 All right, let's play some fool here. It's kind of long but it has sound The fame thing isn't really real You know, and don't forget I'm also just a girl Standing in front of a boy asking him to love her All right So first off You are mentioning here that this is your final blocking now. I have a bit of a An opinion on on blocking this seems more like a layout pass to me Where you have I Mean there's more in it. I mean, it's just there's camera movement in there. There's general stage you can end and Just a placement of the characters, but in terms of specific movement and character-based movement It seems a bit still a bit neutral the fame thing isn't really real Also, not sure See my my impression was as a whole it's just very very long So my question to you then is Do you want to have the whole thing on your reel or is this more kind of a practice for also editing and composition and Actions across the cuts So I have a few questions with some of the things here. I don't mind this because it has even it's a bit low on The feet here. Well, I don't mind this as an establishing shot I would probably put it maybe a bit more that here kind of cheat that that placement and Even this is you know, it's a bit high, but it's interesting with in terms of you know The fame and her having your own poster as an establishing shot. I think that's pretty neat Don't mind the cut through there to see more what she's doing The fame thing isn't really real this one seems fairly short and are we supposed to feel that He's not interested. I mean, he's smiling. Is he smiling because of this? He's just not Does he care about this? Like there is no change in his in his facial features. That's why I'm it's not quite blocking to me Where I'm not quite sure what the shot is supposed to mean is he being interrupted by what she's saying Does he want to pay attention? Well, how is he feeling before and after? Because he seems you know, he seems fairly distracted at this point. So is he now suddenly Is he a willing participant and he actually cares about her or not? So, I even know if you need this shot You know, this is not too bad. I like that The action across the cut she might be a bit right screen heavy Or I don't know if you want to pan a little bit over or just have her a bit more over here and they end up over there And don't forget I love this here and don't forget Here it feels like I'm supposed to finish. I'm looking at this Continuing to see what's going on and at the same time. What is he putting his it puts his phone down I have to be careful. You have you have to and they're almost parallel. They're competing actions forget and Then again, am I supposed to care about her and listen to her and watch her say this? What this character is doing and how he gets up and Then I'm not sure if this cut works to me. She's pretty much the same size She just kind of pops her to right, but he suddenly pops towards you. It's a bit of a jarring cut At that point I wonder if you can just you know, they could walk to each other Using that camera and not use this coming so much closer And then leave it at that and I think to me leaving the shot here and not have that Pull in or use or you're around here and that's it Like this feels just a bit CG I mean, but you know, you can tweak the keys and make it more real But I don't know if do you do we need this dramatic push in to see this So to me seems like a lot of somewhat distracting camera moves But the main thing to me is that it's just so much work Because you have all those body mechanics of walks and walks and walks and it's such a long shot I'm slightly concerned The time frame that you mentioned that you want to get all of this done and To me this is also overly long for real. So to me it feels more like you want to pick Standing in front of a boy. Where's she here? I'm also just a girl. I Don't feel like you can just use this line. I'm also just a girl standing in front of a boy Asking him to love her Julia Roberts lines So, yeah, so these are these are kind of my thoughts there So almost more questions than then Critique and again this like all of this seems all very mechanical. I get the idea But the main I get fleshing out of timing for an actual blocking pass. So we understand You know truly how they feel in this contrast in their performances and all of that is still missing So to me this seems more like a more advanced layout pass at this point So I'm gonna stop it here email you back with more questions. So we can figure out your battle plan moving forward here All right. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever beyond you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you