 Projection into inanimate matter kingdom. Now we will continue with your ESP training by learning effective sin. Sorry projection into the kingdom of inanimate matter. You will study metals from a subjective point of view. Start by getting four different metal objects. We recommend stain less steel copper brass and aluminum. Then we want you to handle the metals and become familiar with them physically because this makes it easier for you to project yourself into them mentally the way you projected yourself into your living room south wall in the pre myoist chapter first you use your physical senses to study each object what does it look like what does it feel like can you detect an odor after you study each metal bring it to your forehead and touch your forehead with it when you do close your eyes and make an impress seon this is the procedure we will use when you project yourself men tally into each of the metals after you enter your level you will review those objective impress seons at the subjective alpha level this will make it easier for you to then project your subjective senses your mind to detect subjective information and related to the objective impressions you made with your physical senses conduct the four tests remember that you are projecting which means that you make it happen hosay silva said that whatever you imagine that is what counts here when you are ready enter your level as you learn to do in chapter two then project yourself mentally to the living room in your home and imagine yourself standing in the center facing the south wall then extend your arm objectively and visualize the piece of stainless steel mentally sense the piece of stainless steel and relive and object tightly repeat all the movements made previously pause bring them steel closer and closer to your forehead mentally observe it a few inch ease away pause now allow the stainless steel to touch your forehead and mentally project yourself into it pause you are now within the piece of stain less steel you may return your hand to rest on your lap pause if you imagine the piece of stainless steel to be just big enough for you to fit in you will not go very deeply inside but if you imagine the piece of steel to be as big as a room then you can go further within if you a mag and need this piece of steel to be as large as a massive building and feel your size and contrast with it then you can go still further within using the depth offered by this dimension of mind whenever you need to increase the illumination or amount or size of anything just snap the fingers of your right hand slightly and expect the change to take place for a decrease or to return anything back to its original state snap the fingers of your left hand slightly and expect the change to take place whatever you perceive with your imagination at this dimension you can use as points of reference in the future at this time we are going to subjectively conduct four tests the first test will be for light intensity and color since the intensity and color of light within the stainless steel pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future at the count of three we will test for temperature since the temperature within the stainless steel pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future at the count of three we will test for odor since the odor within the stainless steel pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future at the count of three we will test for solidity of material by knocking on the stainless steel physically form a fist and go through the motions of knocking on the stainless steel as you do on a wall Pause with kind of soundies subjectively here, pause whatever you perceive with, your imagination at this dimension you can use as a point of reference. In the future, now objectively touch your forehead and come out of the stainless when you are ready, enter your level as you learn to do in chapter two, then project yourself mentally to the living room in your home and imagine yourself standing in the center facing the south wall, then extend your arm objectively and visualize the piece of stainless steel, mentally sense the piece of stainless steel and relive and object, tightly repeat all the movements made previously, pause bring the steel closer and closer to your forehead, mentally observe it a few inch, ease away, pause, now allow the stainless steel to touch your forehead and mentally project yourself into it, pause you are now within the piece of stain, less steel, you may return your hand to rest on your lap, pause if you imagine the piece of stainless steel to be just big enough for you to fit in, you will not go very deeply inside, but if you imagine the piece of steel to be as big as a room and you can go further within, if you are mad and need this piece of steel to be as large as a massive building and feel your size and contrast with it, then you can go still further within using the depth offered by this dimension of mind, whenever you need to increase the illumination or amount or size of anything just snap the fingers of your right hand slightly and expect the change to take place for a decrease or to return anything back to its original state, snap the fingers of your left hand slightly and expect the change to take place, whatever you perceive with your imagination at this dimension you can use as points of reference in the future, at this time we are going to subjectively conduct four tests, the first test will be for light intensity and color, since the intensity and color of light within the stainless steel, pause whatever you perceive with your imagination at this dimension you can use as a point of reference, in the future at the count of three, we will test for temperature, since the temperature within the stainless steel, pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future, at the count of three we will test for odor, since the odor within the stainless steel, pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future, at the count of three, we will test for solidity of material by knocking on the stainless steel physically form a fist and go through the motions of knocking on the stainless steel as you do on a wall, pause what kind of sound do you subjectively here. Pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future now touch your forehead to come out of the piece of copper you are now now coming out of the copper extend your arm and hold the piece of copper at arms length now allow the piece of copper to flow in space using as a background the natural color of your living rooms south wall keep the piece of copper rotating you may return your hand to rest on your lap pause now the color of the wall will change to red the wall is now how does this piece of copper stand out against the red background pause how does this compare with the piece of stainless steel keep the piece of copper rotating pause now the color of the wall will change to green the wall is now green how does this piece of copper stand out against the green back ground pause how does this compare with the stainless steel keep the piece of copper rotating pause now the color of the wall will change to blue the wall is now blue how does this piece of copper stand out against the blue background pause how does this compare with the stainless steel keep the piece of copper rotating pause the color of the wall will now change back to green back to red back to the actual color of the wall now the piece of copper will disap pair from the scene the piece of copper has disappeared from them sin now we will visualize the piece of brass extend your arm objectively and visualize the piece of brass reliving all your previous movements as you bring your hand closer and closer pause now touch your forehead and mentally project yourself into there brass pause you are now within the brass at any depth or level you desire you may return your hand to rest on your lap at the count of three we will conduct the first test sense the intensity and color of light within brass pause how does the light within brass compare with that of copper pause and stainless steel pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future now test for temperature sense the temperature within brass pause how does the temperature of brass compare with that of cup for pause and stainless steel pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future now test for odor sense the odor within brass pause how does the odor of brass compare with that of copper pause and stainless steel pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future now test for solidity of material objectively form a fist and and knock. On brass, pause how does the reflected sound of brass compare with that of copper pause and stainless steel, pause whatever you percieve with your imagination at this dimension you can use as a point of reference in the future. Now touch your forehead to come out of the piece of brass touch your forehead you are now coming out of the brass extend your arm and hold the piece of brass at arms length now allow the piece of brass to flow in space using as a background the natural color of your living room south wall keep the piece of brass rotating you may really turn your hand to rest on your lap pause now the color of the wall will change to red the wall is now red how does this piece of brass stand out against the red background pause how does this compare with the piece of copper pause and the piece of stainless steel keep the piece of brass rotating pause now the color of the wall will change to green the wall is now green how does this piece of brass stand out against the green back ground pause how does this compare with the copper pause and stainless steel keep the piece of brass rotating. Pause. Now the color of the wall will change to blue. The wall is now blue. How does this piece of brass stand out against a blue background? Pause. How does this compare with the copper pause in stainless steel? Keep the piece of brass rotating. Pause. The color of the wall will now change back to green, back to red, back to the actual color of the wall. Now the piece of brass will dissap. Fair from the scene. Snap fingers. The piece of brass has disappeared from the scene. Now we will visualize the piece of aluminum. Extend your arm objectively and visualize the piece of aluminum reliving all your pre bias movements, bringing your hand closer and closer. Pause. Now touch your forehead and mentally project yourself into the piece of a loo minimum. Pause. You are now within the piece of aluminum at any depth or level you desire. You may return your hand to rest on your lap. Now we will conduct the first test since the intensity and color of light within aluminum. Pause. How does the light within aluminum compare with that of brass? Pause copper. Pause in stainless steel. Pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future. Now test for temperature. Sense the temperature within aluminum. Pause. How does the temperature of aluminum compare with that of brass? Pause copper. Pause in stainless steel. Pause whatever you perceive with your imagination at this dimension you can use as a point of reference in the future. Now test for odor. Sense the older within aluminum, pause how, does the older of aluminum compare with that of brass, pause cup, per, pause in stainless steel, pause whatever you perceive with, your imagination at this dimension you can use as a point of reference. In the future, now test for solidity of material, objectively form a fist and knock. On the aluminum, pause how does the reflected sound of aluminum, compare with that of brass, pause copper, pause in stainless steel, pause whatever you perceive with your imagination at this. The dimension you can use as a point of reference in the future, now touch your forehead to come out of the piece of aluminum, touch your forehead, you are now coming out of the aluminum, extend your arm and hold the piece of aluminum at arm's length, now allow the piece of aluminum to float in space, using as a background the nap, erode color of your living room's south wall, keep the piece of aluminum, rotating, you may return your hand to rest on your lap, pause, now the color of the wall will change to red, the wall is now red, how does the piece of aluminum stand out against a red background, pause how does this compare with the brass, pause copper, pause in stainless steel, keep the piece of aluminum rotating, pause, now the color of the wall will change to green, the wall is now green, how does this piece of aluminum stand out against a green background, pause how does this compare with brass, pause copper, pause in stainless steel, keep the piece of aluminum rotating, pause, now the color of the wall will change to blue, the wall is now blue, how does this piece of aluminum stand out against a blue back, ground, pause how does this compare with the brass pause cup per pause in stainless steel keep the piece of aluminum rotating pause the color of the wall will now change back to green back to red back to the actual color of the wall now the piece of aluminum will disappear from the scene snap fingers the piece of aluminum has disappeared from the scene whatever you perceive with your amagi nation at this dimension you can use as points of reference in the fool turn it is now an accomplished fact that subjective points of reference have been established in the kingdom of inanimate matter at different levels in different depths to function at these levels and to use these points of reference all you need is to have a sincere desire to solve problems your mind will automatically seek out these points of refer and say where you will perceive and become aware of information you can use to solve such problems and this is so you have practice entering deep healthy levels of mind in your next session you will enter a deeper healthier level of mind faster and easier than this time in the next exercise you will establish points of reference in there plant life kingdom by projection to a tree and a study of leaves now when you are ready count yourself out of your level take your time take your time