 Now for the thrilling adventures of Lightning Jim, the famous United States Marshal is on his way to the mining territory near Dos Pesos, New Mexico. Whitey has already been in that section for a month working secretly in an attempt to discover the gang responsible for a series of mine shipment robberies. He has written Lightning Jim to come to the Silver Lord Mine where he's located saying that he believes he has a leader to the guilty party. As the famous lawman loathes along the trail, he suddenly hears the sound of shot mingled with Indian war cries. Hear that thunder? Sounds like an Indian raider, some kind. Let's go thunder! Dice him toward the sound. He pops her eyes to see a running fight between a lone white man and a small band of Indians. Drawing his guns, Lightning Jim goes to the rescue. Come on, thunder! Come on and make a red skin. Let's get out of here. Come on, we can't run. Come on, let's charge them. Hey, you've got plenty of nerve. I'm with you. Let's go. Here we go. It's like they don't care so much about taste to hot lead. Well, it don't look like that. We're bothering them any. It took you to come along and send them patterns for cover. I'm Bill Warren, pardoning the Silver Lord Mine, and I'm Plenty Jim. I didn't know you were on. Me? Well, he and his hour just come up from the panhandle. I reckon that's as good a name as any. That's pretty good enough for me, Panhandle. I ain't one for nosing into other people's business. Got any idea why them Indians was on the war pass? One? No, I ain't. Well, maybe they're part of that renegade band that's been robbing plenty of mines here. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. That renegade band that's been robbing plenty of mines' shipments in these parts? That sounds likely. When they once get off the reservation, they don't draw no line. They may be wolfshaws, ma'am. They have one of their fabulous bears, dead. Get it, boy? Looks like I might be some flypin' him. That's so-one gonna question him? Yup. He's dead, alright. Say, one... Say, there ain't no Indian... Say, one! No, there's a white man just like Dr. Look like one. Well, it's been white man that's been doing these mine robberies, if you're right about them being part of the same gang, yes, but you don't know for sure. Well, nothing we can do for this one. Might as well be getting on. Yes, Hunter. Come on. Hey, look, Panhandle, I don't know where your head is for, but I still take it as a mighty big favor if you'd accept the hospitality of the silver load for a day or two. Well, Warren, it don't sound like a bad idea. Thanks. Yeah, um, figure on stepping around your fulfillment, give me a chance to get my bear. Good, good. And let's get going. Come on, boy. Come on, Hunter. While Warren and Lightning Tim are approaching the silver load mine, we find Al Brady, the other partner in the mine office talking to Sunset, the Mexican foreman. Well, you're faking everything up, aren't you, Sunset? See here, amigo, your partner's saying you're Warren, he will not bother us again. The Indians, they take care of everything. They meet him this afternoon as you ride back from those spacers. Then they go to Black Mountain Camp and wait for us. Ah, good. We should get him at a point where he'd be an hour away plenty. Yeah, that is the way I see it. We meet the rest of them at the camps tonight, no? Yeah, no reason for sticking around here no longer. The silver load's just about worked out and we've got plenty of loot from them mine robberies. They're still up to take tonight's and then we'll... Well, you know, Niko, you are one smart hombre. The way you teach things to rob the hitmen from your own man also, that is one frank piece of work. That's where no one suspects that Al Brady's partner in the silver load is also Hawk Brady, the outlaw who has been robbing him. What did I tell you about calling me Hawk? Suppose someone here can put two and two together. A sweet tourboy was around when you did it the other day. That's Warren here. It's so dumb to put anything together. But there's no need for you to worry. Hell, maybe not. But I still hate to see anything go wrong now. I don't like... Who's that coming up? What are we looking for? There's two horsemen, amigo. One is a stranger, but the other... What is it, son, Seth? What do you say? It is a ghost. The ghost of Bill Warren. A ghost? You'll say they fool are they, no such thing. Hey, let me look. Bye. Oh, no, that is Juan. I thought you said you had him taken care of. But I did. The man, they were to kill him like a choreo. I reckon since they slipped up some ways, he's alive and pulling up in front of the office right now. What are we going to do? I don't know all about that. I'll have to figure something out. You stay here. See. Howdy, Bill. Howdy, Al. Al, I want you to meet your homie to save my life today. Panhandle? This here's Al Brady, my partner. Howdy, Panhandle. Howdy. That kind of an introduction from Bill. Sure, all I need to make you plenty welcome. Come on in the office and send me to your room. Glad to, Bray. Just do them to take care of the horse. Oh, you don't have to trouble Panhandle. Here comes Swede. He'll handle him for you. Reganot one. I broke that horse for self. I don't let nobody else touch him. Hey, Swede. Oh, Mr. Voron. Hey, take my pinto into the stable rubbing down and show Panhandle here a saw for his horse. Give him anything he needs. Oh, I do that. Hey, you come along with me, mister. I'll take you there. Hey, Pinto, come along now. Come along now? That horse is fine horse you got there, mister. But this is plenty fair. You're right there as the horse ever thought. What does it matter, too? Oh, you can tell it by a side story. You know, someday I'm going to have new horse like that, like Gally. And as the seabass, you can take this story, too. That's fine, Bray. Yeah, boy. Here you go. Why, you old son of a gun, I'm so glad to see you. Don't you remember that new horse? I was wondering when he did that. See, how come you seem a little bit bored? I was just a lucky break, why don't you tell you about it later? Learned anything about these mine robberies? That's what I learned from him. Yeah? This fellow, Bray Beach, his real name is Hawk Bray Beach. You mean the Texas outlaw? Yeah. And since this, the Mexican foreman, he's called Bray Beach. What about one? You with him, too? I don't think so. I've already discovered it's my name. And that Bray Beach talkin' into letting him put up the money the first time. I see. I've already seen it. I've found it. And that Pinto will get the saddle off. Yeah, boy. Yes. Got anything definite time, Bray Beach, with him robberies? Well, only that every time there's a robbery. Yeah. Bray Beach says he's out of here from the mine. And don't come back here for long time. Yeah, I sense ties up doing it. There you are, Thunder. Glad to see you, Steve. Yeah, that's the thing we ought to do, right there. I'll talk to Brian. Get him to work with us. Then we can move it. There you be, boy. Glad to see you some water. Thanks for helping, Steve. Oh, well, that's just my job, Mr. Hag. Glad to help you. Thank your band, Andrew. They're working for you at the cabin. Ruffin time. Here you are. That's so thanks. Be right along. Sweet that horse, right, Steve? Oh, don't you worry about the king. I'll take care of him a bit. All right, son. What is it? Why do you think you'll need to stay here while they're gone in the east? For a very good reason, amigo. I know who this fellow is. And your pen handle really is. Huh? What do you mean who he really is? This pen handle happened to be lightning Jim. Lightning Jim? You're crazy. But no, I am not. Tell him about that orchid. There is no other orchid in the world like that one. I've seen it before. In Mexico. I'll tell you, I didn't see the marshal, too. Well, I learned who these animals belonged to and I don't wait to see the owner. That was enough for me. And there is one orchid king also. Huh? What's that? It is lightning Jim. He has a deputy. That's all added to Swedish armor. You mean, I think that's sweet? Yeah, a miracle. Sweet? They must be what they last in the deputy. That says, if you're all right, we've got to get rid of him quick before it's too late. And war and also, do not forget about him. Yeah, war and too. They just kill him, I mean, enough. We've got to put him somewhere where they won't be found or we can get out of this country. We don't know if our place is traveling in our hills. What about DeMarne and they go? Did you think of that? Well, what do you mean, Sanchez? What's the mind got to do with it? The boys, the three of them were left in DeMarne and the entrance, he was. Close off. We was dying of mine. Huh? That would do it, no? Buy some, Sanchez, if you're all right. And if we can get it over with tonight, the plans will go through and out of here. Hey, you think you can get the dynamite charger placed and ready while we're eating? Oh, I see. It would be easy to do. Then get to it. I'll see that Juan takes them off and into the mine after supper, and that the suite goes in after him. And once they're all inside, I'll worry he'll be over. Well, here we are on the mine, right now. Yeah. No, my partner's missing, but there are no good outlaw in C. Right, Juan. He's heart-broken. And he's only using the silver load to cover up his other activities. And he said he's tired of trying to have me killed today. I'm going right back up there and get things settled. Hold on, Juan. You ain't going to get nowhere doing that. You've got to get proof. You've got to find out where he's been hiding the loot. And that's done. Well, I'll take care of him and Sanchez. Yeah. I suppose you're right, Lightning. And I'd sure like to handle it myself. Hey, why do you suppose he was so anxious to come down here on the mine? Maybe he's planning something right now. I reckon he is. But we ain't got nothing to worry about. But definitely why they lost, and don't see that he don't get away while we're down here. That's two deaths I owe you now, Marshall. First for saving my life, and now for letting me know about Brady. Someday, I mean it once. What? Who's that? Who's down here? That's me, Sanchez. What? What are you doing down here? Oh, are you told, boy? And whoever? Sure I told him. What are you doing down here? Is it wrong? No, but didn't you tell Brady that you wanted to see me? I didn't tell Brady nothing. But he told me to come down here right away. He said that Panhand had wanted me to do something for him. He didn't tell Brady to spend what he did down here to do wine? Oh, no, I had nothing to do with it, and it's a trick of some time. Come on, we've got to get back to the service before it's too late. Hey, what do you think, sir? I don't know. Buddy, you all right? He's all right. I'm still in one piece, I think. What about you, wine? I'm all right, Lightning. Thank you, Jeff. I'll mark on it there. He's dying of mighty dancing to the mine, and we can't get out. It looks like we may not be down here permanent. So Hawke Brady's team did work. Lightning Jim, Whitey Larson, and Bill Warren are trapped in a filled-belowed mine. And Brady and Sanchez are free to ride to Black Mountain Camp and get away with their spoils. The thrilling second part of the adventures of Lightning Jim will follow immediately. Now for part two of Lightning Jim's Mayors of Hawke. We'll find the famous Marshal, his deputy and Warren, in the light of a flickering lamp, examining the tons of earth and rocks that block their exit from the mines. How does it look to you, Lightning? You think there's any chance of cutting through that? They've not won. Any other exits of this mine, you know it? No, sirius, I never heard of it. No, that's not looking good, anyway. Take the lamp, and will you wait? So all you've got? Well, they found out from where we are already. I'm sure it was just the old three of us that were caught down here. Yes. But how could they have found out? What bothers me is that they did find out, and that's why we're down here. Let's bring up this old cork, that way. Oh, I'm glad you like him. Boy, this tool got the thing that pissed him off. Yeah, sure. I've been bad medicine for you, Lightning. Ever since you ran into me, you've been heading right back into trouble. Now you're going to end up like this. I ain't into that. I ain't into that. Yeah, don't worry. We're still living the long as we are. We've got a chance. Well, yeah, let's do it right, Lightning. We don't give up until we've got to. Now this cork that ends up here, Lightning, you know you like it. Might as well turn back again. All right, Lightning. We'll be right back. Say it. Say it again. Huh? What is it, Lightning? You feel anything more? Feel anything? No, I can't say that I do. Well, I do. I feel a grasp of cold air. No. Oh, but, yeah, let's get you a little into it. Yeah, and that means there's an opening to the outside somewhere around here. Why do we have that landing up high? We'll look around. Oh, you bet. There. There. Well, I don't see anything new. Well, that air ain't coming from that side of the wall. Well, then try the other side. I'll look back here where the cork got air. All right. Yeah, this wall here seems to be $20, Lightning. Maybe there's an opening. Hey, somewhere you can move. Yeah. What is it? I don't see nothing. Looks like a nice bit there. See that feature in them rocks? Yeah. Well, that's where the air comes from. Well, let's see what you just get to. I see that's too small for a man to get to. Yeah. Well, it won't be when we get finished with it. Let's round up some of them tips and shovels, I thought, back there in the tunnel. That feature leads to the outside, and we're going to work our way through. Just a bit more on where we're going. I don't have to do this for a living. Have a clear mind when I'm totally stormed to death. Oh, I don't know, Heidi. You seem to be doing quite well with that. Yeah. We're stormed, but I ain't cut off for this kind of work. Hold on, boy. Hold on. I think we're done. Looks like that hole's big enough to need a plan soon, so I'm going to try it. Well, you're going. All right. Are you doing like this? I'm working through, all right. Hey. Come and get the legs. Yeah, will you? Go ahead. You've got to let them go in there. I'll get this one here. All right. I got it. All right, Heidi. Here we go. Yeah. That's cool. Yeah. That's cool, isn't it? Yeah, let's go. Yeah. Yeah. See you later. Yeah. All right. Yeah. I'm not all right. Come on, too. I'll give you a hand from here. All right, boy. All right. All right. Give me a hand, one. Give me a hand. Give me a hand. Give me a hand. Give me a hand. Give me a hand. Give me a hand. Give me a hand. Come on, boy. That's the way it is. Yeah. Yeah. You're helping us. Yeah. Yeah. Come on. Yeah, that was easy. Yeah. You're giving them back that too, is it? Yeah, they're orgy. Yeah. Looks like we're on the side of a hill overlooking the mine. Yeah. That's it, right? Lucky for us that rock creature leads down here. Say, what do you reckon we ought to do now, Lightning? We're going after Hawkins Sanchez. Oh, I suppose you got to. Now, let's hope that I could get some sleep tonight. Let's go. Yes, you can. Not now, Whitey. We've got to get moving. We've got a good start on this. There's a beard. Why, we were down in the mine. Yeah. How are you going to know where they went? How are you going to follow them anyway? Maybe they took all the horses out of the moon to fight enough to trail them by. The horses are gone. We just have to walk, that's all. Oh, if there's anything out here that's worse than singing a pickaxe, that's Vulcan. But if they have to, they'll have to. Well, come on, son. Let's go. Oh. Now, we have to get to that rock there on the mine. How close are the 15 or evidence? It would be just about the end of the tree. Oh, it's caught in the war, huh? Yeah. And that's right. Now, their tracks live toward this canyon. And the only thing up here is an old prospector's cabin called Black Mountain Camp. They must be holding on up there. You'd better be plenty careful. Just up ahead, yeah, they're the ones. You'd better be careful. We've got a score, federal rhythm. And I've got to get some of the better. Oh, yes, Vulcan. Can't I pee in for that very much here on my feet? I have to. Oh! Oh! That is so good. I wonder if you heard, huh? Well, if you did. In one minute. Then five. Yeah. Yeah, we heard all right. What is that? Oh, it's a tie, man. It's a tie, what are you calling it? Who are you talking about? Yeah, sorry. Don't be like that, that's all right. Yeah, but we learned something, that's the somewhere way. You know that up there. You see, no, they've got to look out the window. That means we're pulling the one up at ten. Yeah, but we've got to do something like this. It's going to be drawn for long, then they'll be able to see the right one. This is what we'll have to do, huh? I'm going to ask you to hold him down at this end of the canyon, all right? You could try to come out this way. You could try to do your best to stop here, and you can depend on me for that. We're going to climb to the top of the canyon wall, and it seems over. Once we're up, we're going to figure out what our plan of action will be. Get this over with, when you feel better, get some sleep. Come on now, let's start the camp. I'm sure I'll get a clear picture from what you already know that the sun's coming up. There was a canyon, but it's grabbing at one end and going at the other. You weren't half way the canyon, like the worst, if they cut off where the man is camped. That must be where I thought they'd come from. Yeah, I think you're right, buddy. There's eight men down there, but I don't think J.D. or Francis must be inside. You weren't ready to make it, get to the top of the canyon. See the impact moves in the back of the cabin. There are already forty-seven. Oh, horses are that way. We've got to stop them, get in the way. There's too many of them, we'll get them again, this way. I don't know if they've got it with a mother away somehow. One can hold one hand to the canyon and we can get in the back of the cabin and stop J.D. and Francis from leaving that way. How are we going to do that? Maybe it will be too hard. Why are you scared like the man? The roadway out of that cutoff is through the canyon. And the side is too steep to climb. Well, could I get more over under? Oh, I see it. Yeah, we could get it rolling down into the cutoff. No, no. I see what you mean, yeah. Maybe they'll block off that cutoff on the cabin. Yeah, maybe they'll do that. Then the skunks down there could be good out accepting maybe one at a time. Maybe they'll rock. No, and there's more you could take care of them. Yeah, I could. Come on, buddy, let's get over to it. You got it. I think you can budge. Yeah, these scotties coming over. Why do you have so many scouts? They're coming over every time. Well, buddy, let's get a shoulder. All right, all right. Now, easy approach them if you want to go. Come on, buddy. Hey, you. You big gory out here. Hold it. Hold it. I think you get behind it. Hold it. Let's go. Come on. Yeah. Hold it. Hold it right. No. One more. One more. Now. Keep it up, buddy. Go on. Go on. There's more. Six million down there. That's what we want. We'll just go down and let it be. But, darling, like you just did it, then you just have to put the loops down. They're tighter than a drum. It's only the art-nose by climbing over them rocks. Yeah, if you try that one, you can pick them off. What about one? You think they'll cut off? Now, we've got to get back to that part. And they have pocket sensors when they make a break to get away. All right, no question, Sanchez. Well, while that landfriars got their mom base trapped inside that cut-off, they'll find it plenty tough getting out of there. Well, see, Amiko, you are right. What do you think we should do? Well, we can do one or two things. We can go down there and help them get out. Well, we can leave them there and take the gold and silver ourselves, M.F.I. Well, we can leave them there and take the gold and silver ourselves, M.F.I. Well, we can leave them there and take the gold and silver ourselves, M.F.I. Then why should we worry, senior rock? Then why should we worry, senior rock? I always find it much easier to divide by two than by ten. That's just what I was thinking. Come on, Sanchez, the mills are packed and ready to go. Let's get moving. We'll see. I am right with you. With the mills on set, I'll bring the cattle from the horses. This is as good as done, Amiko. For your long-awaited time, it's time for you to work for delivery. You know, senior rock, I think it's... Amiko, what do you do with that gun? What do you think I'm going to do with this Sanchez? But no, Amiko. Why should you put me? Don't we not be friends, partners? We worked together for so many years. Yeah, for too many years, M.F.I. And besides, I just figured out that it's very easy to take everything and divide by two. No, no, no, you can do this. No. No, I'll take care of this, Sanchez. The rock and silver. I'll get a saddle on that old man's horse and I'll be getting out of here. Don't worry with me, you black-haven. Thanks for letting me get this saddle. Saddle all over me with this. Or maybe a piece of this cord or a nose or piece of that. That's it. Let me get it. Don't matter what your game's played out. Don't let me see you done. You ain't going to take me alive yet. But I am going to do it. I'm going to do it. I'm going to do it. But I am going to take you alive. That's why I only got the gun out of your hand. You want to listen to reason now, Hawk? All right, you got me. What are you going to do now? Let it get over there in time, M.F.I. Oh, I see what you mean. Come on, Brady. I'll tell you what with your own youth. All right, great. I give up. Oh, no, you don't. Get off of me, buddy. No, no, I can't. I don't want to lie to my soul. Yes. You separate me, Christ. You know, I had the last one. But because of this little baby so he couldn't get any sleep last night and now that it's almost over the only one sleeping is Brady himself. It concludes another episode in the lives of those famous masters of the Old West, Lightning Jim Whipple and Whitey Larson.