 At the Brooklyn Museum, we have a long-standing commitment to this idea of connecting the past and the present, and this exhibition is a wonderful example of that. All art was once contemporary art, and that's particularly on point here for Goya, who really was so engaged with the political and social structures of his time and critiquing them. Music Proof is an exhibition that brings together the large-scale charcoal drawings of Robert Longo, prints by Goya, and film by Eisenstein. Goya was the most significant Spanish artist of the late 18th and early 19th centuries. He's considered by many to be the last old master and the first modernist. This exhibition includes prints from four of his best-known etchings and aquatents series. We're particularly excited because the Capriccio's on view here come from our own permanent collection. We have an amazing edition, and what's extraordinary about it is that it's an artist's proof from before the first edition. So the plates are extraordinarily fresh because they were among the first ones printed. The Capriccio's is a set which is really taking on social manners, clergy, aristocracy. But when it comes to something like the Disasters of War, which we also have represented in the show, that's probably one of the most remarkable and powerful anti-war artistic expressions in the modern world. And I wager that that's one of the things that really attracted an artist like Robert Longo to them today. Thank you.