 Tommasha No, what we're doing behind the scenes. I like back to our super direction. It's a Corbin. I'm actually I'm right He calls it hits the ground. It's a juicy comment. It's so juicy So good And today we were acting today behind the scenes of the Tasha was the director. He's happy. I think he's going he says inside the scene I'm I think it's the scene in the bar. Cool. So we're gonna talk about a little bit This is the director that so say hi director of that scene or the whole movie. I think I had 27 Just one for each scene. Here we go. There's only 27 scenes. Hi. This is in terms really and We are talking about the scene from the film Tommasha. It's a scene that became very popular It's in a cafe area where the two characters played by Ranbir and Deepika called beer and Tara have a And that was poor or Disagreement To begin with I feel that it's a modern metropolitan Tragedy that we have to make our personal emotions public I remember when I was shooting or not shooting maybe just some place in Europe There was a girl sitting on a bench and crying And she was this consulate and people were coming and going and some of them were looking at her as well But she couldn't help it and this is where this this scene is inspired from from this girl and that thought so right from the beginning Vade is Being elusive and Tara that is Deepika wants to meet and confront and Vade wants to go away because he is not So sure of what he's feeling right at the outset artificiality from Vade because he actually is Then at the cafe first he sees Tara coming in then he comes up takes out his phone and pretends as though he's not seen her So it's very difficult for him to be real at this point. So he's being artificial in order to hide You know sometimes you really fear those people that can see through you Should we? Yes, no. So I feel that One of the reasons why I think people might like this scene is the fact that The two aspects of this character Vade Are very distinctly seen in the same person And you of course the important thing that I have to say over here Is that you need an actor like Raleigh or like Deepika to play these scenes It's if you look at it, it's it's very performance oriented. It's only because they did it so well that it's good I think with Ranveer and Deepika is all it's all it's always Just to make them understand even before I think I'd written the scene While in the office I remember Deepika and Ranveer and I were talking about it There was a half written scene or something and then they just went through that and then they got it and Then they improvised it just include that time where he moves away from her goes out of the cafeteria Goes and I was in for five. She comes back looking for him She finds him and then certain things that happened the fact that she sits on the floor that he Walks away from her even then and those things actually happened in that improvisation I didn't even have those things in mind and he's saying I won't do anything crazy today He's also pretending to be It's not possible for him to just be an ordinary person either You know so the fight is actually inside him and that becomes a proactive force for this scene The moment he says She's so careful and she knows that she's saying one word and he will fly off the handle She uses the word complex the moment she says complex. I think that's what the trigger was for him to Go on. It's a very cruel scene I feel you will feel that the guy is Constantly aware of the fact that he's been unfair to her Because she does not deserve this rudeness and this bad treatment But it is said that you can only hurt those people that you love if you love somebody more You can hurt them more And that's what's going on and the cruelty is in the fact that he's aware of what he's doing And he can't stop himself because he finds in himself some volcano erupting at this point of time For Deepika I'd like to say this that this scene was shot over two nights because this place this cafeteria Social which was I think the first social that I had seen him In the in the country was in Delhi if I was cast now There's a point of time where Tara would start crying. She would break down Okay, and then we shoot We shoot angles, right? So to bring her back to the point where she was not crying and then take her back again over that bridge of breaking down Had to be had to be someone negotiated now I know a very well and I'm extremely fond of her So I was watching her and I knew where she was going emotionally and I was always cutting the shot Sometimes a great shot was going on I had to cut it because I didn't want her to break down because then they would be no recovery And then the whole of the next day would be left I remember myself watching her that I would stop this shot in a good shot also and say this is fine Let's do that part just to like bring her out of there and Not make a break down Beautifully shot I'm sorry. I'm not like praising my work like now that I'm watching this film It's been a while and I feel I'm watching somebody else's film Really, I remember certain things but I'm not taking credit for anything. That's good Nicely shot by Raviv Arman. I feel the cinematography is nice And then we come to this very symbolic shot Which even while it was going on because the emotion was so pure it Where he is looking at her standing and she's looking up at him sitting like it's beautiful For us it was very cinematic even in that way Because there was you know, I think things are cinematic when people are so Full of the character they are playing and he's trying to release himself from her There are certain things you do That are shameful You do them alone. You don't do them in front of other people. You start singing this And he's behaving like that in front of her Ironically, he is in that way so naked in front of her. It actually makes me feel ashamed to see all this Maybe that's why people liked it Because they could also feel this feeling of shame, you know A modern girl, why would she take this shit? But then why would any woman take shit? But she is and she she can't even help it. That's shameful itself And it's aggressive. It is Like desperate. I think it's desperate. This is everything about the scene is extremely desperate. Yeah There are a lot of things that are said over here that are significant One of them is this that sometimes you become something in front of somebody And that is your true self Whether it is harsh or pleasant, but it's your true self and that is exactly what Tara has done to Wade in the film There were a lot of comments about Ranbir's character, Wade being bipolar And I think it comes from scenes like this the fact that he is playing two personalities or two behavior I would like to clarify that bipolar is a Clinical condition in psychiatric. Thank you. I'm not going to say that he's bipolar because that's really You know, it's only it's a very technical and a clinical thing But loosely used bipolar, they say it's crazy. So bipolar behavior is there, you can say So they are nice to differentiate that the fact that he is they are struggling He's struggling to get released from her and she's struggling to catch on to him because she knows that there is something very precious for both of them And finally she hugs him and at that point of time there is nothing to do For both of them and that's when this song begins The little trivia about the song is that we made one song for this situation and then After a while it will all go great lyrics written It was a rough version and we everyone loved it. Deepika really loves that song So we went there and we shot that whole song Which is not a lip sync if you notice there are very few shots in it very few shots, especially inside the cafeteria And so just the song had to hold for a long time and people Who are in the frame were You know had to be connected to the song. So it was very specific. That's why I wanted the song In a good stage before the shooting. So anyway, we shot with that song And then later Raman sir said should we try again for that situation? It's not non lip sync, right? So we can you know try one more time. So why is this mind doing this? It's a great song people love it. They won't even like entertain the thought of having another song here But he said okay, let's but then I ultimately my whole thing is yeah, why not? I already have this I don't know what Raman sir felt about this. He was and then he came up with this song I think it was the fourth song not even the third That's a great moment I was something in this tune. It it has come into the line You know that part the the quality of that composition is such that I just couldn't Not make this song The final one Deepika believes that the previous song was better Most of the crew believes that various other songs of this one which was better than this one But this became the most popular song of the album for sure Difficult shots to light because again very few shots just towards three of them The one that I liked and have kept the most in the edit as well Is just a nightmare for a cameraman because it stays straight under here You don't lose glycerin and stuff like that because there is never a brief of you have to cry at this point never Good, I don't think crying or like tears coming out of your eyes is any better acting than if it doesn't Nope, no, it's not it happens sometimes Exactly and sometimes it doesn't Oh if you can cry inside the scene of Tamasha And uh, I feel very nice and much more in love with Deepika and Ranveer now after having watched this Me too Scene and this song Absolutely You were a very talented man, sir. That was great and I love Yeah, I love that It was confirmed we thought it was like a lot of it is a lot of it Yeah, it looks like because that certain things in there you just It's you can't write it. You can't write what they do. Yeah, uh, I guess writers would disagree but You could but it's very difficult to make it look germane and natural because it can can be contrived Because the actor knows that he's supposed to do that. I suppose to just doing what he's doing Yeah, exactly which I'm glad this is he's the type of the director that lets Performers perform I mean doing honor to the script and do not or what he wants but letting them Because I think everything comes out a lot more organically when it's in its whites film is probably the most collaborative Art process there is I think I agree and clearly aware of the toil A scene like that can take on an actor And made sure he didn't go too long on some shots because it was out of sequence There's no way she could go if she went to the full place that was going to take her And it's a two day shoot for that scene. She'd be fried. It'd be totally fried And day shoots aren't just like Seven hours. There's no no 12 to 15 hours 15 hour days a lot of sitting around Yeah, and then you've got to find that place again and then pull back and be where you were before it So very very sensitive for him to do that. Yeah I loved how much he talked about their processes Yes, that was super cool because he could have talked a lot more about just his standpoint on the directing but he talked about the cinematography and What he did with the actors. I just loved that. Yeah Yeah, I like I like the this this format of the director actually because they're the one with the inside and To the scene. Yeah, this is I wanted to see I wanted to see one of these with with sanjay and Vishal Bhardwaj And I'd love to see we kind of saw Zoeya did it with gullywood that long extended one or um, and you had gush up as well Yeah, yeah, we saw that as well. Which I'd let farhan optar loved it and any director It's just it gives you insight Into how they run things on set and their artistic vision and it is always Enlightening He's gonna be okay really