 All right, let's check it out here Hello, she is confused I'm not quite sure this kind of works. It feels like she is Turning the good thing is that she is Actually translating from here to here doesn't feel like she's just rotating out of the center of a route Which is cool. It's just here This last section is weird because it feels like it's a rotation here with arms and chests Everything is kind of moving as one One big piece versus she turns, you know, it might keep that that arm back there This arm might go forwards depends on what kind of stuff she's taking but She rises really high It kind of stops at the end too. It's like you're easing into and stopping this So she goes, you know, that's it. It's quite a height difference. It seems like she's stepping on her toes So I wouldn't go as high. I would stay, you know, within Within this height Right. So it's basically a shoulder height And then keep going or or you cut out sooner This Probably cut out around here here is If you do this, then just keep translating. It feels like you're the translate curve does And it starts to stop and this is kind of where we cut out. So keep going There so that's cool. I think this is a bit fast that It still feels like she's hitting her head Wow, and then watch out the rotation of your Of your phone and track this. So this is here here here Here you get that sudden rotation up and now it's back down Into this this frame. So on this one, I would take your phone and always keep that Rotate it down this way Right now right there that'll pop there and again now just You know starting here. You have one two frames until it hits her head. So I'll give this another two or three frames Super super fast. I mean, you know, four or five frames from here on And now also how her heads goes over her head goes over here. It really feels like she's getting hit She looks very cross-eyed here. What do you want to bring up bring out those eyes a tiny bit for me? Mostly how quickly she hits that thing here. I feel here too You have this thing of this throughout your whole animation for most shots that you submit is that When your chest imagine you have a joint here. It feels like The chest when you move the chest that her arms are always parented to it. This I see the chest now With this joint you're rotating it this way and this arm goes down with it, you know It's all feels connected as one you have to start breaking up arms Even here it feels you know, this goes a bit more but this section so it feels very tight to her chest That gets better. I do like that that you kind of changing an arm here But then this this feels a bit weird It's a bit post-apose where her chest head and arm movements start and end at the same time So overlapping actions You know, this might stop first this and then this and Then through here feels weird because then arm is always out always out always out always out always out Where to me feels like she's like she's like this It's a keeper keep that arm down At this point you might go back Into that because of this But then when she goes back up bring the arm down again and then bring it out for balance Because she's reaching over here. You want to bring this up to balance and then when she comes back in It's okay. You can bring it back in She's up by now Yeah, you cut out here and this arm might be already here What's also weird is that even though you have the smile and then you go into more Nice of a smile Especially through here. I wish you would hold this mouth shape longer That's okay, but I still feel those creases in here. It still feels like she has a smile And then that smile is home coming back and then she's back to smiling. This was a bit too early After this weird phone call and that's that's the right expression like home That's kind of weird. She could turn around and still be Moving around this level of concern her eyebrows in a mouth like that. It's just weird as she goes. Hello. Hello, huh? That's kind of weird and then she immediately goes into I don't care. I don't care. I'm happy Which is a bit weird a bit forced Right that one and then this one still has that feel of Back here. Boom. Boom. Boom. Okay. I know you want to have that rhythm of I'm taram taram, but it still really feels like You're in your In your graph editor, right? It feels like it translate really feels like this You just have full stops instead of Stopping fully you want to go up a little bit. Whoop all of it So you you feel the the stops a bit, but these feel like full stops These are a bit locked those arms again, they're very much tied to the chest So you can have a little bit more of a swing in there like the head the head is pretty good And then this is weird because we're getting Framing gets a bit weird. You might want to stay within You know her eyes Just a tiny bit lower But a thing is in order to do that all on that type of thing what I would do is stay here and then change the lens Because this this is another lens change. This is a the translate because you can Unless I'm totally wrong, but this really feels like a translate because of the perspective change and everything It'll be much flatter because if you go from this, this would be a wide lens Which whatever I know what that is that would be like a 35 or 40 and if you go on the lens like this You might be switching to like an 80 Which took the longer you go the flatter it will be so Watch out for that And the feeling is if you do this I will get to this and then hold for a second You don't want to do a sudden boom and then cut out Right, which in this case we'll cut to the next shot. So that Like that would do huh and the starting around here change the lens Speed is okay But then hold this and again. I'll just bring her a bit lower Little left just tiny tiny bit like eyes right just ahead a bit lower, but hold then For a second so we can see your expression and and the expression will continue Ha and ours everything if the animation wouldn't just stop But the big thing here is the roots and if you change your route It's going to change legs and feet or things I'm not going to comment on that But I'll definitely change that that route Alright, thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you