 Even if you were not a big fan of art, and even if you were not attracted to the art of carpet weaving, you would without a doubt come across some amazing rocks that represent the name of the family of Hakiki. When you visit the Holy Shrine of Imam Riva, peace be upon him, or the carpet museum of Imam Riza's Holy Shrine, watching these small windows make many questions come to one's mind, one of which is, where does the family name of Safadar Ziyad Hakiki come from, and how did his family build themselves a reputation and gained such high rank among the artwork representatives in the Holy Shrine? In addition, how is it possible that they would go through such big trouble and non-stop work for years to get their works without anything in exchange to the Holy Shrine of the 8th Imam of Shia Muslims and Imam Rida, peace be upon him? In the Holy Shrine of Imam Riva, I spent most of my time in the Holy Shrine of the 10th Imam of the Holy Shrine. I spent the whole day in the Holy Shrine of the 3rd Imam of the Holy Shrine of Imam Rida. My father was one of the previous residents of the Holy Shrine of the 10th Imam of the Holy Shrine. I myself worked with my father under the name of Al Aghmand, and I also worked with Nassi Dori in Al-Dawiristan and in the province of Hunaristan, with Isfahan, who was a former teacher at the time of movement and the foundation of which was in the capital of Ustad-e-Sahabhadari. And one of their best students, Mr. Javadir Rostameh Shirazi, who was the founder of the school. And in those classrooms, we, Mr. Isabaadari, taught us a lesson that was very important. Because Mr. Isabaadari created the foundation. I can say that we have never been able to create a foundation in the field of the school. We have never been able to create a foundation in the field of the teacher's class. And they always have this lesson in their hearts that they should be created. I was then appointed as president and I was appointed as president in the field of the teacher's class. I was busy with my work with an Italian life that I came to teach the students and the children of the history of the school. And in that time, it was very good that in the children of the history of the history of the capital and the documents of the history of the school were published. And also the original documents that were in the history of the school were very important to me. After six years, six and a half years, I went to Farhangi and then to Farangonar I was appointed as president in the field of the teacher's class. It was very important to me that the teacher's class was published as a friend of mine. And the teacher of that class was my brother, the teacher of the Kulamali Khan Saftarzade Hayiqi who in his service was the head of the art department of the teacher's class and the teacher's class. And this is the main difference in the art department of the art department of Ziba. It was published for the National Assembly in that time that that difference was historical and now, in the field of Iran, of course, it is still not in the field of art. The truth is that Haji Saifullah, Saftarzade Hayiqi, his father and brothers are among the Isfahani artists who have dedicated all of their life to the art of carpet weaving to make a number of special fitted carpets and devote them to the shrine of the Eighth Imtalibullah man, Al-Imamrullah, peace be upon him. Whoever follows the path of love and passion must know that the sky is the only limit. He will not reach the end of the path unless he has a strong will and determination and possesses characteristics such as humbleness and unconditional surrender. This is the path that Haji Saifullah can, has chosen to take when he was a child. The path he chose led him to meet with grandmasters such as the late master Isa Baduri and end up teaching at the school of art in the province of Isfahan. He has spent his life spent working non-stop to renovate the historical sites in the form of some key threats. I came out of Hunaristan and I started to create the historical sites that I had seen in the past. I also created the historical sites that I had seen in the past. I worked on them from one meter to 40 meters in different sites. I worked on them to make sure that every job was more reliable than any other job. I did everything I did to make sure that no one else was involved. I was a child and my job was at home. I had a passion for my father's work as well as after that in Hunaristan. I worked on the historical sites. I always thought that the historical sites that are in our city are the result of what they are. As a result, I was able to create the historical sites in our city. They were really important. They were really important and I was able to assess the historical sites that were in our city. I was able to examine the history of the city and the context of the historical sites that were in our city. I worked on them from the time that we were in our city. If you ever came across the works of art of master fatal law can you must pay attention to the visual features and the Equizitness of his artworks for they will without a doubt make you gaze and when you start at this works You must think of the fact that these rugs represent more than colors threats and designs Rather these works of art represent the unconditional love of a servant who seeks the pleasure of his Imam These works represent the unconditional love that an artist possesses the love which Transfers through the rap and wet of the lorax to create an Equizit piece of art and be later gifted to the shrine of the beloved imams peace and blessings be upon them These words are created by a man who believes that the art of carpet making is a part of his existence And he believes that if he his works not meant to decorate the shrine of his beloved Imam then they are useless with no value Even if you don't have an eye for art to realize the link between love carpet and the infallible imams You will still read or hear about the family of Safa the Raza de Hakiki The benefactors who gifted some of their invaluable work to the museum of Imam Riza's holy shrine The arts of this is the honey family are displayed for the public in a special place Where many pilgrims of Imam Riva's holy shrine can see them This is the city of love which is dedicated to the art of the Raza With the art of the master of the past Master of art, master of art, master of art And some of the great works of art And other works of art that are dedicated to Imam Riva's holy shrine Well, everyone goes there and sees it from the outside. It must be the first thing that comes to mind from that great young man. And then, if you want to say hello, it is decided that the gift will be given to the non-believer. You can be proud of it for the future. We have given this gift to the non-believer, and we are proud of it for the future. He states that the art of carpet weaving, which runs in the family of Safhadar Zadeh Haqqei, has always been merged with spirituality. This is the reason why Zadeh had faith in Allah. He has constantly been trying to come up with new desires and get inspired off of the Iranian religious architecture and utilize his knowledge and imagination to immortalize the religious boldings in the form of rags and protect them against the passage of time and natural disasters. Every single one of his artworks represents a historical site with millions of colorful threads knitted together. The historical sites of the province of Isfahan in Iran have been embodied in the rags made by Haqqei, Zadeh and Safhadar and they have been transferred to the holy city of Mashhad and the shrine of Al-Imam-Rirah, peace be upon him. Only this art form could embody all the ancient boldings of the province of Isfahan and display them at the holy shrine of Imam-Rirah, peace be upon him. I can say that it took more than a year or two or three years to complete the work and that there was no other work related to love and to Hazrat Reza. Of course, in the past, we certainly had the means to finally get rich, God willing. We also pray for our families that we will be able to get rich and that we will be able to live in harmony with our parents and our family. God willing, our families will be able to live in harmony with each other and be happy with each other. Hajj Fadelullah Khan is like a person who has passed and sweared every bomb in the road and now he is close to the ultimate destination. Moreover, he is satisfied and happy that his rugs are displayed at the holy shrine of Imam Ali bin Muser, peace be upon him. Now he can rest assured for his rugs have been immortalized. May God be pleased with him. May God have mercy on his people. This is my wish. Peace be upon the master of the universe. Ali ibn Muser ibn al-Murtabah. May Allah bless him. We hope that he will be able to tell us about his age and the name that we have left and the great people that we had in our dreams. I wish to wish them well. O Imam Riga, although you were named the estranged that you live in the hearts of the people of this country and you will always be their master, we will always be in grief, as are those flying over your shrine and men with the angels surrounding your shrine and declare with the rest of the pilgrims that our wishes will be granted and we will never return empty handed.