 Boss time, who your girlfriend favorite? Boss time, we gon' do it how you want. Check it, check it, check it, it's a unique hustle. It's your boy, E-C-E-O, man. I'm down here rockin' with the best of him, man. Hangin' with the rest of him, man. Hey, man, we got two very, very special guests in here. One of them don't need no introduction. He's a repeat guy. He been frequentin' the show. Anytime I pull these mics out, man, he got to show up, man. Black cars in the building, man. In the 96 worldwide. Yeah, yeah. Worldwide. Yeah, man, everything worldwide. You stand on that? I stand on that. Ooh, that's official, like a rivalry with a whistle, man. So, man, what's goin' on, man? Man, first I welcome back to Houston, man. Thank you, man. You know what I'm sayin'? I came down here, I saw, man, and you know what I'm sayin'? I came, never stopped comin'. I been comin' out here for a long time, though. Like, since I was a, I'm a Texas cat. So my auntie, she over there offered a lead what she was, she passed away, but lead, Whitfield and all that, that's where she was at. So I would come up here, it's like, let them twirl, fight at the skating rink with my cousins. Yeah. Yeah, we gon' fight some niggas at the skating rink. Them niggas fight every day. They twin brothers, we all the same name. We all the same age with the same name. That's crazy, right? Hey, hey, hey, hey. What's Mike? We were named after my dad, you know what I'm sayin'? So my cousin, he's still out here wildin' out. He ain't gon' never stop. Yeah. And we fit this out now, so I'm old. You know what I'm sayin'? You still goin' to the skating rink like the boys out? Nah, we don't know. So man. You gotta go to the ice skating rink, it's not, you know what I'm sayin'? It's not rollin'. So man, how you bein', man? Life's great, it's only gettin' greater. Man, you know, just the music, the sound down here, and you bein' young as you, you're young, but compared to me. Understood. So I just wanna know like the new sound, the new wave of how the music's goin', you know, it was bangin' and screwin', it was all type of different music goin' on. And then you see people like B-King, DJ Chills. Yeah. What's that other boy, Travis Scott. Okay. You know, you hear all these different types of music comin' out. And then you, you out. What you think about the other rappers back in the day when we used to get out? Man, back in the day. You know what I'm sayin' with you, right? Back in the day, y'all created the foundation. Everybody created the foundation, screwed up, clicked, rappled out, everybody created the foundation. At this point, thanks to brothers like you and Donnie, y'all, y'all givin' the platform for us to understand what was really goin' on so where we can build from that. So a lot of the new cats for the show, we make a lot of good hustle music. Yeah. That's what we had now. Especially like in my count we do. We make a lot of good come up hustle music. Yeah, I like it. I like it. I really, black car, what you think about it, man? You've been able to transition. You very transparent when it come down to the music. Like you have to be in order to stay in the game. Yeah. Well, you just gotta be able to keep up, you know what I'm sayin'? But one thing I always say jammin' is jammin'. If you jam that one point in time, it's gon' continue to jam. You know what I'm sayin'? That's all it. That's all it is. And everybody's in their own lane. So you can't really judge one Houston artist based on another Houston artist cause we don't have the same sound as each other at all anymore. It's definitely different. Everybody's real diverse, but the right artists do the right things. They keep the culture in it. Yeah, I think the most important thing is to keep that culture in it. The culture's important. Yeah, yeah, the culture is very important, man. Like I said, I think that's the only reason like we really, when we got into this, it was more like, man, you know, for me, it was like paintin' a picture. It was like, I don't wanna just, I was seein' all the narratives, right? You look at what you see on the internet, right? My kids in the room with these phones, right? And a lot of times I'm like, damn, they lookin' at this, they doin' that. And, you know, think about all the people that really, you know, you affect on this thing. So if you put the right platform together with the right conversation, you can inject into what's being done and see it on the internet. So I was more on that. And then I thought about my parents and them not being here no more and not having nothin' to show what their legacy was built on. And that's how you get a boss out of one-on-one. Respect? Or bein' real? Not respect. Cause they can look back. My grandkids, grandkids can look back and see black card on it, rockin' with ya. I just feel like that's gonna be somethin' to do later on in life. Nah, for sure, like I remember being around like when Don Toliver, you know, first started comin' out, T.C. Korean, a lot of other artists, they all came out around the same time just buildin' a brand. And I was a part, I used to have a podcast to a certain extent. But my whole thing was, you know, bringin' light to what we had goin' on. Okay. You know, it was always the thing that Houston didn't support each other at some point. You know, every city kinda got that thing, you know, we don't support each other. But from that time period then to where we at now, one, Don Toliver's doin' great, T.C.'s doin' great, a lot of people doin' great, but we've come together a little bit more in the city. So you feel like you accomplished what you was tryin' to accomplish within your podcast? Overall, I stopped the podcast kinda early. I was also like, you know, doin' a lot of things in the city, like photography, videography, I was hustlin', you know what I'm sayin', just buildin' my wave and buildin' my name, my legacy in the city. Oh, you did a little touch. I've touched, I've done everything. So you see my setup, is I'm serious about it? You lookin' good. You lookin' good. I ain't know what I'm doin', I'm in the presence of a player. I'm real playin' the game, not for showin'. Like, I really, I really, you know, did every step necessary to meet the people I need to meet. And that's what my business side of this music industry is. You know what I'm sayin'? Even before I chose to be a rapper. Yeah, yeah. I was always in the streets. Let's talk about this, that you chose to be a rapper. You know what I mean? You out here, you in Houston, man. Yeah, for sure. I mean, it's my city. Hey, the competition is fierce whether you wanna believe it or not. It's friendly. Yeah, it's cool. I don't really do too much just here. But I'm just tellin' you, it's goin' down. So if you get on, don't you ever tell me nothin' like that. If you get on a track with somebody, you tellin' me. Nah, I'm comin' down for show. Nah, for real, I'm comin' down for show. But I'm comin' down my way, I ain't. Black card, he tried to give me. He know damn well, you get on that mic. Like you said, it's friendly, but I don't come over you, you know what I'm sayin'? I'm here to represent, you know what I'm sayin'? For my city and what I got goin' on, what the Bob Money camp got goin' on. That's what I'm goin' do every time I show up. I think as long as whatever people bring to the table is pure, you know what I'm sayin'? It really ain't no competition. You right, you right, but then we'll be back in the dark. I think back on Jay and Eminem on that song. Anybody, man, Eminem killed Jay. You know, man, you know, out of the ghetto, boys. Man, Scarface was the hardest one. But Willa D was the hardest one, okay. So, Renegade, Jay's the Eminem, what's her tape? Man, I'ma always go with Jay. I'm not, I'ma go with Jay. I'ma give all respects to him. Why? I'ma go with him. I'ma go with him. I knew y'all was gonna do that. I'ma tell you why, I'ma tell you why. I'ma tell you why. Not lyrically, but flow. On that song, Flow Wise, I give it to Eminem. And y'all give it to him for that one. That's, y'all agree on that. Not necessarily lyrics, but flow. And Jay was sayin' some shit, too, but as far as I remember, in the flow, Eminem. It's hard to deal with Eminem because, you know, I'ma say this, it's hard to even have that conversation because it's biased. I'ma be real with you. When it come down to him, he always gon' win cause he got a whole bunch more comin' at him when it come down to what he do. Everybody gon' show love when it come down to his project. Everybody. But when it come down to us, you know, it's a little different. That's how I'ma say, but he do is Eminem. But you gotta understand this. Eminem, where he came from, and what he was doin' at the time, is he was speakin' out, sayin' all of the crazy stuff, not really being afraid to say. Just like the look say on Renegade, never been afraid to say. So that's Jay-Z bringing Eminem into his own world that he's already in. That's not Jay-Z's world. That's what I remember. When you ask me about this specific song, I remember him. That's like the only other part. You don't remember Jay. That's the first thing that go in my head. Renegade, that's the only thing that I remember. Yeah, cause the way his tonality was and all that. You know, you know he's on it. Yeah, you can say how Jay came out here. He just, Jay Moore was player on the song. Yeah, for sure. He was just more player. And you gotta realize, I believe him was hungry at the time, too. A little more hungry, cause he was more newer than Jay-Jay had already been in the game for a while. Exactly. So I think he was more hungry, and you could hear it in them lyrics. And that's a good example of the friendly competition situation. You know what I'm sayin'? Like if I come in the studio, I'm definitely comin' down. I gotta let you know a little bit. I brought the tiger out of him that line, but he's like, I'ma get down. I'ma say somethin' for you. So who would you like to work with in the future? In the future, shoot, when it comes to the city, if that's what we ask him for. In the city, in the city, yeah. In the city for sure. I would love to work with Propane. Really? Yeah, right, yeah, for sure. You were just here, right? Just to write for you. I'd love to work with Propane. I wouldn't wanna work with a young desi. What do you see in Propane? What do you see? Propane, like his flow. It's like, it's natural, it's genuine. You know what I'm sayin'? Like it's him. Like that's the type of people I like to work with. I don't like gimmick rappers. Okay, and another thing I don't like, I don't like angry, sad rappers. So I like rappers who's actually talkin', you know what I'm sayin'? Some real gang. I agree with that. Like rappers that's talkin' some real gang. I've been waitin' to say this. I don't know where this is goin' right now. I don't do none of that angry, sad rap shit. None of it. I don't do none of it. That's not the energy I'm on. People are goin' through depression, bro. I understand that. Everybody go through somethin'. But that's not what I'm broadcasting to the world. My next project is called Greater Days. That's my mantra. That's how I step, you know what I'm sayin'? But a lot of times you gotta understand, man, this is healing during that time when people talk about that stuff. I understand. Somewhat, somewhat. All right, so question, this is healing, right? Yeah. All right, so if your first project, if you wanna be on sad nigga shit, right? Right. That's cool. Your first project, sad nigga shit. Hashtag sad nigga shit. When your second project come and you ain't made no progress and you still sad, now what they gotta do with your life and what's goin' on, you know what I'm sayin'? Like, show me some progress. Like if you got 12 songs and all 12 sad, the first project, the next song, at least, you know, give me like six, six sad. Make some progress, you know what I'm sayin'? If you ain't making no progress and your theories and all that, I'm not with it. I'm tryin' to grow. I feel you. I'm tryin' to grow with the artist. For sure. Is your music your therapy or something? Or is that, or we just sitting here listening to you cryin' at us? I'm not one of them guys, don't cry to me. So, you would never do a song that's deep? I do deep songs. Okay, so. I do a few deep songs, but I'm not, like I said, I'm a progressive person. I'm not about to sit here in the dirt with you and you know what I'm sayin'? I'm not about to come from up here and come down and I'm not that guy. Black card, you done sent in a lot of those sessions where people be goin' through therapeutic moments. True. Therapeutic moments is somethin' different than bein' all the time sad. People fallin' deep depressed. When I interviewed Bobo, he was like, he hadn't came out in a long time. And Steve Bielow, Steve Bielow was PMC Prodigy and came on the interview in years. I ain't heard Bielow name in a long time. He be with me now. That's wild. You didn't see his interview on my show? I'm not havin'. Woo! You gotta go watch that one. I didn't even heard that name. You gotta go watch that one. Hey man, he, cause it really did, it messed him up when Pimp died. So that's one of them stories where he just kinda didn't even mess with the music no more. He loved the music before that, but at that, and even Bumby said it on Beehive. So it's like, sometimes people get caught up in the, and he was what, displayed on music, of course. He just kinda went into a cave, you know what I mean? And just kinda backed off everything. So it does affect people, man. Mental illness is real. But I think- Not for sure. But I think people, they didn't got to where they, so it's a thing where it's popular. But, and that's the problem, is most people are doing it because it's popular. Also, I also believe in speaking things into existence. You know what I'm saying? So if you believe in speaking things to existence and monitoring the stuff that you put in your mind, I'm not about to sit around and listen to a bunch of sad stuff because then, therefore I will end up sad. You know what I'm saying? Exactly, no, I get it. I'm not about to make sad music time and time again because I'm gonna end up sad, or I'm projecting to my listeners that I want them to be sad, or I want them to congregate and be attracted to me because of my sadness. Yeah. And that right there is mental in itself. No, that's real, man. And you gotta be careful because, like you said, it becomes a thing where it's just revolving over and over and over again. The influence is real, like the power of music, you know what I'm saying? It brings you in. What you let in, sometimes you don't know that you need to let it out just as much, you know what I'm saying? No, you're right. I agree. Life or death in the tongue. That's real, that's a so real proverb. But I'm gonna be real with you, man. You're a young man. So with you being out here, you know what I'm saying? You seeing the way flow things is being done. What do you see, man? This year, man, it's gonna be big for the music world. This year's gonna be great. What you got going? What's up? Let me in, you know, you young niggas know. I got a lot of my camp got something coming. Really? So investing stocks, he got a project on the way, the investment, you've been working hard on that one. That's coming. My project's on the way, Greater Days, Jigga Juice. Jigga Juice, he's also, he's on Issa Rae's Rap-ish. Yeah. He's on Earth with Guwab Dad. He got something on the way. We all, the whole camp got something going on. The whole city got something going on. You know, and I love that about down here. They had a whole, I seen a little parade of, I say little, but it was cars going through those twangles and all kinds of stuff today. They still come down, man. Man, that's crazy, bro. You can only come up, come down, and come through. Hey! You know what I'm saying? I like that. You got three options, you know what I'm saying? They still come up, come down, and come through, dude, that's real, man. That's hard, bro. Like so, do you ever get like, in a place where the music, you be like, man, I can't mess with it this month or two weeks, you always just go, go, go for you. Do you ever put time in when you wanna pull up? I take breaks. You do? I take breaks, I can't lie to you. I take breaks, even recently, I've been in the gym. I just been in the gym. You've been in the gym. You know what I'm saying? And I ain't even really been focused on no music like that because me, I have to be inspired, you know what I'm saying? That's what I was thinking. So I wait for the clarity to be inspired and then I start moving, you know what I'm saying? Yeah. And then that's just how it goes, you know what I'm saying? Sometimes you could wait for that motivation, you know what I'm saying? You have clarity and sometimes you have to work through it, you know what I'm saying? But I'm blessed enough to be able to wait, you know what I'm saying? That's hard, man. So when you look at the music and the flow of things and just getting back into it, who are you seeing that you like, that what's going on with them right now in the city? Oh, that's a hard question. Yeah, yeah, yeah, cause you different. Cause I know I value your opinion. Well, it's a hard question because I am, I don't like a lot of stuff. Yeah, but you gotta like something. Like Steve Boat tripping there, ain't he, man? Come on, you gotta like something, man. I don't like a lot of stuff. Like we just had this conversation the other day and I was telling them about stocks. I was like, I really messed with stocks, but that's my partner, but he made good music. Okay, that's good. But other than that, I like Doman. Okay. I was ready to say Doman. I like Doman, he could rap, you know what I'm saying? He's standing for something. Other than that, I'm really just not in tune with a lot of just movements, you know what I'm saying? Cause it's a lot of drill stuff going on, shoot them up, bang, bang, stuff like that. I ain't really into that cause I'm getting older. But how do you like, I mean, when you think about just the music, and I don't guess I can ask you, but like when you think about the music and UK answer this. Hey, man, you ain't no answer, I ain't no answer. He gave it to you, he gave it to you. No, cause I'm gonna go straight back to this. This place where he can relate like, when you think about the music now and the influence of social media and all that stuff, what is the big difference, you know what I mean? Cause you've seen it when it was, you know, pretty much a thing where you had to go out here and make it happen in a different way. So just what do you think about that and what's the influence of it? Is it longevity in it? In what? In just the way that the music is being imputed to us now, you know what I'm saying? It's very fast now and social media is the reason, you know what I'm saying? It's a big part of the reason because back in the day, not even back in the day, back when Ludacris chicken and beer came out. Our artists used to drop an album every two years. That was the standard, it's every two years. As my space, as the social media platform start coming up, then it start being every year. I mean now artists have to drop so frequently because of the amount of things that are grabbing the audience's attention. You know what I'm saying? So imagine if you were only dropping once every two years, but you have all of this data from social media in between, you're gonna get lost in the sauce when you try to redrop. You know what I'm saying? Unless you have an incredible marketing strategy or something like that to put you back on top of that because it's just too much information in between. So for me, the difference is what social media did was make people want music faster and people aren't really creating in a way for longevity. They don't have that much time to create. You know what I'm saying? The best advice that I could give any artist is that first project that you put in out, that first big project, put your everything into it because it ain't nothing gonna be the same after that. Yeah, I agree with that. I got something for you. Give it to me, man. No, I think it comes down to the purpose of the music. So are you making music to be viral for this moment or are you trying to make timeless music? Are you trying to make hits? That was like my main thing when I got into music, like as a writer, cause like I love writing. You know what I'm saying? As a writer, I wanna make hits. I wanna make something timeless. I wanna make something that, you know, later on down the line, people wanna come back and listen to, you know what I'm saying? Like especially for like family or anybody, you know, let's say, cause I've lost some people when you know, when you have like Platinum's, you lost and you can still hear their voice through some music. That's the type of shit I wanna hear. You know what I'm saying? So like if you're making, if your purpose is just for this moment, just for some shit to throw on the ground, I'm not on that. You know what I'm saying? I wanna make good music. I can dig it, I can dig it, but I'm picking up what you're putting down. You know what I'm saying? I just wanna, but the thing I look at as well is when people drop projects now, back in the day, it was a big budget for videos, but now everybody got DSLR cameras, drones, they got all this new technology that can make something look a certain way. Just, I'm just gonna ask you like, how important is it for visuals to be on projects and say out of 10 songs, how many videos would you think you should do? I'm gonna ask you that. Out of 10 songs? Yeah, on a project. I would do six. I agree. I would do six. But I will say that videos do not have the same impact that they did. That's cause they brought it down like it's so many? No, because we don't have music television anymore. People aren't sitting in front of the TV watching music videos to come on. But they watching you too? I know, but it's not the same. So I used to get out of school and try to go watch 106 in Park to see these music videos. Now, if they're accessible at all times like that, it's losing value. For sure. And that's just a quick swipe. Like the turnover value isn't really there. So like when you drop a video and you do all your promo for like upcoming artists, when they do their promo on social media, like Instagram to stand third, the main, all their main views is happening right there. It's not going to YouTube as much as, you know, that turnover going over there where they can make the money yet unless they got that Instagram platform with emotion. And you're losing the anticipation. Yeah. When we had television, we still had that anticipation. You know what I'm saying? Because we have to watch this video. We can't skip it. We have to watch it and see, oh, what's the next one? What is going to be number one, number two, and stuff like that? We had to do that. Now with YouTube, we just going to the next one. Yeah, yeah. So that weighting, that anticipation is gone when it comes to videos, you know what I mean? But videos are still important. But they're not as important as they were. That's why video budgets went down. And attention span is crazy nowadays. They ain't got it. They got visualizers now. They don't even have to have a whole video. They just need some motherfucking lights and some shit to look at. That's right. But what about the world of blogging, the way that the new kids on the block, the way they do it, they bring these projects out. They push them through somebody's Instagram or somebody's YouTube channel so that they can be seen. This is a thing. I'm telling you because I don't do it, but I know certain guys pay money to get on these certain platforms to get that look. How important is it to do that or is it something that they should do in a different way? It's important as an artist to do it. What I feel like is important or like people should really get back to like bloggers being like ill-responsible for what they like promoted. Cause at the end of the day, people be promoted some bullshit and they be knowing it's some bullshit. But why do you watch that? I don't. Cause see what I'm saying. You got choices, right? I talked to a girl before, a couple of girls and they be like, all the niggas ain't no good. No, all the niggas you talk to ain't no good. So it's kind of like what you decide to focus on. Yeah. Well, what you decide to see. What you decide to see. That's what these are the pages we follow though. Cause we know there can't be no good without no bad, right? Correct, that's right. So it depends on what you see. She just, she just focus in like you said. On that and that's the problem. If you get caught up in the wrong type of content that people are putting out. So therefore I get it. There is a bunch of crap out there. I choose not to watch it. For sure. But I know it's there, but it's like, man, I gotta do something that's gonna add value. But for me to answer your question about the promotion and stuff. You're correct. Promotion is good, all right. But every promotion doesn't need to be on every channel. You have to do things that line up with your brand. That makes sense. Streamlining. So if I'm Rick Ross and I'm coming up Rick Ross and I'm boss this, I'm boss that. Yeah, I might reach out to boss talk and say, hey man, I'm the biggest boss. You got boss talk. Let me give you some money to do this. That's right. You know what I'm saying? But I'm not about to go and align myself with every market steward or something like that because the brands don't match. My brand identity and your brand identity have to be in sync in order for it to look organic. I got it. And for the right person to take it in. But you, being a younger brother, I mean, you know, it's just where our young people minds is that when they dropping this music. Man, they just put it out anywhere, any way we say. Yeah, let's throw it to this blog. Cool. They only do it for 100. They only do it for that. That's how the game goes. There's no filter to it though. Like, you know what I'm saying? I would rather, just like Steve Oh said, like, you know, you should go to, you should go home and wait to go see 106 and Park because you knew they're going to put out some quality. You know, these are the top 10. Like, if we filter it a certain type of way, like I know I can go to a blog like cap season and say, okay, he's putting out, he's promoting these type of artists. I know what I'm going, what I'm, what I'm coming here to look for. But if he's or any other, you know, blog is just throwing everything in one. I don't know what I'm, I'm following you because I, I, I respect your decision. You know what I'm saying? Like what you, what you choose to put out. At that point I'm like, okay, what we doing here? I interviewed some people cause they really do, it chaps their hide. You know, that's, that's Texas talk right there for real. It makes them, it ticks them off because they feel like they wanted to do a program or something on, on YouTube to say, we fact checking. We fact checking everything that came out this week because there's so much mess out there. You got to fact check some of this stuff. I don't, I don't even think it's about fact checking when it comes to strictly the music. You know what I'm saying? I just think it's about, I just think it's a lot of people that aren't that good. That's the music fluffed up. Like, you know it is somewhat, but is it more fluff than what it used to be? The stories is being told? I'm not even, I'll listen to somebody and if everything is made up, if they jamming. It just got a sound, it got a hit right there. They got a jam. It ain't jamming. Can these dudes be offbeat? Purp's like, I ain't gonna say that. No, it's purposeful. It's so purposeful. They need to stop being offbeat. They cussing a lot because they can't, they don't know how else to use their words. Not everybody is an artist. People become artists. You know what I'm saying? The process, like you said, some people come up and they get a hit and then they get developed, they get found by somebody that really wants to believe in them and just that and that. But not everybody is an artist. R&B is not there right now because people started cursing in places that don't need curse words. Right, but far as female artists down here in Houston, is there any female artists that's banging, that y'all see, that y'all feel like go in? For sure. I know two of them. I like Ken the Man, though. I like Ken. Ken the Man, we talkin' rap. Ken the Man, for sure. Lyric Jolie, she go crazy. Okay. Sunny the Rapper go crazy. We talkin' R&B, Larissa from my camp from Buy Money. She's goin' crazy. Lily Aviana, Spanish Shorty, she goes crazy. There's a lot of them. Where is Honey? Do they got some shows like, do they do like in Houston, like you can go out and watch them perform like on a good Thursday or Friday night? They got a good function that goes on probably like at House of Blues every now and then. I believe there's a brother named Keith Jacobs. He comes out, does something for like the R&B community. He brings out a whole bunch of different artists, living more than what I just named. Who the hardest comedian down here? The hardest comedian to me, like at all. At all. Talk soon. I still give it to Ali. Oh yeah? I give it to Ali. You know Bupadur to move down here? I give it to Ali and then, yeah, I give it to Ali. Yeah, what about you? I'm not paying too much attention. You ain't watching no comedians. You gotta be well-rounded. You gotta be well-rounded. I just don't, you got to. Yeah, to me, Ali and then Dave Lawson, you know. But they the older generation. They got shows going on like all the time too. So do they got a comedy show like deal where you can go and see some stand-up and people can get down in the ATL? They got the Atlanta Comedy Show, right? When I go down there. Like do we have something down in Houston like that? I know we don't in Dallas, I don't think. I think they have comedy nights at some places, but I'm not really real. You know where a person can go in there and try to eat luck. They probably do. If that's your crowd, you'll find it for sure. That's how that works out in Houston. I need to go in there. You trying to do something? Yeah, I do a little something. What? You trying to get into a new crowd? Steve O, we need to get into a new crowd. Steve O for to go in there and act bad. Like they gonna be like, damn, that nigga Dave's your pal. And I'm really hilarious. Yeah, you know we got skits out. Yeah, we got some skits that we did with Slap Boys. Yeah, yeah. For real? Yeah. Man, I gotta, where y'all putting them at? They on Instagram. I gotta check that out. I ain't seen out of one. I'm gonna check that out. That's the time tapping in. Yeah. Cause you know, I did some too. That's it. Mine is on YouTube though, it's on, I got a channel called Boss Talk 101 Prime Time. Okay. We got like 38,000 subscribers. I'm over there. I hate. You can see me over there with my actress skills. Yeah, wait, wait, wait, wait. And for Boss Talk 101, how many subscribers you got right now? 105,000. Yeah. We all got to play. I just got to play in but I got 5,000 when I got to play. Boss Talk 105. I see it right there. I like that. Congratulations. Thank you so much. And I'm gonna tell all your subscribers to follow me right now. Hey. At Black Card Stevo, B-L-A-C-K-C-A-R-D-S-T-E-V-E-O. Man. I'm about to. 96 worldwide, the number nine, the number six worldwide. Well, you know, it was like pulling teeth trying to get y'all on here. Y'all want to sit down and kick it and talk. I'm down here because I want to show love to Houston because I love Houston. I love Texas. I love Dallas, San Antonio, wherever. El Paso. You could, you know, I'm a Texas dude. So, and the one thing, Port Arthur, wherever. Man, y'all got Brian College Station. Yeah. What is that? Beaumont. Beaumont. All that stuff, man. I'm trying to, I want people to see Waco. I went down there and did Waco too. Like, I love the state, man. And I want to see us seen for what we are and who we are. So I just appreciate y'all for even coming on and sitting down with your boy. Like I said, man, I ain't planning on doing no interviews. But you told me you was out here and... You pulled it up. We've been the black for you. Yeah, yeah, yeah. Thank you so much. We was actually en route somewhere else and I was like, man, I just got to pull it up. Man, I'm glad you did. And I know it wasn't up to God because we just sitting here, me and Chris, think about it. We just chilling like, we just got through getting, you know, my wife cooked something to eat in here and it was like, man, you know, I want to do another interview as an over. And then you called me, I said, it ain't over. It was meant to be. So thank y'all for coming on the show, man. Always. Same, man. And we're going to be checking out what's that new project coming? Hey, greater days on the way. Greater days on the way, man. 2023, man, buy money entertainment. It's going down, man. Chicken, man, it's been another great segment. A boss talk 101, what a boss talk. Make sure y'all like and subscribe.