 We now move to your colleague to Anastasia, who I think is also in Lviv at the Jam factory. I'm sorry we can't be with you there, but we'll be there next year. I feel we should have the Auslanck Assembly in Lviv next year. Anastasia, you worked very intensely on producing the document. So maybe it would be interesting for you to share them the process of creating this new strategy document. Thank you. Hello, everyone. Thank you, Simon, for this introduction. It's a pleasure for me to be here talking about the results of all the work that we've done for all of this year, following up last year's Auslanck Assembly. Actually, last year, one CSR Auslanck team approached us, our team at the Ukrainian Institute with this proposal to jointly create and organize the assembly focused on the future of Ukrainian culture. We immediately agreed on this cooperation because it's a core theme that we have been actively working and discussing and thinking about within our team and our decision to concentrate on people, on cultural actors and art professionals and artists arose from our understanding that they play the crucial role in any transformative process within Ukrainian culture. And leading up to this collaboration, we engaged in numerous discussions with our international partners, just as Volodymyr had mentioned, and their support for Ukrainian culture, both in Ukraine and abroad, often revealed a lack of comprehension regarding the dynamics for the Ukrainian cultural communities. This lack of understanding, which we observed, led them from, hindered them from achieving their intent and results of the programs that they have been programming. And additionally, feedback from Ukrainian art professionals whether residing in Ukraine or currently relocated abroad after the full scale invasion or having to live abroad for a longer period of time, also highlighted the challenges of inclusion and integration into the ongoing processes within Ukrainian culture. And to address these specific issues, so we invited a curatorial group comprising diverse Ukrainian art professionals with different background from presenting different institutions and practices. So we invited Ria Dostreva, Andriy Dostreva, the curatorial group open place, Julia Dostreva and Yuri Khrushchev, Anna Dai-Dai, and also me, myself and my colleague Maria Volchona from the Ukrainian Institute team joined the curatorial group of last year's ArtSync Assembly. And together we designed the program and thinking about two primary objectives. So the first one was to receive the request from cultural professionals. And second was to showcase best case studies, best practices and formulating recommendations for international partners who are planning programs in support of Ukrainian culture. And currently we are not even able to comprehend all the damage that Ukrainian culture has suffered due to the war. However, even now we directly feel how the war revealed the unresolved problems of working conditions and the intellectual migration of cultural workers. What had happened to all of us cultural workers since the beginning of war in 2014 and especially after the full scale invasion of February last year. Some have left the country and we are glad that they and their families are safe. And at the same time, we also understand that many people are staying in Ukraine and we are also very... And actually I'm one of those people who are staying and working in Ukraine. And many people are migrating like nomadic cultural workers traveling and living a very dynamic cultural life, taking parts in activities both in Ukraine and internationally. And that's why we went talking about building the infrastructure of Ukrainian intellectual field for us. It was important to include voices of all of those artists, art professionals, cultural actors and to unite their opinions in one specific place. So our first task was to document the requests of art professionals and think about the ways to work with them, think about realistic and perfect idealistic scenarios. And the second task was to talk about new opportunities for interaction and involvement of Ukrainian workers in cooperation with each other, to look for new forms of cooperation with the involvement of new foreign experience for some of the cultural community. And we therefore invited leading representatives of cultural community of different backgrounds, different levels and relations from different regions. And with this different experience, we asked them to join the conversations during the three days of the assembly in Warsaw last year. And when we are only planning the assembly, we understood that discussions alone would not be efficient enough. And understanding this need for gathered experience in one place, we understood that a comprehensive document outlining two points from the conference would be a good solution. So we started working on this strategic document, this report from the assembly, right? Immediately after last year's assembly, we first worked on the discussions and the key points that were raised by our colleagues during their discussions and also invited the Ukrainian Analytic Center, CEDAS, to work with us on this document and to conduct in-depth interviews with representatives of Ukrainian cultural communities from various backgrounds and institutions and to outline these crucial insights from last year's assembly. And I'm really happy that today we can present this document. It's available in English and in Ukrainian languages. And I personally see it only as the beginning of a more profound and more extensive dialogue on the practices that are aimed at fostering connections among Ukrainian cultural actors. And while primarily intended for international partners seeking to engage with the Ukrainian cultural community, this document might also be valuable for Ukrainians working within the country or internationally. And it also might be of interest for our international representatives, for our international partners, dealing with challenges such as brain-zoning and lack of integration within cultural communities in their own countries. So we believe that the contemporary challenges that Ukrainian culture is facing now demand documentation and a wider discussion and it is our hope that this document will serve as the beginning for further research and discourse on this crucial topic leading to implementation of programs on different levels, governmental, institutional and personal. And this initiative stands significantly contribute to keeping Ukrainian cultural professionals connected and actively involved in development of Ukrainian culture. So I'm encouraging you to study this document and join us for further research and further discussions on this topic. Our plans for future include presenting the result of this research internationally to our partners from whom we received initial feedback and we understand that this information might be very relevant for the activities but also to include these discussions to future conferences and conferences in which we plan to take part and to build so that this document is only the beginning of a wider discussion that we might have with all of you. So thank you for joining us today and I'm really looking forward for the further discussion of my colleagues and please have a look at the document. It's available on websites of the Ukrainian Institute and CEC are its link and we are really looking forward to receiving the feedback from you. Anastasia, thank you so much. Yeah, it's been a long process and there's a lot more to do, of course.