 It's the network. All right, so I had like a couple of friends that they were showing their people, like my tracks and stuff like that. One of them is like the producer. I got a producer that I'm working with. And a lot of times they'd be saying that when they're showing it to their friends, it's like they hear a track and then they hear the one like, oh, who's that guy? And it's like, I have different kind of voices. And I just wanna know like, is it better to be that person to have all these different voices? It's like a couple of my friends when they're showing a few different tracks for them, the people, they're always like, oh, who's this guy? Who's this guy? And they're like, it's the same guy, it's my fellow. So like, I don't know if that's a bad thing to have. Nah, it's not necessarily a bad thing. Nah, it's not a bad thing. I think it means you have some sort of versatility, but at the same time, you do have to have like one definitive thing that makes people remember you and identify you. Cause the thing with the voice projection and being able to do all types of things, like people will still know it's you. They just haven't learned you, you know? Like Kendrick got a million voices, but we know it's him no matter what voice he uses. You know what I'm saying? Because we know what Kendrick Lamar's voice sound like. So it's not a problem. It's only a problem because they don't know who you are yet, but the way to solve that isn't by just having one voice. It might be to have one voice for one record, but it's really just about one record actually just like breaking you through, creating that fan base. But once you have a fan base, yeah, you diversity as far as like how you could use your voice, that's never a problem. Like it's never a bad thing. It's the network.