 I saw one of your songs, Cash Money remix, and you had beat a man on there. How did that come about? Man, it's so crazy, like a lot of stuff in my life, it really happened off my energy. I really realized the power of my energy and the power of my tongue. You know what I'm saying? And so, when I speak shit, it used to be like a month or two of it coming to existence. And then it was like a week or so, now it's like hours, shorter than days, no bullshit. Like it really happened and I'm in tune with that shit. So I did that song and when I heard it, shout out to Tasha Couture, that's the producer. She's a female. She produced it. But I was doing that Joggers Out, Joggers Out, Joggers Out. So when I did the remix, after I did the song, I was posted on my page, I did the video and I went to New Orleans, I shot the video in New Orleans. Juvie came to the video, shout out to Moosa. Moosa used to be my manager. He managed currency, but he's like a plug in New Orleans. He from New Orleans. Okay. So I shot part of it in the Know Your Projects, I shot part of it in the Kelly O Projects. If anybody know about New Orleans, they hate each other. It ain't no... You really can't fuck with both. And then they did a second line in my video. A second line is the big celebration of the dead when people die, but they parade about two, three miles and you get drunk the whole parade and you turn up. So I did a second line in my video. But when I played it for Manny Fresh and Juvie, bro, they reaction just did it for me. Because it's like, wow. I really did this in memory of y'all. And when they heard it, Juvie was like, you did us right. He said a lot of these niggas be fucking up shit like you did us right. I said, bro, can you please get on the remix? He was like, hell yeah. And Moosa put it together. And then I asked Manny, he was like, hell yeah. And then I already had a relationship with Turk when he got up because I'm just a fan of the hot boys. He was like, hell yeah. And Wayne was in a bad deal with the quarter shit. And I told guys, I was with him, I was like, guys, he finna get out. We need to get Wayne on this bitch right now. He was like, do you know he gonna, I said, bro, get him on it. And as soon as we didn't, he got out the contract and released the new call and I was like, damn, but it's cool. But Beanie Man, just for the simple fact that he does Joggers, I like to pay homage. Like these young kids, when they heard me saying that, they thought it was me. They're like, why you saying that? Because they don't know that song. Yeah, me, I don't want to take nobody credit. I'm the type of person, like I want to show homage, bro. So I want to get the originators of the reason that I did this song. I want y'all on the song because this is my way of paying homage. And I love that because a lot of artists, a lot of the time, especially being Jamaican, when I hear certain things or certain rhythms from a song that I know, I'm like, man, they stole that. Yeah, exactly. They stole that. But I love the fact he came on it. But I love the fact he came on it. But he was so, he was so like eager with, like he sent this shit back faster than any of them niggas. Damn. Benny was like, yeah, he was with it. And then he said my name in that motherfuckin whole thing. Yeah, he did. He did. He did. I don't know how he did it. He did. But did you get to meet him in person? Benny really kicked out. Oh, Benny really kicked you in there. That nigga energy right there. Juvenile still got it though. Don't play with him. That boy Juvenile was sliding on that motherfuckin, just like he never lived. Like he never lived. So when you think about the South, them guys are pentacles, man. Even Birdman, just the whole layout, man. So how big of an influence were they on your career before you got to meet him? They were a huge influence. But you know all from Texas, bro. For sure. So I was like a Swiss house nigga. I was like, I was like, I was like, I was really a commissar head. Like to me, to me, that was like Lil Wayne before Lil Wayne. And Camino has so many fucking bars. Like I'm a thinker. So I need a nigga that made me think I can just be jam, I can jam, but nigga, if you're not saying nothing worth listening to, I don't want to hear that shit. Camino was a goat. He was like, Wayne before Wayne, I'm going to be honest with you, before Lil Wayne was sending them bars to make you think about every little intricate detail, Camino was that guy. And he didn't cuss when he did it. That's right. When he came on Versus, I didn't see it. I ain't going to lie. He ain't rapping forever. The Camino that became after he became like global was a completely different thing. Mistake Camino was a goat. You loved him. Album Camino was not the same person. And it's like, I'm mad because it's like the world is like, because I'm so, I'm so detailed and so into music. If I speak on something, I want somebody to take it seriously. But if they didn't hear the Camino, I heard it's hard to explain how hard he was, bro. Is this the one with power, why big twangles involved with it? This is before that. When he was by himself, water boys. So you said when he was walking around Dallas and hanging out in the mall. You know, 50, 50 little twins, I'm talking about the whole world. What's his brother's name? The O in all the boy. What's his brother's name? Rock, what? Let's say 50, 52 years, man. What's Camino's brother's name, man? Rock something. I never didn't know his brother because he was hard to. I know the 50, 52 years when he and man, the boy was Siri. Oh my God. He going to have him looking at my. He looking at my. I got to. Yeah. What's Camino's brother's name? Because then they go hard too. Camino, man, we done been in VIPs and everywhere together talking about business, man. My wife kind of, yeah, she, yeah. Rizak. Rizak. Rizak. Are you crazy? What? That was your guy. Man, Camino. Oh my God. Anything forward or forward. Oh, I didn't know Paul Wall. I didn't know Paul Wall was a white boy about three years later. Me neither. Because he sounded like. I didn't know he could go in, too. He fit right in on them, on them songs. That's a fact. That was great. So do you, what about, and that brings up another deal like, remember they had the two they had to, they had to, and I always talk about this. They had the CD and then they had the screw CD. You could buy two at a time. When they had it going, they would double dip it when they would say, yeah, they were kicking it. And then they just fell on back from it because they started doing what everybody else was doing. And I heard they got in trouble for some time doing it that way. But man, that was a good error, bro. Yeah. No careful. That's back when Texas used to be one of the only places you could really go plating them out the trunk. Like you didn't have to be the major, none of that shit. You could sit at shit right at the trunk and you can go, you could make the same money that these rappers make and go and play them.