 So here you have the Crane 3 lab, so who are you? I'm Raad, the Australian Ambassador of Zeeuntek. And this is a nice big gimbal, right? Yes. So what's special about this one? This is made for the cinema market, you can hold up to 4.5kg. So it's for the RED camera? As long as the width fits, yes. And big cinema cameras? It's quite any camera that will fit up to 4.5kg payload. So I suppose the advantage of this gimbal is, obviously, the new sling mode. There's a new control panel up here, which actually provides you all the information about the camera from ISO to aperture to... And we have multiple modes, so we've got the full follow mode here, POV mode is on the side. You've got a joystick to move the camera as well. The joystick is right over here at the bottom. So the joystick will move the camera? And the best part about this is, you've got the zoom control right on the handle on top here. So this is the zoom control, it will change the... So there's two motors? Correct, and it comes with it? It comes with both motors? Exactly. So the focus and the zoom motors come with it, with the Rebuild lab, only the focus motor comes with it. So a single operator can handle zoom, focus? Correct. And you hold it with one hand, you can turn... It's like holding a machine gun. Like a machine gun? You can balance it both? You can have a wireless display? Correct. And how do you get the wireless signal over? It's got a wireless transmission down here. There's a new app for the Crane 3 and also the Rebuild, which actually transmits not only the data and the camera information, but also the footage back to your phone. And what it also does is it records a low resolution onto your phone. So you can use a phone, but you can also use any HDMI display right here? I'd say so, yes. But what resolution could it send over? 4K? No, that's... We don't have any information on that yet, so the Crane 3 lab hasn't been released yet. This is still a demo model. It could change. And what's going to be the price? That's not been released yet either. Alright. Cool. And what we've done is knowing that the lock mode and the PF mode is the most used modes and we've provided the information at the back over here. So there's the lock mode and the PF mode. So you can lock your camera and this won't go anywhere now. It'll be locked and you press the top button, it's going to bring you back to PF mode, which is the pen follow mode. So it's locking your tilt axis. And I suppose if you don't go to gym then you can always start exercising at home. Right? Are you using it for a while? I've tested it for a little while. We can put really heavy cameras onto it. I've rigged up with the pocket 4K as well. It works really well. Well the pocket 4K is great. So you've tested a whole bunch of... We've tested it out, yes. And you've tested a lot of different things in the industry. This is a leader in that space. There's no gimbal that is designed which is going to allow filmmakers to hold as a slingshot. Everyone loves using this mode because everyone loves using low angle and also introducing the character of the subject while coming back up. And having our monopod and the belt functionality, you can distribute all of the weight back to your hips. Very similar to, you could say, some kind of camera support from other manufacturers that holds larger cameras.