 I tend to do site-specific work, whether that's directing or designing performances or installations, and they usually involve fire in some aspect. I guess that's my little niche in the world. I'd been working a lot in live events. Since I was a kid I was working and performing at Woodford, doing the clothing ceremony there, the fire event, which I now direct. And then I studied film and screen media production at Griffith, and I think it's really fun to be able to work in different parts of the sort of entertainment and art world. Because those skills are all transferable. I'm the site designer for Bleach 2019, which is currently involving two bars down on the beach at Burley, and then the festival culminating in Requiem down here at Hotter. This Requiem is a much more contemporary exploration. Patrick Nolan from the director of Opera of Queensland is really, I think, finding really interesting ways of reimagining it. So the tone of the space I'm hoping will be quite somber. The entrance way in will hopefully take you from the outside world into this space. Everything's going to be very red and kind of dark and fiery, and I think it will have this real sense of, I guess, focus reflection. Film is about making impossible things happen in usually quite difficult spaces, which sounds familiar. In film you have to solve the impossible, and that trades actually well into location-based, site-specific projects, because there's not a rulebook for it. You just be like, OK, we want to do that. How do we do that? And you unpack that and approach it in a logical way.