 All right, let's take a look here. You're mostly asking about handshakes and stuff Cool, I like it a lot. I think you can combine a couple things. So let's see here I think that all works great, right? And then I think when he was leaving and he has that That I will push and really Shoulders up head down Like imagine like he squashes together just a little bit more. So it's not just Not just in his eyes because he just heard that ginormous you next to him It's a bit of a bigger take and it's not just in his face I like the eyed art. I be careful like his here your shoulders are huge and You know as you continue on you would also offset them But right now the weird thing is that that whole section like the whole shoulder takes the whole arm So everything goes up and down which feels a bit weird. I'm not sure I know what that's supposed to be if that's breathing and if it is breathing I will concentrate it just in the chest and have your shoulders roll back a bit with a tiny bit of an up That is fantastic. I love that shake. I would keep that shake here and here because you think That's when I put More erratic hand movement. That's of a shake But it's more like, you know up and down and up and like it's not not that wavy Just less of a of a continuous shake Like the back before it feels like it's it's an additional animation. They were just have constant shake Which is awesome here. I mean here, right? But then I will put here a bit more erratic movement because it fits the voice more and Then here because he can't say anything anymore Right and it's almost like he can't talk because he's thinking is nervous is panicked and that's when I will put the shake back Here it's a bit more tight to have to Very poppy here this one. So I would just go starting here have a little bit of a layer of just overall shake and then here it's fine to not have it anymore because he kind of calms down and Then I mean know what I would do here, you know, watch out. Eye lines. You want to really have The eyes he doesn't have to look completely at him He can't be a bit more towards us. So we see the eyes a bit more It's as if he's staring it's like everything is fine and then you have that big take into that You know where the head could be a bit more towards us and a bit lower eyes are staring just off to the left As if he's hypnotized like everything is gonna be okay, and then take head turn into this pose And then here just be careful like right now the roots Just kind of comes down and moves to the right and here just kind of floating left and right Just make sure that the body mechanics here are as fleshed out as here like this feels a lot better so I'm not sure if it just didn't get to this yet or You know if I need me to go into more detail on that section So now like right now when he says I Mean no no like he's still very very panicked, but if you look at the root and you don't listen to the audio he just goes So that's way too slow and smooth and Completely contradicts the the voice and the panic and emotion in that so that would be much much more You know like oh here no and then like dip down no and then dip over But he's also very off-balance at this point like that's this that's your weight You know so he would have to be Either like take out that leg a bit more So that not that you would have to do a pose like that, but I'm saying in terms of balance that Awesome drawing that makes more sense balance wise because of this being so far out or if you're doing this You know it could be something where you can keep this But then this foot has to be further out so that that weight comes down and it's a bit more evenly distributed You know and that's all very translating one axis Flat horizontal movement there But yeah, I would definitely continue to flesh out flesh out the kid concentrate on him first or first, you know Just get that going and then stuff like this. I would just be careful to not Cross over shape-wise because now I feel like it's a tangent and they're almost touching and keep it like here It's always a bit of a gap makes a bit more menacing You know this is right over him careful with on the ogre But just look at his movements That little up and down is That drop is fast Feels like he's being pulled down and it's not physical weight By that Yeah, I there's just you know, it's a little rough Get it more into like the level that you're at here. It's neat though. I can really really like this or like how Towering is maybe you could be a different silhouette on this hand You know, I don't know if that works. You can have the thumb here and the fingers a bit more of a shape like that Not that my drawing helps but you know, this is a bit too profile And then that hand totally drifts Down to this point here See it's just something where like this is pretty flat towards us so imagine turning it around a little bit This is for this hand right so you don't want this hand to look like this But it's kind of the same idea. It's not so profile. So the thumbs that of here some could be here ish with fingers You know, it's a bit bit wider Alrighty, thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way like and subscribe would be awesome. All right. Thank you