 Hey, what's good y'all? It's your boy Dom from the Down Show and friends and we back for another K-pop reaction. Now, what we're going to be doing next is Blackpink shutdown dance performance video. So, performance video, did you add another layer to the choreography? I don't think that I watched the dance practice of this, but I will go back if y'all want me to. I'll probably watch it anyway. But I'm already going to expect already that with the choreography, the other layers them really work in this camera. So, I look forward to that. So, please hit the like button, share and other than that, y'all, I appreciate y'all support. We are on a roll for more subscribers, more likes, more shares, more dancing, more boom, boom, boom, boom, boom. So, let's get into it y'all. And three, two, one. Let's see what we got. Ooh, okay. Okay. Okay. See already what I like. It's not the dance move. I'm not going to lie y'all, it's the dance move. It's how they did it. They let it sit a little bit, made me, you know what I'm saying? Yeah, I want that. Don't get me. Get me. Yeah, get me that. I'm never going to be mad at that. Okay, we working camera now. I like that wide shot. The close-up, take that back. I like that shot at Carter. If you watch this part, look at this man. We might need to mess with this shot right here. Look how wide it is with the close-up. And then it come in, back that. And we need to mess with that. We need to mess with that. Don't mind me y'all eat my dinner, because I got to do a lot of work tonight. So, let's get back into it. Let's see. What we doing right here? Two, one, two, one, two. Boom, boom, mm-hmm. Now how we get there, slid over. That was an all the way through shot, so they walked all the way over. Okay, how we working this camera though? Ah, ooh, see, a lot of movements for me, for me. The orange phrases. I love that. You see they so nice and so crisp. Her attitude with the camera is not like a, it's more like a, all them different layers. The expression, all in the face with this attitude. Watch again. The real sassy. Boom, oh, you see, yeah, she's all in it. Yeah, just ah, ah, ah, ah, yeah. I love with the hands. Look at that. Look, perfect shot. Perfect shot at 24 seconds. Somebody need to screenshot that, put that on a poster. Take a take next time I get an autograph. So, but I love this. I love what they was doing with their hands. The sets. Yeah, you got to watch that. That was cold. What are we doing? Hit the dun dun dun dun dun. So they just grew that. Just little grew slides. Hit up and turn with the camera. Great camera, great camera. I know y'all mad at me like, don't stop. It's layers that I'm seeing right now that I think that I would love to do for my own personal work. Cause I love this close up groundwork, upper body, full body, okay, upper body. And then we don't really get no full body right now until there, but they get that close up coming in, slide in back. I need to see the dance practice. There's some things that I want to see that was that they do. Hold on, but what was that a, was that a cut of ongoing? Okay. Is this ongoing choreography? Flip. I don't know. I don't know if the camera did switch or not, but it does look like a wide shot. Let's see what they do. Okay. That was nice. I like the attitude with this. Came with the hands. Working that camera. Well, yeah, I like that. I like that. It's the little things. Let's go. Yeah, those are different size. That's not the same camera. That's some edit. That's edit. Yeah. Hey, hey, nice effect. Nice effect. Okay. Hey, that's catchy. So y'all definitely doing this choreography on take time. I bet y'all are. I know y'all are. Yeah. Good shot. You can never go wrong. Hey, we talked about this. I love my full body shots, but every once in a while I take one of these shots close up. Hmm. Can we get a wide shot there? Yeah. I was wondering if you would go wide air with the groove. Come back to just a little bit. Okay. I was wondering if we was gonna get that. Hmm. What you gonna do after that? Ah, so for me in this choreography. It's very catchy. I know y'all like Doug and I agree with you to Doug. I like that it's catchy because this right here with this beat that's really going right now. I just think about the layers, right? Concert. How, how would it be if I did this in concert and everybody in the audience can do the same thing that I'm doing, which could really market it more faster. Don't get me wrong. You get your real difficult choreography that make you go ooo and aah, but every once in a while you kind of build a choreography that is able to let everyone catch it. And choreographers, they know how to do that even myself. Like we, I don't know what I really call that. I just, I don't know if it's simplicity. You know what I'm saying? But for me is that I know when to make choreography where everybody can catch on to it and I can see people are like trying to redo it. And I have seen videos on here that people that are big fans of these groups that are redoing the choreography. So I'm just keeping that right now. Like how choreography is made with these groups. Who's the most difficult choreography and who has the most simpler, but still got that spice to it? That's my intake. Back to the video. Let's see what we got. That close, that close up was cool with the camera. He's doing that. He got a little more aggressive with the camera here since I don't know who's behind that camera. But that close up that is doing that kind of give you that feel of the arms. Mm hmm. Some of the things that I had to learn how to pay attention to. Okay. I ain't really care for that shot. Hmm. Okay. Okay. Hold on. Go back. Oh, I smile for you. Give my good side. I like that. So that choreography was definitely built for the camera. All that upper body movement right there. All that was just straight up a body. And then when they try to go to the ground, she just slid up with the group. Change the color. Okay. Hey. Swerve and there's that can go back to it. Hey. Okay. Now now it seems like the camera. Okay posing. Now it comes to the point where the camera work. It's a little more moving around. I was like, hmm. So if you look, look at it. Cameras started really get moving a little bit more. More effects. The shutdown boom boom. Look at that. Got all up in the close up. Get the back up. White shot. I like that. I work with that. I work with that. Hmm. Let's go. Let's go. Okay. Okay. Hmm. Okay. Yeah, it's a lot of upper body work. So for me, I just the choreography is more focused on being up than being more down. So this was really built to really work that camera. It's really working that camera in the middle of the video. Hey, shout out to the choreographer. You know your mission. You know your assignment handle your assignment. Yeah. Not a lot of ground work on the ground. Everything is up. It's even you can even feel like the cameras like that too. Did she just say keep talking. We gonna shut it down. Was this a diss track? No, I was playing. Was it a diss track for real? I was the one. No, I was the one. No, but no, yes, black paint. What do you expect? I mean, my goodness. I think for me is that I what I like is this is with them. They really put that camera work attitude in there. Like you don't get them just kind of like just they kind of be like, no, come here. Come here. Bing, Bing in your face. Bing, Bing, Bing, Bing hands. But it's for me. It's like, I got to see some more now. Now I got to see a little bit more and I got to keep watching more like now because I want to see the ones where they get crazy with this and now where they not worried about having to catch a choreography with a choreography where they like catch up. That's why we want to see y'all know I'm here. I'm here for the dance always, but the beat by the way and like, yeah, this choreography one thing I respect about is that they work this camera. There was no time wasted with this camera. No time wasted. No time wasted. Like that's that's that's working in the industry. They be like, that's how you work the mother. Well, but the mother suck up camera. That's for real because a lot of people don't. And that's a big deal. That plays a part of the texture of the dancing. If they have asked this, no one is going to like this choreography. So look at them going to work the grooves and moving the smile, the attitude, the boom, like all that plays a part of the choreography. We're talking about layers. Okay. Layers everything you need to work every time I get that camera close. You better know what you're doing as a director. Like you got to know what you're doing. You got to know that cameras always there. So you better be careful. Yarn it in the piece. Cut somebody sneeze do it over again. That plays a part. A lot of people could do do choreography, but don't have no expression on their face. They just be like, there's nothing. There's no expression. There's no. You got to have that. So that's why I like black paint. No matter what, every time you look at a certain angle, everybody is working the camera. Everybody got the attitude. They turn to come back. Boom. I'm here now. What's up with a shutdown? That's why I like that. So listen y'all. I appreciate y'all. You won't be if you want more black paint, you know what to do. Talk your shit in the comments. All right, but I love and appreciate y'all more videos on the way. I see y'all soon. Peace.