell yeah, okay, so I definitely been developing a smaller narrative. Um So I have an idea what you're talking about a session with the whole publicity pain So I guess you could say I feel like I'm on the right track. I just need to Continue building up my team so I can have them carry on more of the tasks and what I'm going It's a big doing it all by yourself. Your most important team at this point is your content team and your marketing team Those of y'all and then like your performance team, you know, I can do that shit But like from a pushing yourself out standpoint the content team your marketing team. That's like 60% of the game right there I understand you didn't get him out there. It's like any label High-level manager anybody would say the same shit