 All right, let's play this in full first There's no sound Hey, hey, and Okay, so what I I would probably give him a bit more of a staggered Realization of what is going on or an awareness if that makes sense meaning that does this and instead of Looking oh this kind of like it. There's a look and then there's an immediate turnaround back. I'll probably go more into What are you doing? Okay, it's cool that he slows down With the steps. I think they need to be something where he does a bit of a not at us So watch out and it's also a bit this one's a bit too close The bridge to bring this eye out a little bit But maybe it could be something where he's like this and then he He has a bit of a dart more, you know on the right side of screen and Then maybe a bigger dart over there With a slight head move and wait a bit like slight hold on that head move and then a bigger move and then this just So it's not so even it's flying you wrong So it's for more of a huh. What is that? Wait what and ah so that kind of thing He feels a bit stiff in his walk Like his arms feel like if it's top view. That's the head Body arms it feels like arms are doing this back and forth in terms of their movement Instead of something a bit more like this like the arm would finish that are come back finish. I guess like Figure eight they could be a bit more Even in the chest a bit. I know it feels it feels very stiff and I know was a bit fast I'm not me. I could he could walk fast, of course, but there's something about tick tick tick that feels very Very stiff there I'm gonna give it a little bit of an attitude with an offset He might have a slight lean or something just a bit more in him And then it could be something that when he goes wait what on the I guess it maybe as a dart And then the bigger dart that would be over here with a blink And then as he goes, huh, like the mouth open a little bit and And that's cool this happens Offset your arms watch out for silhouette that the hand is not What's the word it's kind of a part of that forearm and give it a nice and slow with arm out this way or this way Same with this. I might as you might as well bring the fingers out And it could be something where this happens and it will be a shoulder first A couple of frames so that like he's really cringy up with with the shoulders and Then arms come up Because that way you you could delay those arms so that take the last move will be on this frame So you don't have that arm coming up and then it's kind of stuck there doing nothing And then as you continue on a few more arm poses were hand poses finger poses, so it's not just so stuck there That would be on that For her I would just give it a bit more complexity so that she's not just coming in Attach the wires on the rails doing this. So it would be something where you know, she might come in Like that with you know with a slight lean so the head is like this body's taking pointing this way Like instead of like that it's pointed down. So she has a bit of a of a change. Whoa Change has in Bounding box here Soo so comes in here with a bit of a slight turn so that you know She's tilted this way with that arm the grabbing over be on this side, right? And then at the end she's a bit more tilt this way grab your arm this way so that that that side is lower So she can grab it and Maybe you can frame it so that You know it could happen where she's a bit more like this on that arm is there I know if you have room you might have to adjust with the camera a little bit but I'm looking at something where overall we have a change a in her role this way, but also in why Even if you do it like this that we see a bit more of the body in almost legs and she comes in here Because it's okay for the camera to also be late like she's what happens to is that we are we're watching him And then we're very left heavy So me where it feels like keep going with the camera focus on him So that when it's when we're here, I mean he could easily be here if not a bit more and Maybe she is leaning in so that that arm is actually leaning going forward if that makes sense So that then she's a bit more like that If that makes sense head is here the guy in the hat and then this arm is the one leaning forward So that she's really reaching forward and it's not so so so stiff and simple there And then what happens is that when she gets to this point the framing would actually be that potentially this is the edge So she she leaves frame and breaks frame just for a bit and then by now we catch up Because there's not that much information here animation wise and I think the character should lead the Cameras a bit more. So it's not so perfect perfectly framed in that. We're not so screen right empty there Excuse me Then Q but it could again be something where we're not maybe not so profile Because she doesn't quite change until she's here So it could be where she grabs this and because this arm was leading so much that at this point That shoulder is actually the backside of this one is the front one bit more three-quarter Just just during this section so that when she comes down to here We're actually hooking up to this pose, but at this point she that is still the leading So it's not so busy here either. So imagine that will be for the back We are favoring the other shoulder side. So we have a really clean silhouette of That other arm with the with the hat Right and then she can I still have this and that so it's a bit more like this with my fantastic drawing as always She gets into this And then I wonder not that she has to take your pop on pop on but I don't know if you want to Loosen up the chest and shoulders a little bit in the head on that on that impact pop on So that meaning that to me if she will come down again doesn't have to be a crazy Whoa, whoa, but there's something where she's maybe a little bit more Forward so that when she gets to this she can straighten up again Because my concern is that she is always as you can see here as you're putting off the head Once we get to this this is just always the same the same until this turn In terms of the visual the line of action of the upper part. So I think that could be neat to give a bit of a change I like that. That's all cute and then this feels just a bit fast and rushed and simple where the arms just kind of come out and Then it just goes off, you know, so I would think about is she Jumping and as she As she would fall the wings really kick in it's more of a ring Or is she like this and the wings kick in and it's actually you would feel how the chest gets pulled up and it's more of a raise Where she goes more like that where it's the wings Meaning that like this would be lower a bit more hunched over A bit more higher head like that and then legs would drag a bit and then straighten a bit because it's This is the driving force going up if that makes sense So this is a jump and then the wings kick in or is it the wings moving her up and then she goes forward I think all of that could be a bit more complex and interesting Also giving it a bit more A couple more frames. Maybe it's a bit too fast and we're out So I would make sure that we actually exit and I would probably give this name We six frames of empty emptiness Just so we can give it a bit of a rest just a bit so it's not so We're gone into this And that's that it's so super cute. I like it. These are just my as always my two cents. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome. All right. Thank you You