 You've told me this once before and I forgot. What's the Bengali and Hindi words for penis? Benchot. Okay. Oh, I just said Benchot. So I can say it. That's not it. You can tell me. Just whisper it. I'll say it. You can. No, I can never. What is it? Is it as fun? Is it as weird? Cause like in the English language, I think that's a, it's such a penis. I don't like that word. Penis. It sounds so whiny. I prefer shlongdong. Penis. Hey, welcome back to our stupid directions. It's your Corbin, Rick. And you can follow us on Instagram on Twitter. Come on, juice stick, don't dead. It's so juicy. I think some patrons call it a fruit account. Ring the bell to be part of the notification squad. That was your mom running up a flat of stairs. Today. So yesterday, last night, a new trailer for the Runway 34, the Adjid of Gun. Yes, I remember. We liked that one. Yeah, yeah, the new trailer dropped. It's a, not a four minute trailer now. It's a two minute trailer. Wasn't that the one that had four minutes? No, it was a long one. No, the four minute one was the one that, the guy, the, he walks out and the, the thing blows up. No, no, no, no, that one, but I think this, the, the first runway one was like. It was three minutes, three something. It was over three, I think it was one where we've commented. Two minutes is much, much better. But also this is two minutes on top of the first one. So this is technically five minutes, five minutes of footage. So there's about 15 minutes of the film you haven't seen yet. But I, we did note that it reminded us of a couple of films that we, right? Sully was one and the other one, the Denzel Washington one flight. And I really, really appreciated the work that CGI had done because it was pretty flawless in terms of the special effects visually on the plane. And so I'm looking forward to what this one looks like. Here we go. And I'm glad it's only two minutes. I don't have a good feeling about this, sir. I know what's bothering you. But I love how the media is treating your pilot. No, sir. No, sir, it's fine. Of course not. Brace for impact. It's a sure shot and recipe for disaster. I don't know, Emma. Sometimes I feel like leaving everything behind. Your company's policy is much better this time around. If the pilot is saved, the pilot is saved. But if the pilot is dead, the pilot is saved. That's not good. A thousand percent better trailer than the first one. I like that trailer much more. Like, I think you could have probably just released that. Agreed. And a teaser. Yeah. And I think people would have been really, really interested. Yeah. This is a much, it's streamlined, it's clean, beautiful. And I'm sure the film will do this too. But the full production design capturing of the colors, overall hue, basically, if you notice it, if you watch it again, the overall hue of pretty much everything, and it helps that a lot of it's at night, is this beautiful blue with some slight lavenders that and purples that come in there, except for the one moment in the bathroom with red. But I think that's a real intentionality behind the product. It wouldn't surprise me like Zoya avoided blue for Gully Boy. I think they were like, let's saturate this with blue. Which is a great color. But I agree. This is a much better trailer. Yeah. Yeah, I'd be just off of that. I'd be interested in seeing it. Which is what we see all the time. I think a trailer can make or break people going to see it. It absolutely can. Because it's too long. One, they feel like they've seen the film. Two, they can overanalyze that film and be like, this is just going to be your typical blah, blah, blah. A trailer is literally just supposed to be a tease. It's like, get me interested in this film. Correct. It's not about the film. Don't tell me the story. Just get me interested in it. That's all. The two most important things really in promoting a film are, aside from who's starring in it, that's obvious. But when you're talking about the stuff that the audience actually gets to see, obviously the trailer is critically important as is the title of a film. That can make or break a film. A lot of people did not go see Cinderella Man. Because the title, it's a true story. And his nickname was Cinderella Man. But it was a bad choice of title because people didn't know, does that sound like a boxing movie to you? No. No. A lot of people just didn't even look into it. Yeah. Sometimes that can have an effect. Sometimes you just, you don't know. Obviously if you put a good product, people are going to see it. Word of mouth will spread. So that's good. Because like that one that you just saw. Oh my goodness. Everything everywhere all the time. Everything everywhere all at once. That's not like one that kind of rolls off the tongue. Nope. In terms of, that's a long title. Yep. But obviously, I haven't seen it yet. I'm going to. All I've heard about it is that it's an amazing film. So the word of mouth is getting out there. The stuff I would worry about this is, is that even though it was beautiful, it almost looked Disney-fied. And films that get Disney-fied worry me sometimes. It could. I didn't feel that. What I mean by Disney-fied is everything is ridiculously pristine and clean. And it almost, it looks better than reality. And so that's, that's, that takes me out of it sometimes in Disney films. Even luckily Disney films are usually family films. So it's not, you're not usually taking it too seriously. But like, you know, everybody's literally in pristine white shirts and it's like beauty and the beast. And it's supposed to be this rural France. There was, there was a movie, what was it called? It was about the Civil War many, many years ago. One of the biggest problems it was a faith-based movie and immediately. Yep. And it showed because one of the things they did, it was, it was about the Civil War. But I noticed when they had, I remember this one particular sequence that was a pretty broad open shot of this Confederate campground and town as well. But everything looked freshly painted and all of the clothes looked freshly washed and pressed. It did not feel like I was back in the 18th century. Unless you're a specific director like Wes Anderson. The 19th century, sorry. Wes Anderson, obviously, who has this ridiculously beautiful, colorful, like Grand Budapest Hotel. Yeah. One of the most beautiful colors. For the French dispatch. Yeah. One of the most beautiful colorscapes you'll ever see in a film. Different than Sao Liliu of Insali. Completely different. But it's, it's, he's so good at that. So obviously that's a different style that works for him as well. But wouldn't work for everybody. Well, we'll see. I hope you're right. I hope it's not that way. But based on what we saw, I don't think it will be. Yeah. I actually, I'm, I'm hoping. Yeah. This is as good as it could be. It could be. Because obviously the cast and it is, when you got to pay these people, they're whatever they charge. I'm a tech box, John. A J Dev gun are going to put butts in seats. Yep. And that's why, because sometimes I find it funny when people think that certain actors, they're like, they get paid $20 million. Like Johnny Depp at the height of, not now, obviously he's not going to pay $20 million now, but back in the day of pirates, right? It's getting paid 20 million. Will Smith, 20 million. Tom Cruise, 20 million bucks. Yeah. Well, even still, there's an asking price of 9, 10 million a film. Yeah. People are like, why is it, they're going to bring in more than that because of, they have fans. Because they're involved. Salman Khan, I don't know what they're going right is. Those people can ask that because they, they're dedicated fans. VJ, Tarapati VJ. Yeah. If a film, let me think about it. Like if a big budget film, let's go smaller budget film, a 25 million budget, that's a small, smaller film here. If you have a 25 million dollar budget, and you have a big name actor in it, you'll pay them five. And then the other 20s on the rest of the film, why are they going to be getting a fifth of the total revenue? I mean, what it is, because you're probably going to make, with them in it, you'll make that back on opening day. Yeah. So. And sometimes you don't, and that's the risk of filming. That's the risk of producing films. But I'm very, how many films has Ajay directed? Because we talked about this last time. He's directed a few. Has he? This is what people said, yeah. He has directed a few. Has he directed a lot that carry visual effects that are needed as much as this story needs it? Not sure. Because that's a whole other animal. And based on the cut of both trailers, especially, I'm impressed with what he's done with his cinematographer. Looks like it comes out April 29th. I think probably in theaters. I would hope. It says Amazon Video, so I don't know. Is that? Aw. That might just be who gets it. It may be an India release and an international OTT. I hope not, because I'd really like to see this on a big screen. Interesting. But, yeah. Let us know what you thought about the trailer, what should be our next Ajay Devgn and Amatak Bhakjan films. Yes. And most importantly, what do you think Kajol thought of this film? Because she would tell if it sucked, I bet. Privately. Yeah, not publicly. Yeah, she wouldn't say anything about it. Actually, I wouldn't even... Maybe if it's a few years. If it's a coffee with Karan, she would. If it's a few years later, I think she would. Not coffee with Karan. Karan. Not while promotions are going on. No, no, no, no, no. No, you can't do it before the film releases. No, no, no, no. You gotta do it years later. Yeah, I thought my husband's movie, and it sucked. That's not gonna happen. Anyways, let us know about the trailer down below. Josh!