 Let's check this out You don't have any honor do you? you You don't have any honor do you? You Coward all right a couple notes. It's it's you know, this is now we're in the like the neon then 95% Awesomeness really really get in there make it super sweet You don't there's just something about this head turn here again It's a bit fast and it's as if he's saying no But then he doesn't really go back. It just kind of stays there and then he goes into this Line so it feels like You know it feels like you want to go here here and then wait wait wait and then slow over Directly into that move I mean like it looks like you got one Stop one and you can go from here and then not go over immediately Right so instead of going this and immediately over fast stop and then your move You will go over hold and then go into your move and like slow and faster like this will be a faster point But not super fast, right? I think you can just simplify that a bit more You don't have it. Yeah, because you have that pause and then he does the move here You know, then you have that move over move left stop and then again So there's there a lot of little hiccups and stops You don't have any honor So what I would do is again go here keep going with the left keep going drifting and then you go to the right directly into this And I would You don't have it's also a bit fast on recovery You don't have so we just go over and not quite go to the left and on don't You don't have it right because right now don't You don't have it don't has doesn't have anything and that to me is the bigger Jaw moment and more influence on the head. So if you go here Keep going to the left and then on don't you go back down to the left. Sorry. They're all I'm idiot you go here to the right and then Here don't go immediately over keep going to right keep going to the right and on don't you go back Into this down and left to that Have any honor. Do you and then on her? You don't have any honor. Do you? You don't have any honor. Do you? You don't have any honor Watch out here that one the thing that also adds a bit to the funkiness Are a couple things here. See how your body goes to the left. So you have kind of a y rotation in the head This way and then you got your rotation in the body and it both kind of stop at the same time pretty much And then he feels you know almost at the off balance But there's something to it where this feels a bit locked like the head feels locked And what I would do is take your body rotation and delay back five frames So the head does the Y first then that pulls the body with it and Then that way you don't have And also on this move here Like the body will continue here and it will help you with the arc And we can also also push it and right now your nose goes straight up like this imagine on the up move It does a bit more of an arc. Don't forget all his arcs So then you can do it up into that, you know, what you have here Just great. You don't have any honor. Do you and do you? Here I will go fight here To here, but you get to this point two frames earlier It's like and I'm too concerned But the thing is it feels like you're doing this that's your curve And you want to give this just a bit of a faster move into this so that that move here When you do that down It's just ever so slightly sharper and I'm talking like you know one or two frames here You don't have any honor. Do you any honor? Do you? you Coward Same thing here like a frame or two out just a bit sharper on the left Coward imagine coward cow like really the is really Snapping it over to the left screen left And Even what we do is watch watch your arms a your spacing goes over this way and then suddenly there's that pop I think that's weird is that you're going down selling to the left And it's a big move and then it's a small move With this and I think I like this here right because you don't want to completely pop out of frame here but then it would be Here on this frame you'd be up here if you're doing this What if you are And it's This guy out so you're going Like that's really fast, but then that's mean that means that take this guy out So you're doing this this bigger big down and it would mean also that This frame It would be around here that line here Just for the arc would be around here So you're going from like, you know, if that's your middle part You would have kind of a here here here. It's more of an arc over there But what if you watch the timing of this and we don't listen to the audio? Let's put the audio back just in case it works. Oh, no, do you? You Yes You Actually, you don't even have to tune it change your arm You Yes, yeah, we still do it so so on this what is this two or three take this line move it over here All right, so move the whole all the arm thingy is over here So you go more from here to here down to here And I took out frame 202 and 204 All right Now, what if I do this on your car? So he goes So you're going like I can do that And quick down for this one You Go it But that works too Do Go it see how much it's the head snaps more. It's not like a pop, but it gives it that accent Go it You Go it All right, so on your head I took out 206 And 209 You might have to look at the spacing a little bit, but Go it But it feels definitely better It's a right feel to it I would just do This is weird on my spacing Like your nose is here here and then it's very small and then big Which means that what if I take that out? So you're going here to here immediate change To that might be too much now I do you You Go it. Yeah, that's a pop. See just walk frame makes it pop So stay with the frames that I said before Uh, and that's it. Thank you All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you