 Studying war photographer. Here's how you can analyse this poem. In terms of structure this poem is written as four stanzas which assess tets. The sibilance here shows that the photographer is back home and he's developing images he's taken at war zones. This religious simile is powerful because it shows that the process of preparing pictures is sacred for the photographer. Duffy also lists these cities which have experienced war. This minor sentence shows that the photographer is back to the security of England. Illiteration in fields and feet as well as on Jambalmont reminds us of countries where children died due to landmines. Cesura here signals a turning point. Onomatopoeia here highlights he remembers the haunting choirs of a man's wife who he took a picture of as he was dying. The hyperbole and the oxymoron here highlights that the photographer is taking this for a newspaper. Yet he's disheartened that in spite of his best efforts the editor and the readers who are the audience don't seem to care that this suffering is happening.