 good to see you again. So I prepared some samples, some loops yesterday lunchtime. I actually had a different plan for them but I'm feeling the need to chill out so I'm going to try something a bit more relaxed with them and we'll just see where it takes us. I think I'm going to experiment with just letting these samples and loops just play with the envelope hold on forever and maybe use stepless tracks a little bit to manipulate the sound while it's going. Evening David. So let's start playing with that a little bit. As always if you have ideas or want to see things and just let me know in the chat or not as we go sample on this next track but I'm going to alter the loop length so that it's so it doesn't loop perfectly with the other one. What's the trick? Yes, sorry I do usually try and get that out of the way. It's Diplomatico this evening which is a rum I think I mentioned before probably my favorite or joint favorite rum in Santa Teresa which is also a Venezuelan rum very nice. Excited to see a Digitax stream, Digitax stream. Me too, it's as I've said many times before probably my favorite instrument. Let's get this other piano sample that I've prepared earlier looping on this other track and then we'll start playing with them. So this one's a bit more chordal trying to write it. I'm doing reverse because so I think I'm going to take Heimbach's half speed because half speed is best speed. So it's in shot really. I can put it further away if it makes people anxious. This device sadly, same reason I haven't tried Andrew Han's yet either which looks really good as well. So what I think I'm going to do start the sequence of going this evening is putting down stepless tricks that alter the sound which is going to drop it down to half speed. I had to pick just one feature because I think what I really like about the Digitax is so to talk about just one feature is tricky I think. But I guess ultimately my favorite feature of the Digitax is the workflowed parameter locking I guess which is also I guess one of my favorite features of the Digitone as well. Sometimes I superior my thumbs to my nipples and pretend that I'm a T-Rex. You've got to do what you've got to do in 2020 frankly. So I've done some tricks for it. Switches to playing it forwards that might be fun. Okay so let's take a similar approach. The tempo is forward. The samples I think were recorded at 80 or so I've hafted four two pitches because then I'll set a step probability so it's not always stepless tricks as well so we don't cut things. It's diplomatic not whisky this evening. The BPM likes to go so slow. Yes. How important is it to have these samples in sync to the tempo for what I'm doing not at all. Potentially allowing the samples to run over each other with the fact that I've got the tempo set this slow. The times on the Digitax are always a function of the tempo. So by setting the tempo I've got it set where I've got it set. In a case with this kind of music the Digitone for this sort of stuff I think are essentially a waste to have a single track that's dedicated purely to vinyl crack. We could try and ground it with some sort of there's no harm in trying. I'll just see if there's steps. And some of those will actually switch it back to forwards. Just going to call characteristics of them are being changed by the sequence but they're not actually being with my streams and I'll take it as a government. OBS is running her just a shelving EQ just for a bit more top end bottom end and a limiter. So you'll be hearing that dangerous backs plugins being run.