 I wondered, what are some of your own strangest projects or weirdest auditions you've been on, maybe earlier on in your career? Well, in the book, The Disaster Artist, Greg talks about, and this is when he wrote it, long before he knew I wanted to do this movie or anything, he mentions me. Greg got cast in this movie called Retro Puppet Master in the late 90s. Which, ironically, is maybe even worse than the room. Certainly fewer people have seen Retro Puppet Master than the room. In the book he says, the director told me that a young James Franco had auditioned for this movie. And in fact, there was a sequence in our film that got cut out where we showed the making of Retro Puppet Master, and I had cast the actual director of Retro Puppet Master as himself in our movie, The Disaster Artist. And I asked him, I was like, do you have that? I need to see that audition. Your audition for it? Yes, I just, yeah. He didn't have it, I guess he didn't know at the time to save that. But I'm sure that was definitely a horrible audition if I didn't even get Retro Puppet Master. It was like my third audition ever, and so we do the scene, it goes fine, and then the cast and director, she says, all right, can you slate for me real quick? And slate means just to essentially like, look at camera and say your name. So at the time, I didn't know the terminology, so I was like, so I say it one more time, and she's like, can you slate just real quick? So what I hear is, can you sleep real quick? So I'm like, all right, so I get comfortable, and I put my head back, and I start sleeping for her. She's like, no, no, no, I was like, what? So that was Alison Jones, who has since casted me in a couple of roles, but... She casted Ricks and Deeks as well. She gave me my start. So she trusts you on auditions now? I think I just made a pretty strong impression.