 and here we have the Panasonic GH5. So hello, so who are you? I'm Sean Robinson from Panasonic North America. And this is very exciting, right? A lot of people take pictures of it. This is a big time right now. Yes, it is. Yeah, so pre-orders have just started. Camera is on sale for $19.99, $99 U.S. dollars. All major photo specialty channels in the United States as well as our panasonic.com, you can pre-order it there. It's body-only for the $19.99. As well as we've announced the 12 to 60 millimeter finally. A few other cameras that weren't announced during the press conference today, which will all be on display at the booth. So the GH has always been like the enthusiast, prosumer kind of line, right? So this is the latest. How's the jump compared to GH4, though? So the GH4 we released, as you guys all remember, the first 4K consumer-friendly priced camera. The GH5 builds on a lot of that with a number of things. Like we've got 4K 60p internal recording at 4208 bit, 4K 30p and 24p at 42210 bit internal recording. We've added things like it's the full sensor readout in all different areas. So if you're in 4K 60, 4K 30, 4K 24, it is full sensor readout. You're not cropping anything on the sensor. It still has unlimited record time. It's got dual SD cards using both UHS-2 standards for it. So it doesn't matter what card you put in the camera, which one you're writing to, you're not gonna have a record limitation on them. Biggest thing is it is five-axis dual IS-2. So it is a fully stabilized system that pairs with our lenses as well in all recording modes. So whether you're 4K 60p, 30p, it's just gonna stabilize everything for you. It also up the 4K photo modes that we have, now with 6K photo mode. 6K photo mode is the density of 6K video, which is 19 and change megapixel. But it only records in the 4.3 or 3.2 aspect ratio. So there's been a lot of confusion out there about 6K and what do we actually mean by it? And it's that it's the density of 6K video in a 4.3 aspect ratio. So if you think like open gate recording, they used to record 4.3 and then just crop into it, you can do that in 4K in a 6K photo, but it is a hard 30 frame per second. Can I do 6K video? No, as I said, 6K video would be 16 by nine. We don't record 16 by nine in 6K. We record 4K using the full sensor and then downscale to 4K. That new image stabilization, is it the same exactly the same that's in the G80? So with all of them, they're all iterations upon each other. So the GH5 is gonna have the newest iteration of dual IS-2 with a new sensor housing, brand new, like I said, new 20 megapixel chip without a low pass filter that just builds on what the G85 did. So he said, you've got dual IS-2 in it. It is five axis all the way out to around 280 millimeter when you're using our optics in the dual IS-2 system. So is it exactly the same size as GH4? No, it is not the same size as GH4. It's actually, it's about maybe 10% bigger, 10, 13% bigger in that range. Like you can see, we've taken the flash off. Just basically beefs up everything in the camera. It's fully weather sealed now down to negative 14 degrees Celsius. So it is freeze-proof now. And then probably the biggest thing that I know a lot of GH4 users complained about was the HDMI socket on it. It's now a full-size HDMI, as well as it's got USB 3, 3.1, but on the newer speed standard for C, Type-C. What can you do with a Type-C on here? Well, it's for transfer. It does not charge over USB, as some people have speculated. So transferring to like a hard drive? Well, you can transfer images and video off over USB and transfer at the speeds that USB-C 3.1 speeds allow you to. Whatever the newer standard is, yeah. But also what we don't have here with us is we do include a cable lock with it now too. So you do have an actual screw-in cable lock for the HDMI, even though it is full-size still. So you're getting a lot of that added stability now. Headphone jack, mic input, much bigger rear screen as well. It's a 3.2-inch screen. It's a 16K, 1.6K dot LG RGBW screen, so it has the white pixel in there. Is that like 720p, or what is it amount to? I don't know the math off the top of my head. I didn't look at that one. Like I said, it's got dual UHS-2 slots. Like I said, they're both dual UHS-2, supposed to one being one, one being the other. You can record to both at the same time? Yes, you do have relay recording, you have overrun recording in stills, for the still shooters, because there's a lot of people that have been asking, okay, well what else changed in the stills guys? We implemented a way more advanced from our standards, minimum shutter speed, auto ISO implementation, so you now have a lot of that control, rapture, priority, things like that. We kept the battery the same? Same battery. It's the same battery as the GH4. It is a different grip however, the GH4 grip will not fit on this one, due to the slight size increase, in the addition of the toggle now, for moving your focus points around. It still uses DFD, but it's a newer iteration of DFD with a newer processor. So your focusing speed's gonna be exponentially increased over what GH4 did, so continuous autofocus and video is gonna be very accurate, very solid, very quick, and keep on target for tracking, whether using face detect, single point, the actual tracking modes, however you wanna set it up. So there's more focus points? There's 225 focus points now, and the camera's opposed to our previous systems, which were 49, and then on top of it, we've also changed the menu system around a little bit. We've updated it, let me get it off IA, a little bit easier. Oh, as you can see, we've also added waveform and vector scope on the camera, so you actually get a live waveform. Still carry over the anamorphic modes. Sorry, excuse me. Basically, everything you can think of that as Michael Moskowitz had stated, you guys had all asked for things to better on the camera. Our engineers take those things to heart, and they really sat and hammered on this product to make it what you guys have all been asking for. Said we've got... So how much better is the auto focus now? How did it improve? To quantify it, honestly, I haven't had enough hands-on time to actually give you a solid, like okay, it's X% better, but it is in our shooting with it what we've had. I can sit, film you guys here, jump right over to the screen there, and it's pretty much like that to jump in focus. And it doesn't get confused in focusing? No, part of what we did is because the way we work is it's a 480 hertz system now, where the previous one was 240. So it's processing exponentially more information per frame for the focusing data. So it's adding in things like predictive tracking. So now we actually can monitor and tell where a subject's moving through the frame and then predict where it's going to be by that point and then use contrast and the rest of the lens optic information that we've carried to actually then fine tune it and bring it right into that point. Minimizes that overrun that you see with continuous auto focus or contrast auto focus where it goes slightly past the subject and back. It's almost non-noticeable in this camera. So it's not going to do the searching thing anymore. How does it compare to dual pixel auto focus from the other company like Canon or? Well, honestly, I think that the camera is going to be one of the best focusing systems out there. I think for how people are going to use this and like you guys can see on our YouTube channel the LumixLoungeUSA's YouTube channel. We posted all the videos that have been shot by Griffin Hammond, Luke Newman, a number of our other content creators from around the globe that they've used this, they've produced content for it and we've got it all published up on the website now. Things like Griffin Hammond, if people know him, he was the gentleman who shot Sriracha solely on GH4s. I think some GH2s and maybe a GH3 in there too. He's been shooting with this and did an amazing piece in 4K60P in Manhattan with about ice and bars, things like that. And then we had Luke Newman shoot for 42210 bit recording with some heavy grading out in Oregon with some really awesome solid content that's up there. Like I said, it's on the LumixLoungeUSA YouTube page, not on the Panasonic and not on the Lumix Global page. It's on our USA page. So the handheld with the IBIS and autofocus is just great experience? Oh yeah, yeah, I honestly, when people can get over to the booth and take a look, we've got a lot of setups where you can actually test this and feel it and take a look at it. With any of our optically stabilized lenses, when you're utilizing the full dual IS-II system, it is... Isn't that the steady cam? Pretty close to steady cam. Honestly, steady cams are still gonna be very valuable in what you're gonna do. Handheld stabilization will only go so far. But like I said, we've got five-stop out to 280 millimeter field of view because of the dual IS system. Where body stabilization falls apart, the more telephoto you get in the tighter field of view you get, this keeps it out to that 280 millimeter. So you're still getting five-stop whether you're shooting stills or video. Does autofocus as fast as 60 frames per second 4K is 30? Yeah, there is no change in focusing speed between whatever mode you're in. That's the same with the 4K photo and the 6K photo modes where you saw some of the difference between stills and video. It focuses almost identical, I'll say. Because obviously you'll always be able to find some little differences because video focusing will always be smoothed out a little bit so that you're not jumping in and out of frame really quick. If you do want to do things like that, we did add in actually preset focus pull in the cameras. So if your static shots all set up, you can actually select three points and then do solid, repeatable focus pulls in three different points, which again, one of those things that hasn't been reported on because I want to know about it. Correct. So you put the external flash. Yeah, you can run like our FL200L or any four-thirds compatible flash. Run right on it, TTL with it. If you're a studio still shooter and you use Pocket Wizard, you can use the Flex TT5 system now and do actually radio TTL or radio just in general, full compatible shooting with it. So yeah. How's the bit rate in the 60p 4K? Is it 150 megabit? So 4K 60p, I'll put it in here so I do not mix up on what I'm saying. So 4K 60p is 150 megabit. Cine 4K in 24p in 10-bit is 150. 8-bit Cine 4K is 100. Yes, it's 150 at max right now. So 150, that's 422 10-bit. This is 420 8-bit in 60-bit. And if you do 30p? 30p, you're 150 megabit, 422 10-bit at 30p. That's 24. So what does it mean all this 422 10-bit? Why are people so excited about this? Well, so 422 10-bit is what's gonna give you better color grading capabilities. You'll be able to actually shoot with log in the camera and be a little bit easier on your exposure where if you're shooting log in 8-bit, you gotta be fairly dead on with your exposure. That's actually a little bit off. You really kind of wanna overexpose a bit to protect your shadows. 10-bit allows you to actually shoot a little more comfortably and actually be able to work in camera without an external recorder. Later on down the line, something else that we've also announced is that we will be adding 400 megabit all-intra in 4K. Only 30p right? I have to double check the actual specs on that. I think it is across all of them. And that'll come sometimes second half of this year. So we have an entire roadmap for the firmware that's being released out. Things like high-res, high-resolution anamorphic as well. So you'll be able to do, instead of 4K, you'll be able to do high-res anamorphic, all in camera without a recorder. There's a new chip that does all this stuff inside. There's a new sensor. Yeah, so it's a new sensor. It's a 20 megapixel without a low-pass chip in our new five-axis stabilization system with a new shutter design. So ShutterShock is almost non-existent on par, if not better than what you see in typical DSLRs, which has never been a problem for the last couple of years. When you go to, with the processor, it's the Venus Engine 10. So this is a brand new processor for us. So it's part of how we're... It's not in any of the previous 9G, 85. This has not been in any previous cameras. So this is how we're able to do a lot of the things like I'm saying. The focusing is that much better than what we've ever produced before. Because the new engine is just, it's a beast. And does it crop the pixels somehow to do this in the stabilization? How does it work? So it's five-axis stabilization. So our dual-IS system utilizes the five-axis sensor motion as well as the optic motion to enhance the vertical and horizontal shifting. So it's still five-axis, but what it means is your vertical shift and your horizontal shift are expanded on because the optics can move further and shift that image and keep it in the actual image circle on the image. Is there also some digital stabilization also happening? Well, pretty much like all of them, you can turn electronic stabilization on and add even more of the in-camera work stabilization. You can turn that on. In the five-axis system, it is a five-axis system with the dual-IS. How does it change that 20-megapixel, right? Before it was 16? Yes. Does it change anything in a way that micro-four-thirds works? No. No, it doesn't change anything. No, it's still a micro-four-thirds chip. It is not a multi-aspect, like some people have been asking about. It is a four-thirds chip. We're reading the whole sensor and then down-sampling to 4K. So what do you think is this is gonna bring in terms of usage? People are gonna make a lot of movies with this? Oh, I think this is gonna become one of the biggest cameras for indie filmmakers into the broadcast arena, because now you don't, like I said, you don't have to go out and buy external recorders to be shooting 10-bit if you need 10-bit. It's got 4K 60, and you're looking at, what is it, upwards of over $5,000 for a camera that can do comparable to what this can do, and we're at $2,000. U.S. U.S. Everybody's 4K 60. This is 4K 60. And stabilized internal. And how many minutes? 30 minutes? No record limit. No limit. There is no record limit at all. Europe still has the limit, right? No, there's no record limit at all globally. But everybody is limit to 30 minutes. I don't know if everybody else is recorded. I can't speak to that, but we've continued what the GH4 did. There's no record limit, and it just goes. And it doesn't overheat like Sony? Nope. For sure. Sony's five minutes. I honestly can't speak to that one. You had no phone calls. This just does not overheat at all. Does not overheat at all? No. No matter what you do. Where does it need to take some time to release a new firmware? Do you have two? So like we said, we'll have a firmware update released in April, and then a second round of firmware update will come out in the second half of 2017. What is it gonna do in April? That's not the 400 megabit, right? No, 400 megabit is gonna be later on the second half. I believe, if I gotta remember this one right, I think April brings 4.2.2 10-bit in full HD. All right. And it's still 4.2.2 10-bit. There's not been any H.265 encoding in Panasonic cameras, right? It's still H.264. This is 264? The only part of the camera that uses 265 is the 6K photo. 6K photo utilizes H.265. So if you take this off and load it in a computer to grab your frame out of it on a computer, you'll need to work with Premiere, one of the softwares that actually can work with 265. It becomes an MP4 file. Is that how it works? Yeah, they've always been MP4 files. What do people do with this kind of 6K photo? Why would they be very excited about this? So 6K photo is gonna give you 30 frame per second that allows you to take a frame out of that video stream in roughly 18, 19 megapixel in that area without a buffer. So where most cameras, you're shooting and shooting and shooting and you're at like maybe 11 to 14 frame per second, it buffers out, this won't buffer out because you're recording a video stream. And then in the back of the camera, like with 4K photo, you just select on the back of the camera which frame you wanna grab, click OK to save it out, and then it saves that image out. You can also add the noise reduction that we've added onto it to kinda help with some of the video compression noise that you see when you're comparing that versus standard JPEG. But it's gonna, so far from what we've seen, like we have samples at the booth that people can take a look at. And we have samples up on the Lumix Lounge, lumixlounge.com, they are full resolution, you can take a look at them for yourself and just see how much improved 6K photo is over the 4K photo original system. And then 4K photo gets 60p now as well. You also have a slow motion mode, 180? Yes, it'll do 180 frame in 1080 and it'll do 60 frame VFR in 4K. So you can do two times slow in 4K or up to, I think it's seven times slower in 1080? Think I did my math right there. So the 6K photo is H265, that means it can compress the file to be not too big? Is that what it means? Yeah, the files aren't that big for the 6K photo because part of it is you're also, if you're using pre-burst, you're only recording a set amount of time. So it's a set amount of data. So it's a 4K video still H264 or 265? 264. If you can do 65 in 6K photo, it may be possible that it may be in the firmware upgrade can let you do 4K and H265? Honestly, I can't speak to that one because they don't let us know about that side of it. It'd be nice to have 50 megabits, same quality as 100 megabits H264, but in H265. Definitely keep asking. I have a question about that. 265, doesn't that take more computing power as far as like post-production? If you're, well, that's what I'm saying. So this is in 6K photo. This is a photo-based system. So yes, you can record a video stream in 265. And if you put it in a computer, it will take a little bit more horsepower to actually work with it. But we've built it all in-camera to grab your still frame out of it. And it's at 30 frame per second. It's not 29.97, it's 30 frame per second. Well, I guess I'm just wondering right now, if like certain stations, they can be hypothetically true to commercial, do they play exactly 30? Do they not just play 29? No, they pay 29. So 4K photo, 6K photo, wouldn't be as useful for you if you're trying to actually shoot video with it. Right. Because it's at 30 frame per second. Flat. Yes. Okay, now I got here a little bit late guys. Hope y'all don't mind if I ask this question. I understood 422, that's internal? Yes. Can you elaborate a little bit on that? So 4K 30 frame per second is 422 10-bit internal recording with no limitation and stabilization active. 6DP is 420 8-bit with stabilization and no record limit. And they're all reading full sensor readout. So there's no more crop. So no more external machines to record 10-bit? If you want to record 6DP in 10-bit, you do need an external recorder. You need like a Shogun Inferno. Right. Because this will do a clean 4K 6DP 422 10-bit out over HDMI, but it will disable internal recording. And it cannot do image stabilization in 422 10-bit? Yeah, no, it does stabilization in everything. In everything. Like I said, we listened to what everybody had been asking. Nothing has been limited on this camera. You know, yeah. You listen well. You listen well to stuff that we need. Yeah. Let's go. Because the stabilization is like optical. Sensor shift as well? Yes. Sensor shift, so optical or the lens, obviously, isn't it? Yeah, so. Oh, look at that. So there's the sensor moving. Half-president shutter so that it's actually working. Yeah. How is that engineered, the image stabilization? How did it happen? Probably would have to ask an engineer. I am not an engineer by any stretch of the means. But because it's optical, so there's no limit on whatever 4K. Yeah, exactly. It's hardware built-in, so you're not limited because of having to use electronic and then processing power involved with that. This is all optical and mechanical stabilization. Like we said, I know some people weren't here for it, but we've added things like, when you're recording in here, we've added a vector scope and waveform monitoring in the camera. What? So you've actually got a live vector scope and waveform. I can actually turn it this way so you guys can probably see it better. What the hell? What does it mean when he's showing right there? What does it mean? The vector scope? Yeah, so this is waveform. I can tell you, but it's his gig. So with waveform, we're looking at right here because we're looking at the logos up there with the bright areas. Waveform is kind of like a histogram, little more useful for video shooters. So what it's telling you is in this frame, you have really bright highlights and really dark shadows. But where waveform helps you is it tells you where in the frame to look to see what is actually overblown. And you're able to then take your exposure and I'll just drop this out of Auto ISO for video. Oh yeah, we have Auto ISO in video as well as exposure compensation in video now too. So we've fixed it, like I said, we fixed a lot of things you guys have all been asking for. So I'll drop in here of 400 ISO. As I change the shutter speed, you see that you're jumping up. Yeah. And then in addition with it now, so if you're using any of the new lenses, so we reintroduced the 12 to 35, 35 to 100. And then now the new 12 to 60, they have a more advanced iris design than we've had in previous lenses. So that means that when I'm shooting and recording and I zoom, I'm getting a smooth exposure shift now. I'm not getting the step that you used to get with some of the older designs. So it's a much smoother system. Now it's not a fully stepless iris, like you'd find on a camcorder, but it is very, very close. So almost indistinguishable. Right. So I have to ask you a question. It's something that's on the mind of many of us. In the past, its predecessor has kind of struggled in low light. Has this changed at all whatsoever? I've seen 6400 ISO shots that look probably the cleanest I've seen of most cameras on the market. So would you say the noise is a whole lot more limited? I'd say the noise is a heck of a lot better than we've ever done before. Maybe. A lot of this is what you find because of the new engine, our new noise reduction algorithms in here with video. So if you look at some of the shots from Griffin Hammond's video, hand cut, it's one of the promo video that he shot for this, you'll see really dark low light shots inside of a bar where he's shooting and it's all handheld and everything. And you're seeing what you can really get out of this camera. Okay, maybe, I don't know if you can answer this. Can they compete with maybe like with the Sony a7S II? So far they call it the king of low light. Well, I mean, you're gonna use those for different subjects, aren't you? If you really need super, super low light, if you need to be able to see in the dark and you're looking to actually work with the right product for the job, you may pick the right product for that. We're definitely gonna be a solid improvement over what you've ever seen from a four thirds camera. And most APSC and I would challenge some full frame cameras. Are we gonna be at the same low light capability to shoot at a million ISO? Maybe not. But honestly, you can take this camera, shoot it and it will be as reliable as every Lumix GH camera has ever been. Never have a heat problem with you. So even if you're shooting at that million ISO and the camera shuts off on you, this won't happen on me. This, like I said, we build a product and pretty much any product we've always built, it's built to last forever and never get in your way of production. So it's built to be an actual tool, not necessarily the end all of end all in low light. So when we go down that path when you're comparing to an A7S, they're different tools. That's the biggest thing I would say to anybody looking at is they are different tools. If you're shooting where you need super low light, you'll probably own that and this for everything else. Do the new lens improve IBIS, like the dual IS? So yeah, there are firmware updates that you'll see with some of the lenses that are existing in the lineup that will update for dual IS too. You've seen how lenses come out and get updated for dual IS, the original system. It's your name tag right there. I have a business card stick. All right. So pretty much all the lenses you'll see, they will get updates, they will have all that information as we've, I think it's all fully released in the press release, things like that. Yes, of course. So, you too. Oh, of course. So it's available? Yeah, so pre-order start today, as I know in the US they start today. Like I said, it's $19.99 for the body only. It was $19.99, $19.99 for the body only US dollars. I know something, everybody is going to ask, V-Log is still a paid service update. It is a same code, same things that you use for the GH4 that will unlock V-Log L for this system. So it is not included in the camera from ship. Is it because there's a license for this? V-Log, it belongs to some company or something? No, V-Log is an in-house engineered thing. V-Log, if you look at our Veracam products, that is V-Log, V-Log L for Lumix. It's just, looking at it with the log upgrades in the camera, it's not everybody's going to need to use V-Log. The camera has it, it's available if you need it and you want to use it. It's a, yeah. How much? $100 still in the US, $99.99. $100. $100. Any anamorphic? Yes, it does 4K anamorphic still. Does it really? Yeah, GH4 brought 4K anamorphic. It was a scale for pixel-to-pixel. This will use full sensor readout, just like all the other modes, so four thirds chip sensor area for it. And then the firmware update coming out at the second half of this year will bring high resolution anamorphic. Oh, and the one thing that we didn't mention and the other guy left. That's okay. So one thing that wasn't mentioned and we've been a little quiet on this one is that in that second half firmware update, the camera will also be given a Hybrid Log Gamma recording capability. So Hybrid Log Gamma is one of the other HDR recording functions, so you will have one of the first, if not the first camera that will be able to record in Hybrid Log Gamma, ready for HDR televisions. So now we record, we can do 60 or 30 4K HDR with that update. Because it's just a color profile. And like I was saying, with the color profiles, if I'm in cinema here. So like you said, we've got a ton of them. You've got standard, vivid, natural, mono, L-monochrome, if you wanna shoot in our custom L-monochrome. But we've also added Rec 709. So you have a Rec 709-like Gamma curve with knee control. So those guys that actually know about it are probably excited to see it. That's kinda cool. So we've added the Auto ISO implementation in both photo and stills with exposure compensation in all shooting modes. We've added minimum shutter speed now in stills shooting. So one of the things still shooters have always asked about with cameras is I want minimum shutter speed, so from street shooting. Yeah, it's implemented in this. We've added the ability to take the camera settings from this camera, save them to a memory card, export them and import them onto a second GH camera. So you're able to actually then just carbon copy across. It has Bluetooth 4.2 into it, so you're fully always connected to the smartphone with it. So you can also sync, you can also store your timecode onto your phone and then sync that timecode back into another GH5. You can sync your camera settings over the Bluetooth and your mobile device into other camera settings. Can you record with Bluetooth microphones? No. Does that make sense? Bluetooth has a lot of lag with it for audio, so you probably have issues syncing audio. But always ask, who knows? So is there any improvements of the sound recording system? As you can see, I'm using GH4. Yes. There are some noise I can hear. So the internal stuff has been actually pretty well increased. There's a third microphone now built into the system to cancel out stabilization hum, to cancel out button pressing, any kind of like tap on the camera. So that cancels those noises out. Only from the internal mic. So it's, well, that's for the internal mic, yes. As you probably saw, we also added now an XLR adapter. So the Yag is no longer compatible with the GH5, Y-A-G-H. So the new XLR adapter gives you two XLR, gives you 96 kilohertz audio in 20, 48, no. 96 kilohertz. Yeah, 96 kilohertz at 48 bit. So that's a high resolution audio. Yeah, it's high resolution audio. That's one of my core. So that's the first camera I can record high-res. As you see, you gotta get the adapter for it. It sits on top, I think the adapter's 399. And it's powered through the camera, through the hot shoes. So there's no external power for it. It's two XLR in, independently controlled, phantom power. Without that adapter, you won't record 96. Without the adapter, you're not gonna record 96 kilohertz, no. What would record? 34. I think so. That works on GH4 also, no? No. The adapter. No, GH5 only. Because GH5 has, if you're looking for those that are super techy and have been pointing this out since they've seen some images of it, there's a fourth pin on the GH5. That's what's, the new pin configuration is where the communication's going through. So that XLR adapter is not compatible with the GH4. And XLR adapter is gonna be selling to you? Yeah, it's sold globally. It's 399. 399. And in which months of this year? So shipping, I believe is gonna happen March into April. So we're still a little bit out from the actual physical announcement of the camera. And all of those will be available at launch. So this got a lot of things that, it used to only available in professional camcorder. Yup. Like the 96K audio, the, what else? 10 bit, 60p, all that kind of fun stuff. Wait for monitor, like, what? HDR? XDR. Yeah, it's gonna have the HDR on camera. So like I was saying, I think this will be the first camera to actually support HDR recording. Out of full. As of right now, I don't think any other interchangeable lens camera has HDR recording. So your Lumix G series has been improving enormously every single time. Where do you see yourself as Paterson at the Lumix series five years from now? If you can come give me detail on that. 8K. Owners of the industry. Owned it. Yeah. You know, we've always taken a very, very customer focused stance with it. So where we are in five, 10, 15 years, will definitely depend on what you, you guys and your viewers, let us know and create with our products. Did it overheat? As what people shoot and giving us? This one, this wheel, I have to shoot 1080 or else it overheat. Oh really? A full camera overheat. We're always gonna keep pushing forward. Yeah, really quick. That's not the new one, right? 6,300. 6,300, yeah. This is the 15th year for Lumix. And we've gone from a very small company now. I have to shoot 1080 because it will overheat after like five minutes. Five minutes will overheat it. Shooting 4K. Shooting 4K. Shooting 4K after five minutes, it does overheat. It's over here. How about a 6,500? Single one, that's why. I think that's much better. Oh much better. Oh, these are all the models. They're gonna release, it's gonna be at CES. So I look at you guys. Oh yeah. All right. We love this stuff. Thanks again, man. Of course man. Thank you very much. How do you get the input from all the users to do all these things that people want? Where do you go? Do you go on forums? We listen everywhere. Google. Yeah, Google. Google forums, feedback that people provide directly to us. We read the comments when you guys leave them on our YouTube channels. We read the comments when you leave them on product pages. We hear when people are having issues with things. And I think what our engineers have done with this camera, the fact that we updated and it's about two and a half, three years to update the camera, but look at what we've done in that time to create a new product. We don't believe in tiny iteration updates in our higher end products. It is, when we update something, we're updating it to give you guys a solid worthwhile upgrade that's gonna last you for years. First, when people shoot in the video, can you take a picture at the same time? You can. Yeah, if you're shooting in 4K, you can still press the shutter button and have it grab that frame out of it. And the video won't skip? Not at all? No, I think we've had that actually for a pretty long time in a lot of our cameras. Just because it was 1080, it was only ever saving a two megapixel still, so it's kind of limited on it. But for the setup where if you really, if your primary goal is stills out of it, using the 6K photo and the 4K photo are great tools for that. Now that the tracking focus, things like that have been improved, they're gonna become even more useful for sports shooters and event shooters where they need all that resolution and they need the speed. But it's still a solid stills camera, which is I think one of the biggest underpinning things that we wanna make sure everyone understands is that the GH5 is a throwback and a repush for the actual true hybrid camera. Sure, the cinema guys are going to love the camera. I mean, that is who built the GH4. But from a stills perspective, we honestly think this camera, when stills shooters get it and you see some of the images that have been created by Daniel Barahoula, people will be blown away to see what a four thirds camera can do because it's completely unlocking everything for them. You've got a compact, lightweight inch system that can go anywhere and it's a heck of a lot lighter than lugging around a full frame camera because you're still stuck with the law of optics. Full frame glass still has to cover a 35 millimeter chip. Yeah, exactly, a full frame mirrorless camera, the lens is still the same size, it still has to be big. But that's like, this is 60, 12 to 60, 2.8 to F4. 2.8, this size. We have to buy these cameras. Is it Leica? Yeah, so this is the Leica. So how's the partnership with Leica? Oh, it's even stronger than it's I think ever been. At Photokina, we announced the, I think what the good word for it is, but the re-up of our partnership with Leica, the head of our division, Yamanesan, and Kaufman, we're on stage and we feed off each other. They are arguably one of the best optic companies in the world and the fact that we get to work with them and they produce some of the best optics we've ever had and just really work on innovating new systems that they, I mean, you see in their systems as well, some of the things that they've innovated that you never would have really seen them do as a company in the past. You know, it's a really good solid partnership we've got going on. Sorry. Maybe you first. How did the engineers work on this? Like, how does the atmosphere, have you been there in the RD room? I have honestly not been to Japan yet to our facilities. I haven't been to our optic plant Yamagata. I'm hoping to be there this year at some point to actually meet, but our engineers listen and discuss a lot with the employees we have in our different teams around the globe. United States, we have a number of people in our marketing team and in our merchandising team where we've all come from the photo industry. We've either worked for other imaging companies, traditional imaging companies, we've worked in the retail space throughout this. So we have in-field experience and we've brought a lot of these things to the company where, hey, listen to what some of these guys are saying or check out this forum because these guys are really hitting on a point that maybe you guys want to listen to and they've taken every piece of feedback that we've gotten and we give it to them weekly and they love it. It helps us build better products. Did they work like 24 hours a day or? I have no idea. I have not been there. And what's the SD card? SD cards are dual UHS-2 cards. UHS-2. UHS-2, they'll be the V60 and V90 compatible. V6 and V90. The new standard for the higher bit rate. Because those are what delineate the minimum sustained record rate. So even though your speeds may be maxed out and they may fall into that V60, V90 area, you actually want to have a V60 or V90 card if you're shooting enough where like when 400 megabit comes out in the all-intra, you're going to want a card like that because you never want to run into a situation where you're panning or something and it cuts out because you just happen to peek over that limit. And how do we find the V60, V90 card? So we've announced two of ours that we have displayed down at the booth. I think we haven't displayed the booth. But like everything else, you'll see them come standard across the board and this time goes on. So your booth will show the V60, V90 card from Panasonic? I think we'll show the card. If not, we'll at least show the spec information about it. What the min and max read rate speeds are. And it's above the UHS-2 speed? Yes. So it's like UHS-3? No, it's UHS-2 is the pin layout. Pin layout. There is no UHS-3. U3 is the top current classification. V60, V90, our video-specific classifications for minimum right speed. Right speed, about 300 megabyte per second. Basic thing is if you go look at the SD Card Association's website, they have this awesome chart that actually lays it out and says, this is where UHS goes. This is where U3 goes. This is where V series goes all the way up to V90 now. So to record 400 megabits, you might have to use two SD cards in the beginning and kind of record to both at the same time. If there's an SD card that's fast enough for 400 megabits. No, that's not necessarily going to help you because if your peak recording hits over that limit, it's just going to cut off. And that's for any camera that you use that uses SD media. The V series just means that your guaranteed minimum right speed will always be X number. So one card in that system will be fine. You may be able to use some UHS2 cards that are out now and you may get lucky and get through with it and be fine with the amount of data coming in when we release the firmware for it. But by that time, the V60, V90 cards will be out and it's probably better to just pick those guys up. How's the battery life compared to because it's the same battery as GH4? Yep, there's only been a very slight decrease in stills performance, but with how long this battery lasted as it was for video shooters, I mean hours upon hours of shooting, I don't think anyone's going to notice any difference. So the dual card, actually you can set it to record to both cards at the same time. Correct. 4K, 422, both cards at the same time. So we go in here. So then you can have one card for the main and then one card for backup. Which is very important. Exactly. So you want us to make SD cards break, right? Yeah, yeah, yeah. Really? I guess. Okay. Let's have to remember where the action. So, double card slot function here. I can set up the different record methods. So I can do relay recording, record same. Or we can do the, you select it out. You want photos on one video on the other. So say if I select the allocation recording. When I come in here, you'll see that I can do JPEG to one, RAW to the other, 4K video to the other, video video. I'll solve the other one. If I go up and I change this back to the backup recording, it will just, whatever you're recording, stills, videos, 6K photo, 4K photo, any of that kind of stuff, it'll dual record to both cards. Same thing on both cards. Yep, and that's part of that advantage of having the UHS-2 in both slots. So you're not worrying that one card will be a slower write speed than the other. Yeah, yeah. And do you record two cards at the same time? You can, if you want. Otherwise, you can just pick whichever one you want to record to. And once the one finishes, it will go to the second one? If you set up relay recording. If you're using relay recording, it will, when it fills the first card up, it will then drop into the second card. Or you can record two at the same time, just in case one card died. Yeah, yeah, yep. That is great, that is great. So no more external recorders just to have a backup. Exactly, yep, yep. The external recorders, really, right now, the Inferno would be the great tool if you want to do that 4.2.2 10-bit 60p out, since it'll do it over HDMI. It can't record USB Type-C to a hard drive, USB Type-C hard drive? No. Maybe a firmware could allow that? Like I said, you just have to keep asking those things and whatever. Honestly, I don't know what the capabilities are of that, from that sense. Because of like 4TB recording storage, that'd be nice. OK, interesting. So maybe I would, we'd pick something. Oh, of course.