 All right, let's play this in full here And all right So you are saying here, let me just check and You are mentioning this is your first pass spline You are not super happy with the second jump back and you're gonna do some squishiness Yeah, rigor for that all that sounds pretty good I Am looking to watch out. There's some moments where these guys Kind of start offsetting things in your next passes where it doesn't feel like it's it feels very post-to-pose That both kind of moving and stopping at the same time and there's no Follow-through or finishing a swing if it just feels a bit awkward in there and you might even You might even reduce the up and down. It's almost like he's stepping down into something coming back up I think it's could be potentially a bit more relaxed. Then again, that's more of an acting thing I'll leave that up to you. Just kind of the impression Of just that moment there and then watch out the route has a bit of a Like a very quick Slowdown through there and I know this is just the first pass. I knew probably aware of 100% everything I'm saying what I'm just gonna mention what I'm seeing. I Think this is still cool. I think through this You might be able to shave off a couple frames. It's a bit more. Whoa. It's a bit of a more Bit of a snappier jump but not by much. I mean, this is pretty good I was more reacting to something once we hear How those arms come down feels a bit slow and watch out It's a bit strobey through there on that screen left arm. You have to watch out how he comes down on those arcs I And Straight paths. It looks almost like you're doing either IK arms or it just happens to be On that FK that is very straight through there. That's how it drops pop on All of that there The main impression I was watching this. Yeah, it was just a bit of a boom boom the up and down I'm not quite sure that's on slow down there that felt a bit slow and And a bit dirty and then at the same time this Feels a bit stopping bit too too quickly Something about the roots going bam stopping and then this this move over stop and then over I think this could be Simplified by actually not going as far back here. It's more like over there So much momentum that it's all that pressure is on this leg holds a bit So you might even just be most straight up to have that it's a little bit of a lean over this way But you are taking a step. Well, then you can probably slip go back over this leg, but it's not as far Maybe not further than this It just strikes me as a bit far here that left Also mainly because the stopping and change of direction is a bit fast given the weight of the root So even if either you go this far, but then you add more frames, which is a bit tricky But you could steal those frames from here and add them on the way shifts here Or you just don't go as far with the same timing and then it will be slower This one too, you can still frames out as feels like whoa, this could be This could be snappier and faster bit more of a holy shit No swearing just a faster reaction there This almost feels like well once it's blind here It's almost like a too big of an emphasis on arms Like you want to show off arm swings versus an instinctual life-saving quick move out there This blind out starts to feel weird the that elbow going up It's almost like someone Outside here is pulling up That elbow it's almost like they could be They could be a cop. That's my cop there Yeah, you are arrested that it kind of feels like that Let's just kind of watch out. It's almost like you want to do whoa And this is all one fluid motion of this to that swing versus Elbow up hold and then over hold and then there so just clean up And I know you said just first pass just mentioning what I'm seeing and I wonder if you can steal some frames and make this a bit slower, I Don't know this up to you. I don't know if you want this to be more hesitant Oh, should I take a closer step and then like, you know almost like oh, what was that? Okay, I guess it's okay versus That very decisive step towards there. I'll leave that up to you. I think this could be Given a bit more texture the shaking of the head It's almost like big big small small small or whatever contrast you think you want to do But it feels more like one two three four It's just a bit even and a bit broad overall throughout the whole time I think that could be potentially changed a bit and it's almost like you could tweak this where he goes And it's almost more one two or just one big one like Like one big move with little up and downs and then he goes up for an inhale sigh of relief And the reason I'm mentioning that is that you're starting the up almost like you're inhaling and Then the exhale and right on the exhale this happens So it's kind of a misdirect for the audience where it's also the audience wants to exhale with him to be relaxed like But we're not letting them get into the whoo. So right when we exhale This goes up there like the timing of the drop there Yeah, the rest is cool and then you're mentioning the gloves and a lot of stuff. That's a problem So yeah, so these are my brother comments there. I'll let you go through your past Obviously, you know what you're doing So I'm sure a lot of the things you know about so I'll wait for the next pass or passes To see how you continue with detail and you know timing work and stuff like that. All right. Thank you All right, there's an email you can sign up You can start whenever you want you can submit whatever you want you get 16 submissions either way and like and subscribe would be awesome All right. Thank you