 Mae'r ffordd yma yng Nghymru, neu'r ffordd mewn Mogo Fest 2018, ac mae'r ffordd yn gweithio i'r unrhyw gwaith y ffordd hon. yn 30 minu â'r ffordd. Gweithredu, Mogo yn ymddangos cymaint. Yn ymddangos cymaint, ymddangos cymaint yn gweithio bod yn gweithio'r ei ffordd. Fydden ni'n byw'r ffordd, ymddangos cymaint yn ei ffordd, Mae'n gweithio'r ffordd y rai, os ydych chi'n gweithio'r ffordd yma, mae'n mwyaf i'r ysgawdd ymddangos iawn. Yn y bwysig yma, mae'n gweithio'r cyffredinol hi i 1,000 rai, ac mae'n gweithio'r clyweddol i'r rai, mae'n gweithio. Felly mae'n gweithio'r ffordd ymrwynt? Mae'n gweithio'r ffordd ymddangos iawn, mae'n gweithio'r ffordd ar y cyfanyddol. rydyn ni'n gallu bwysig yn arweinyddol. A fynd i'r opportunitys i gael ddweud i fynd yn ymgyrch. A'r ddyn ni'n allwch i'r pryd yn ymgyrch sy'n ddweud i fynd i fynd i fynd i fynd i'r opportunitys. Rhywbeth, rydyn ni'n gallu ei gael i Mojofest yn Gwyllwy yn Y Llywodraeth. Yr ystafell y llwr i'r hyn yn fwy ymgyrch yn ymgyrch. Rydyn ni'n gallu'r hyn yn dweud i fynd i'r hyn ymgyrch. Ac mae'n meddwl, dwi'n rhan o'r ddafod o'r cyfrans, yn Gawwyrwyll Cymru, mae'n meddwl, mae'n meddwl bod ydw i'ch gael iawn. Ond mai'n meddwl, ydw i'ch gael iawn. Ond, gwrth gwrs, mae gennych i ddim yn gwneud y ddau 4 grwmpas, mae'n meddwl i'ch ddweud o'r ddim yn cerddau, mae'r pannu'r sesiynau, mae'n meddwl o'r ddweud o ddim yn ddullogion counting from all areas of media production from web, TV, radio. A lot of journalists, a lot of young people there, people from all over the world. And they were essentially sharing their knowledge and experiences of mojo. So from now on that's it mojo. So just think about mojo, mobile journalism. So in all different aspects. Why? 75% of photography is being in the right place at the right time. Mae'r cyfnod ar hyn yn gallu'r gwelio maen ffordd y byddwch chi'n cael ei ddweud, mae'n 75% o flwyddyn ym Mysluniaeth ei ddweud ar y cael y ffordd. Yr eisiau parteidol goll gynnwys am y cyfnod y'u byddwch chi'n dwy ym mhab o gyda. O'r rhai ym Mhab geisio, yna'r cyfnod y byddwch chi'n dwy ym Chyfrin conference, na'r Admiral Cufnwys, maen i'r eich cyfnod ym Gwycaf ar gyfer hyn y Pobl Mhab. Felly, mae'n gweithio ei fod yn cyflawni, mae'n gweithio unig o'r 90-wg cyfnodau. Felly, mae'n gweithio unig o'r 1— Yn 5 metws, mae'n ffrindio'n ei ffiannig o'r iPhone, mae'n ffrindio cyfnod i'r amlwg a'i ei ffrindio'r camera o'r hyn. Byddwch, mae'n gweithio i chi i ddifu wneud fy wneud am ffiannig, mae'r ffordd yn ysbyt i, boeddi'ch yn y draw am y dyrediad. Felly yn ffilm ddoch, rwy'r ffordd, rydyn ni'n ffilm bryd iawn eu bod yn rwy'r pwylo i Gymru, rydyn ni'n adeiladau ar y canryd. Wrth烏 oes y gallu eu gwaith, felly mae e'r ffordd toad o'r ffordd o'r llwyfr o'r hyn oedd eich byd. O'r wneud wedi'u smartfyn? Mae'n add tai'r ceisaf o'r знod o'r fanoglwch neu rhai'r cymdeithas... ..en rai'r bandwner o'i rai'r bandwner... ac mae gennym ni i gyd yn credu i chi'n cael ei cyfnodd yma, o'r ddoddau, gallwch yn gweithio. Mae'r ddoddau gyngor. Mae'r ddoddau eich gimbol. Mae'r ddoddau eich gimbol eich gimbol, ac mae'n gweithio gyda'ch gастur yma yn ymlaen i'r cwerthu'n gwybodaeth i'r wneud. Felly, mae'r ffordd gweithio'n gweithio. Mae'r ddoddau eich cyfnoddau i'r grwp. Felly, mae'r ddoddau a'r ddoddau i'r wneud. yn meddwl am sy'n cyffredin am y sylonst. Rwy'n meddwl am ein gwath yn rhan, yr unigwyd, gan ysgol, yn gweld iawn, ychwanesu'r form wrth gwrs, o'r ddiwrnod ychwanes yng Nghymru. Undo, wrth gweildio,wrs, wrth gweildio arherwydd, y gallwn fod yn dif i'r brwyllwyr ar y llywodau a'r perwyr sydd yng Nghymru yn gweithio'r yn fwylo'r nyfodol, ac mae'r flynyddoedd ym môl yn jou, argymprifwyd your Deaflatch yn meddwl i'r modd o'r zombie casts, audio mixer, location scouter, greenscreen checker, et cetera. Mae'r bwysig oedd hynna yn ei cyflodd arill yn ymhwytof yn ymddangos gwaith a hynny mae eich prooedd wedi gweithio dros unrhywod arall ac o'r record iddiad o'r grwyffodusol yma, ac mae'n rhoi bod yn rhofnol, ac yn y credu ymddangos hwnna wrtho gan ganóc camera ffoto o gwaith o gwasiant mae'r peth yn gau'r meddwl, mae'r meddwl am ymgyrch. Mae'r ddweud y ramion a'r cymdeithas, rhai'r tyll wedi'i gand sembill. Mae'r ddweud, mae'r tyll wedi'u'n gand sembill, mae''r dawnysg wedi'i'r arbyn. Rhyw sefydig, mae'r ddweud rhai'r gand sembill yn gand sembill, mae'r ddweud yn gand sembill yn gand sembill. Ac ychydig i'n gwahanol ei ddechrau i'r ffaith tresta, ond eu masyglwn ei weithio'r ffaith, ac mae'n hynny i'r fod trwypod. A'r hoi'r amser, ac rwy'n arweinio eich ddyddach i'n gwahanol. A yr hyn yn gyfodig ymlaen, mae yw… …yna. Yn ychydig oherwydd dysgu am yr un fyddu ystod. yw dweud that is not to say that this is the only thing that you might need you might also need a light so as opposed to very big lights basically on that but this one was as you can see is pretty powerful for just a small little light here and this is what we use for Facebook live for example and you know as I say you may just use a very small you know little selfie stick as well but I mean sometimes I just literally walk around just with that you this looks like an oversized condom but it is not it is actually it is actually it is not that's a great deal but it's a great deal. a'r boblion baradwyr yn drafodaeth ychydig ar y dweud. Felly mae'r cyfreun gweithio ar y ddweud, mae'r boblion ar y ddweud, neu mae'n gweithio, fel y byddwch yn ei gwaith, mae'n gweithio ffordd o'r boblion ar y ddweud, ac mae'n gweithio 32 gig ar y ddweud, ac mae'n ddweud ar y ddweud. Felly, mae'r ddweud eich hunain fel ei bod yn yr eich ddweud. Mae'r ddweud yn y rhan o'r cwrs. Mae'r ddweud wedi bod yn rhan o'r ddweud, Ffotograffers, vloggers, documentary makers, et cetera, but who could be there, obviously I was there, but who could be filming Mojo us. And I'm going to talk about filming also photography as well. Duncan Stone was from the BBC. They just set out a pilot programme to empower journalists and to give them the Mojo kit that they can take with them, perhaps sometimes in addition to, usually in addition to the kit that they have, but that might be, and these are the kind of things, the comments that he was making essentially, that first of all they had to identify what phone they had, because there are all sorts of apps that might come beyond an iPhone app, or some might be on an Android, et cetera. So some might be on a Google P2, or there's a Samsung, or those kind of things. So you've got to really try and identify that. The kit to be issues, you have to decide, was it as small as that? Literally, I mean just a microphone, I mean I'm wearing a radio mic here, which is connected up there, you can also get a similar kit for this over here, but this is literally this morning I discovered that I wanted to show you actually, which I didn't show you just then, but there's a little tiny clip here, which goes on to a tripod, any kind of tripod basically, and that holds your camera steady. The main thing is obviously trying to get steady shots, so hold your phone steady on that, and because I didn't have the specific adapter to that, I just put that on a light and I put a little bag on there. So I mean sometimes you need to improvise basically. Two channel audio, that's if you're interviewing somebody, you need to hear the interviewer and the interviewee, and those were the kind of objections that they were getting, but funnily enough a lot of people now have started big and are now shrinking down, and also how to get the stuff back to base. With Mojo you can get closer. So I mean I showed you the big long lens here and essentially the only way to replicate that with a mobile phone is with your feet. So you have to literally zoom with your feet. Now obviously it's not always a possibility, but if you can, obviously you need to zoom with your feet. So I just really wanted to just be thinking about things that when you might be somewhere and you might be able to tell a story in some way or another, gather some part of the story, and it could be, as I say, that we're all just helping in terms of gathering that story. So you might be at the other side of the room and you might find a great shot, or you might be out after the meeting or whatever it might be and you might find that you've just got something and then just give it to us. I mean as I say, we can only say no in terms of putting it up, but it might help to be able to supplement everything on that. Collecting creative content from different outlets. One of the examples that he gave was speed and access to the royal wedding. They just attended the royal wedding recently. They had some journalists in the crowd, literally with iPhones. They were interviewing people in the crowd and the way they got the shots back was just with 4G or with open Wi-Fi. So they were able to then put that into the package, into the final package, and that's the thing that we're talking about. So they didn't even sell the six o'clock news they shot the piece and they didn't notice. Of 60 plus crews in the UK are now using Mojo in their kit. 24-hour project, as I said, there were lots of people speaking and I'm trying to compress three days into 30 minutes, but basically this is an organisation documenting humanity to make a difference. Now they started off in 2012 with a very small project basically and here this is 2018. They've got now 4,280 photographers in 850 cities in 104 countries and 25,000 plus photos shared online. What it is basically is one photograph every hour by these photographers in their city. So they're showing something about their city. It struck me that it was something that we could possibly get involved with in one way or another. I had a very brief chat with the chap who was speaking here to say it's something that we could follow up. But eventually, telling stories about ICTs, they were involved with several NGOs in 2016 and you can see basically that they've gone up. This is a photographer whose photographs have appeared in big billboards all around the world. They are shot with an iPhone 6 and there's one with some red balloons and she took some beautiful photographs but she talked about this on the border of Mexico and getting some amazing photographs there and the more stories being told equals awareness and change. So sometimes just having a very small kit enables you to tell a story that is not worthy and inverted commons here. This is the normal production process normally for to make a documentary pre-production, production, post-production distribution. Basically with Mojo, you're talking about getting the gear in your hand, shooting me your iPhone, editing your iPhone and sharing on YouTube, Facebook or Vimeo. Of course, as I say, it takes a little bit of practice before you get to that stage. Lenora Suwara Suwara was talking about before. She did one story in three formats. So as I say, she did this 50-minute documentary and again, if you look her up, you'll find her there and then she cut it into three different ways and she's won all sorts of awards there. Basically looking at one long form, one short form and one very short form video. So things to think about there and she says that shooting with Mojo is like a hot air balloon. You never know when you go to land. Fruit, juice, fire, advantage, moussel and avert. He is from SFR actually and this was quite an interesting little moment. Basically he talked about the fruit, juice, fire, advantage and essentially the stealth of having mobile phone in your hand and I actually practice this and I'll tell you about it a little bit later, but recently. But here he was at the right place, obviously Davos and if you look at all the, that's where all the other photographers were. They were all corral behind this little red line there and he was able to get this. What's your message to Davos, Mr President? Peace and prosperity. So there you go. It's not breaking news, but however you know as I say, the fruit juice bar advantage is when you have some drinks of the fruit juice bar and you don't get sent away by security and they don't assume that a guy with a phone could possibly be a TV journalist. So as I say and he drew us a little diagram here of where he was, which was just nicely placed here when Trump came in and this is where everybody else was. Now I had my own sort of little fruit juice bar moment recently when I was in the Dominican Republic and we had the ex-first lady vice president come into the building. These are all shot on the iPhone by the way. Even the shots that I didn't shoot were a few which you'll see like these. I shot on a screen with my iPhone. I just literally walked around Santo Domingo with a police escort and my iPhone. But nobody cared essentially that I was... I was getting out pretty close to people without any issues at all but nobody batted an eyelid. But it also shows people using mobile phones here. This is not what the conference was like by the way. This is just two hours prior to the conference. But you see I mean it got tracking shots right up close into people there. And we were basically forbidden from getting close to the car. I actually reversed that shot that was on our exit. But here we go. So basically there were lots of photographers all behind there but I was here right up there and security guards weren't pushing me away basically and I managed to get this lovely little shot of Mr Sanu having his back patted by the vice president. And I was literally just there just following it through. So there you go. So I wasn't the only person shooting with a mobile phone at the CBS 2018. I don't know who this was but they were shooting Facebook live and they were shooting a video as well. And of course the vice president also got in on the act with a selfie there. So it just shows that even the vice president of the Dominican Republic is a mojo journalist. Again thought to be an interesting little slide to share here. The camera is how we engage in the future input to all social media technologies is the camera. So that means that we can all be contributing to that. And this is one of the shots. Of course I shot this with my iPhone just from where I was sitting. But I just wanted to show you also the gender mix there essentially which is a little bit different to ITU and that's usually what we look like. I mean it's not too bad. So here we go. So anyway there were lots of people talking all about the different ways of how you can do it in terms of apps. Filmic Pro is what we're filming here at the moment with on that phone there and it's very good for filming. It allows you to adjust, to hold the focus to be able to do a lot of the things that these cameras are doing. Some of them are literally physically using the apps that are on their phones as well. And Ferrite is good for recording audio as well. It's a little sound recording studio in your pocket. Filmic Pro everywhere the moment it's coming back. And Luma Touch which is, you can just about see it here. It's an editing tool which you can use on your iPad. I'm not saying to say you're all going to go off and do this but it's things that you could think about and things that you could think about empowering other people to do. And then this chap here told us in about 10 minutes exactly all the hundreds of apps that he had on his phone. Let's say Filmic Pro I've told you about Luma Fusion is an editing one. Ferrite is a sound editing one. Intro mate allows you to create little intros on your phone. All of this could be done on your phone or on your iPad if you've got one. Or on your laptop. There are obviously other ways of doing it too. Fontize you can actually draw your own little font. Which I'm sure you wouldn't like. But basically it's a matter of, you could adapt things and clip-a-matic basically. Also you can look that up. So mobile to mobile, mobile to mobile story strategies. Philip Bronwell again he was talking about make me feel, make me think, give me voice. To film a story this is what he's thinking about. These are the three things that he's thinking about. Make me feel, make me think, give me a voice because he's basically looking at obviously empowering people. And then we were talking about a mobile journalism roadmap here. This is the fourth conference that we talked about mojo obviously. So it's not the end of the road for mojo. There was an optimism here, people getting started. Sometimes it was like being at a Steve Jobs big presentation on the technical side. But as I say, when we're looking at content basically putting the audience first, using the tool to navigate this evolving landscape and we're thinking outside, beyond TV. I mean half of us are not watching the news on TV anymore. At least I'm not, it's all on the phone. And there are all sorts of ways. There was a big discussion, Snapchat versus Instagram. You may, may not know, I would have to get my 15-year-old daughter in to explain it to you because I did sit her in the car last night and try and tell me the difference between, because there was all of this going on, but they were from Snapchat and Instagram aficionados. But basically these were some of the quotes that are going on here, but let's just say literally if you want a session on that I will get my 15-year-old in because she is 100% ofe with both of these but they are very, very similar although some very similar features in both of these. But let's say one's lame apparently and one's... What's the word they use anyway? It'll come back. Dope, there we go, one's dope. Using Snapchat as a content creation tool. People telling stories in their own perspective. Snapchat stories, mobile only. Audience contributing to the narrative. Snapchat users can subscribe to channels. There's 15 seconds that basically Millennials will take it so my talk here is too long. Snapchat maps you can geolocate where your story might be. So there are things that we could do. Okay, this might not be working for I don't know, BR meeting but it might work for girls in ICT. There are various things that we can be thinking about to engage young people in and if you want to bring people in and show them and it's the lean forward experience. Does anyone know what the lean forward experience is? Yes? That's it, there we go, thank you very much. It's a leaning forward experience. Children will be going to chiropractors in later on years but literally everybody is leaning forward into their phone. Nated to mobile phone, Instagram, same kind of thing. Instagram content creation tool. The New York Times which I was looking at yesterday is on Instagram as well. It's quite interesting because they're posting photographs there on Instagram and it's also then following you in to a longer story, a blog and various things like that. Things that we could think about for ITU News. Instagram stories are mobile only. Instagram stories, I can't remember whether it was but one of these is great. Instagram users can subscribe to IGTV which is Instagram television. People are putting up to an hour apparently of them recording themselves talking about putting on makeup. 15 seconds, millennials will take it IGTV but we could be talking about something else. Lean forward experience. Nated to mobile phone. Instagram is owned by Facebook so there you go. What's next in terms of 360 video, VRAR there's a lot to talk about 360 video last year. This is what 360 video used to look like and then it's quite true actually. And then basically augmented reality as well. All of these things again there's really just not quite enough time but basically live streaming is live streaming over and the live streamings are really easy to do badly. That's the point that I think you need to be careful of. Why are we doing it in one live? What's the advantage of going live? What we do, capture a moment can we answer the question, get direction, have authenticity that we couldn't have any other way and what are we doing? How are we adding to the understanding of it and don't just do it because it's easy, so we need to think about when we're doing live videos on there. Show what's moving or you move there's different technical elements here basically from the field discover something at the same time as the viewers so you're walking through and you're thinking let's meet somebody here or I see that something is going on here so walking through a door or whatever it might be so similar things that we just did in girls in ICT Facebook live recently and this was the chap who was talking about us on that Peter Stewart journalist so not everyone with an iPhone is a journalist I think to implement this the start is literally obviously taking your phone out and just practicing and just doing things but there's a million and one lessons on your iPhone that literally your chooser could be on your iPhone that if you just literally look up how can I do this, how do I film this or how do I photograph this it's there and people say to me oh how do I I said well just Google it so it is literally as simple as that but we could also identify us up in the upper echelons of power here like me basically we can identify people that are suited to the task so we need to think about that we need to think about anybody if you know somebody or whoever it is we could think about people that we could say in different countries to say ok well look you've got we'll give you a nominal fee or we'll just contribute we'll find somebody to partner with that on that that could support us there was an organisation called Open in Rotterdam that's working with young people and training them up as journalists etc just to use their mobile phones opening up communities giving them a voice and it could be microlocal or hyperlocal and that's what Open in Rotterdam they're telling very very small stories but they're fascinating stories just about somebody in a supermarket or a grocery store in Rotterdam or something like that but they've got their story because they're coming here they've arrived they've been here for the last two years from Afghanistan and blah blah blah and they're playing cards whatever it might be I would urge you that whenever you travel and just create some content wherever you go and it doesn't have to be on a mission you can be somewhere else but do create some content and share it with us there were all sorts of photographic workshops that I attended basically here and it did give me some new inspiration this is just an ordinary shot but go out and shoot shadows I hadn't thought about shooting shadows before so there's lots of things also didactic but also retro so basically there and then they said think about also angles and so think about the infinity point and that's the infinity point so I literally just walked out of the conference centre and just literally out there and just found the infinity point and I just turned it to black and white because it looks nicer and then after the conference I was just walking about and just found things put a bit of saturation on there but that was it, I didn't do anything else and there's another infinity point there but there are things that we can do and things in terms of perspective new inspiration, there we go the sun setting on Galway there so that is pretty much it I will finish off here with just a little tiny video because we couldn't leave you without a bit of music from Galway