 Alrighty, let's watch this in full here. There is no sound and It is also fairly long. It's a nice reference. So I got some notes in there Totally unrelated. No stroma. I love that t-shirt. It's great I also like the blue of your wall. This is totally distracting from I mean my voice is totally distracting from watching this clip here But yeah, I also have the permission to post this with your reference in there. Thanks for having that It's cool to see how you push certain moments good to see your notes and That is that. All right. So the first thing I would say is or it's a question to you Would you consider? shortening this by a lot just because it's If I just watch this gets ready You understand, all right It's gross But then it gets a bit long clearly it is for her because it's being you know Move the place being moved towards her this gets just really really long like all of this Like that could be almost the initial reaction, but then she still tries it. It's all clean in terms of silhouette there But then it's also is the gag supposed to be that it's so gross so that she ends up That's like the double gag that she ends up with the face in it and if so How to be honest I would move that head a bit more so the hair is here We see a bit more of the face and the plate is here and the greenish stuff is really in her face I can make that make a clear point out of that. I'm not quite sure if that is the actual point there now in terms of body a language in pantomime as you're writing this here in the email that's You're conveying how gross she thinks the food is and then her physical reaction. I think all that is clear Like I said to me. It's just really really long What I personally probably push like right off the bat frame one despite offsets in the fingers It's a it's a tiny bit even their mirrors And with the very horizontal head orientation versus what if we start here like I would even start There where she's slightly up Looking she's ready to to get seated Sits down Instead of this I think having a bit of a just sitting down. Maybe the hand is here and she's ready Sits down gets into this so that we're not So towards us like at the the beginning is mostly this way Then this comes in and then she can turn So it's less just kind of straight down. She has a bit of a turn here But it's still fairly straight and watch out a lot of twinning there And this is fairly broken that neck going this way and the neck going this way I'll bring that in with a certain line either your lower neck You know flowing into the head there, but again, so we're talking about body language here Again between and straight towards us Okay, you might even have the thing coming from here and she's just ever so slightly more three-quarters It's not so straight towards us. That way you'll have a bit more asymmetry visually This to be honest, I don't think this is needed just because it's again watch out with some twinning She goes really. Oh, yeah, it's really it's great. Like, I don't know It just takes a long time This is almost a bit too simple of that's great Is there anything potentially if you really want to include this where we can Make that a bit more original with the gesture No, again, I would I would go sit down Goes into this and then straight to that And then but not so long This could even be shorter where she brings it up just to smell it and then immediately gets to That reaction then I wonder I mean that is definitely the big point here that she does that so would have to be She looks there like to me I would trade in Moment of this somewhere here where when she does this Then you stay almost locked and only the eyes pop up to go hard and then whitening and Then she nods and then she brings it in for that And like I said, this would be pushed more this way ahead so we can see the landing in there This gets all nicer in terms of Silhouette and asymmetry all that is nice there This is a bit unfortunate this right there with that with a tangent So I would bring that out, but again, I would personally bring this from here color silhouette to the nose so she can immediately go from Oh, really? What is this? Oh, that's gross. We're gonna eat it. All right. Well But condense those moments. I feel like this whole thing could be half the length But that's not my shop and that's if that's what you want to do. That's only fine I that's just a subjective thought there. Let me know email me what you think about Condensing or changing things or kind of reducing the length of this other than that. That's that. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way like and subscribe would be awesome. All right. Thank you