 Here's a man who can certainly turn a phrase, as my grandmother used to put it, Mr. E. F. Ruth of New York, listen to what he says about Jell-O. The six delicious flavors stand out in front like a bolt of lightning on a dark and cloudy night. I can honestly and truthfully say that there is no other dessert on the market today that can live up to Jell-O's fine quality and delicious flavor. Well, thank you very much, Mr. Ruth. And the reason why you and millions of others prefer Jell-O is because Jell-O has found a way to capture extra-rich fruit flavor. Flavor you don't get in any other Jell-O dessert. For there's only one Jell-O and only Jell-O has this delicious extra-rich fruit flavor. So look for the big red letters on the package. They spell Jell-O. The cheerleader of this program, Jack Fennie. Uh, he's downstairs getting a shave. I guess he'll be up soon. What's all I'm here for? What does that mean in English? What's all I'm here for? I see. That's a nice haircut for Squally. Now give me a quick shave. I've got to get upstairs and broadcast just once over. You want to just a shave or a first-of-class shave? I only want a bleed in one or two places. How could the job? Say, you know George without the shop? Yes. I always a shave of him. Well, he certainly doesn't look it. Hurry up, will ya? It's a nice day. You'll think it's gonna rain, not me. Yeah, make it snappy, will ya please? Hey, Barber, you got soap in my eye. No charging for that. He learned the question a little bit. Say, you like a pizza ball? Pizza ball? I never heard of that. You grab the ball, 22 men jump on your neck, you lose. Oh, you mean football? Yes, I like it. I think Alabama has a great team this year. That's very good, but I like Ohio State and the Cardinals. Wait a minute, you mean Carnegie Tech? P.E. Hey, Pascuali, you like it, the Pincetana and the Coronel? Hey, let me do the dialect, please. I understand how. Please, hurry up, I've got to get upstairs there. All right, now shave you down. Give me your face. Very good, a piece of my lip is on it. That's all right, you've got plenty of lip left. Good thing you're not shaving Chevalier. He's next. Hurry up, will you, Pascuali? I have work to do. Shoots. Do you want a hot towel? What does a hot towel do you any good? No, but it make your heart. Hey, what's that? That's a towel getting a hot. Oh. Do you want to face a massage? I'll make you look just like a Shirley temp. I don't want to look like Shirley temp. I want to look like Jack a Ben. I don't want a hot towel. Cheaper guys. I meant the bourras, the vejarros, the quiapas, the stupos. I don't want to look like Shirley temp. I want to look like Jack a Ben. Say, Jack, you better hurry. You want it upstairs. I'll be right up, Mary. I'm getting a permanent shave. What's your hair doing on the floor, Jack? I just got a haircut. How do you like it, Mary? See, I thought you were wearing a beret. This is a late-style round haircut. It's nice, Jack. It looks like a Leavenworth special. Yeah. Hey, lady, let us a course, please. Hey, boss, you want a vibration? You mean a vibrator? Sure. Take it one minute and make you feel good. All right, but make it snappy, will you? Oh, Jack. What? Pour your teeth in on the floor. Well, for heaven's sake. Hey, boss, that's the finishing. You want to talk about powder? No. Oh, you don't want to smell good, eh? I smell all right. Come on, Jack, you've got to go to work. Hey, boss, what kind of work do you do? I'm on the radio, and I broadcast all over America. Well, you can take all Italian people. Why? Because Marconi discovered the radio, and Columbus discovered America. Hey, wait a minute. Listen, wait. He's right, Jack. Let's get out of here. Hey, what program do you got? Jello. Oh, I like the jelly with the 60-delicious flavor. I like it when the guy says raspberry, strawberry, cherry, berry, orange, lemon, and lime-a-berry. Well, how much do I owe you, Pasquale? Well, let me see you. One haircut, shampoo, hair tonic, shave, heart towel, and vibration. 20 cents. 20 cents, what? Oh, pay him, Jack. That's what you get for coming to these dip joints. Mamma mia, please. Stubid up out the road and don't set the chair up here. Anything that goes up. I mean, that was Johnny Green playing anything goes from the production of the same name. Hey, Jack, you're a little late, aren't you? Yes, Don. I stopped over at the barbers for our first routine to talk. Oh, was he a good barber? Yes, our audience laughed at him. Oh, hello, Johnny. Hello, Jack. I didn't recognize you. You look clean tonight. Well, I just came from the barber shop. Got a shave and a trim. You got a pretty close haircut there, didn't you? Yeah. Your head looks like an airport. Mary, don't discourage our listening audience. I mean, after all, they've just seen me as a lover in my latest pictures in the air. And they think I look the same up here. So don't disillusion them. I won't. What's disillusion, Jack? Well, Mary, on the air, you see, your listeners can't see you all they can do is visualize. You see? Oh, I get it. What does visualize mean? Well, Mary, look, visualize means that they draw a mental picture of the activity up here, which enables them to conjure up the kaleidoscopic procedure. What are you laughing at? That's the funniest haircut I've ever seen. Forget it, would it? Oh, Johnny, what does visualize mean? I don't know. I just handle the music here. Oh, just a juggler of crescendos, eh? Oh. Hey, Don, do you know any big words? Oh, just words like strawberry, raspberry, jello. And I'll wait a minute, Don. Jello isn't such a large word. No, but it's the largest-selling gelatin dessert in the world, and every day millions of people eat it. Well, I thought we'd drag that in by the heels gracefully, didn't you, Don? Yes, it didn't sound a bit obvious. No. Mary answered the door. Why don't he knock? Every program is doing that now. Come in. Hello. Uh, I, uh, I, uh, I'd like to see Mr. Benny, please. There he is, standing over there. Thank you. I'm, uh, I'm Kenny Baker. Oh, Jack, what does Kenny Baker mean? It's a man's name. Oh. Come in. Well, uh, how do you do, Mr. Baker? How do you do? You know, I've been expecting you. You're the, uh, the new singer, aren't you? Uh, what was that? I say, uh, you're the new singer, aren't you? Thank you. Now, uh, now, uh, Mr. Baker, I, uh... Thank you. No, no, no, just, just relax. I mean, don't be nervous. Tell me, what kind of a voice have you? I'm, uh, I'm a tenor singer. I'm sorry. Well, well, don't, don't worry about it. Just take it easy. Uh, uh, step right over here to the microphone. Yes, sir. Be careful there. You've tripped over a chair. I guess, I guess I'm a little nervous. You have nothing to worry about. Now, I want you to meet the members of our little company. This is Johnny Green. Johnny, this is Kenny Baker. Hello, Mr. Baker. How do you do? I'm sure. Hmm. Same to you, no doubt. This is our announcer, Don Wilson. Mr. Baker. Mr. Baker. Mr. Baker. Mr. Baker. Mr. Baker. Mr. Baker. Mr. Baker. Mr. Baker. Don. Don Wilson. How are you, Mr. Baker? It's a thrill. What'd I get? And this is, uh, this is Mary Livingstone. Hello, Tud. She's whiz. Well, Kenny, how about giving us a little song? I want you to feel right at home and be at ease. Remember, this is one big happy family. Depending on options. Of course. Now, uh, what are you going to sing? If you don't mind. I'll sing the Rosner Hair from the motion picture. Broadway gondolier. I don't mind. Sing, Kenny. Okay, Benny. Kenny Baker. You have a very sweet voice Kenny. It's funny I haven't met you before, what brought you out to Hollywood? Oh nothing, just making a picture, if you don't mind. Well, you're making a picture eh? Yeah, it's anything to kill time. Well, it is a diversion. What's a diversion Jack? Quiet Mary. That's what I thought. You know, young man, the only difficulty we may have on this program is, well, you see, your name is Kenny, and mine is Benny. I mean, that might be confusing. Well, uh, couldn't you change yours? If I don't mind, you can call me Stoopnagle from now on. Alright, you call me Bud. Well, anyway, I'm glad to have you with us. Thanks, gosh. Oh, Stoopnagle, here's a letter for you. Yeah, a letter? Yes, I think it's fan mail. Well, you're just in time, Mary, I think we were running out of jokes. Let's see, this is from Miss Flora Fenchel, Lake Forest, Illinois. It says, dear Mr. Benny, I thought it was hard to get into pictures until I saw you in Broadway melody and it's in the air. I have a job here, but I'm sick of it and would like to try pictures. I have two arms and legs, just like Thompson Bennett. I eat steak and potatoes like Catherine Hepburn, and I sleep with my eyes closed like Kay Francis, so what am I waiting for? Is it really hard to get into pictures? P.S. I just want a beauty contest in Atlantic City if that will help. Well, Miss Fenchel, that's what this program is on the air for, to give advice to people like you. And also to sell jello. Yes, and so, ladies and gentlemen, after Johnny Greene's next number, we will take you direct to the Metro Pass-Amount Studios and show you how stars are born and pictures are made. After all, what do you see being in Hollywood if we can't help? Play, Director Greene. And Gown by Adrian. And now for our play of the film industry, which we call Open Up That Gold Wind Gate. The first scene takes place in the office of the president of the ParaFox studio. Curtain, music, John. Hello, Cortez. We're all out of those. How about a nice Corona-Corona? Oh, you mean the actor. I'll put him right on. Good morning, his fluts. Good morning, Mr. Parachite. Get me Director Roy Delruth right away. He's in Arizona making China seas. Oh, where's Mr. Reisner? He's in China making 50 million Frenchmen. Well, I don't want to see anyone today. I'll be busy in conference. When will the conference be over? Never. I'm always in conference. I'm always busy. I was born busy and I'll die busy. Get me Eugene O'Wilson. Quick. The boss wants Eugene O'Wilson. Paging Eugene O'Wilson. Eugene O'Wilson. Eugene O'Wilson. Out to lunch. He's out to lunch. Well, when he gets back, tell him I want to see him. His guts look up the reports on our pictures. What did Ear Eggs of 1935 do in Philadelphia yesterday? $83,000 and 50 cents. And what did Nutty Marietta do? She went out to lunch. I mean the business in Boston. We got to make bigger and better pictures. We need more stars. We need new faces. Did you send for me? Yes, Eugene. What this company needs is bigger and better stories. What have you written in the last half hour? I just wrote a story on my way upstairs. The scene is late in India. India? That's colossal. India? We'll get 10,000 elephants. The boss wants 10,000 elephants. Yes, they go right to work. Tell them to bring their trunks. What'd you do with us? Don't get fresh. She's with this company. Oh, you want a beauty contest, eh? Can you ask? No, but I certainly am beautiful. Ain't I got the cute kisses? You'll never know. The girl who won the Atlantic City Duty Contest is here. I want her. Miss, he just wants elephants. You don't mean it. Maybe you'll fool him. What a snooze. Hey, Eugene. Yes? I just read your scenario and it's great. But look, does this picture have to be in India? Can it be some other place? Oh, it really doesn't matter. Make it Arabia. Arabia? Arabia? Stupendous. Miss Lux? Yes, Mr. Parachute? Cancel those olive camels. 40,000 sheets. 50,000 deserts. 20,000 camels. Yes, camels. You know, a horse with a wart on his back. A contest in Atlantic City. Oh, you did, eh? Well, aren't you a little bow-legged? Yes. You'll have to see Mr. LaMaire in the annex. Where is that? Walk through that brick wall and turn to the right. Oh, Mr. Paradise, there are a lot of camels. What? No camels? Hey, Eugene. Does this picture have to be in Arabia? No, it could be played in Spain. Spain? headquarters. 10 over some bulls. We're in Spain now. Oh, Mr. Parachute in? Yes, who are you? Ah, I'm a Fespian. I'm sorry, but he wants bulls right now. Oh, I say, I'm an Axol. People tell me I'm a second Jack Spinnick. We don't even want the first one. All right, but I'm a student of Shakespeare. I've played first Hamlet and Macbeth. Oh, wait a minute. Oh, Mr. Parachute. There's a man out here who says he's played Hamlet and Macbeth. Oh, a parlayer. Give him $1,000 a week and throw him out. Have those bulls come in yet? No. We're holding up production. Hey, Eugene, does this picture have to be in Spain? Oh, it could be done in Russia. Russia? What a thought! It's got to be a super picture. Ms. Gluck, get Russia on the pole. Operator, get me Rubenoff. Two whole, whole, whole. Just Mr. LaMaire. Yes, what can I do for you, Miss? I just want Atlantic City at a beauty contest. What? I mean, I want a beauty contest at Atlantic City. Oh, you did, eh? Well, aren't you a little old? I wasn't when I first came in here. Yes, I'll tell him. Oh, good morning, Mr. Stare. How do you feel today? Mr. Stare? How well to see Mr. Parachute? He's not in right now. I see a shadow in the window. Well, if you want to see through a shadow, all right. Ms. Gluck, did those bears get in here yet? No. Oh, hello, Plasqually. What are you doing here? Mr. Stare, while they're growing, I'm moving a fish. I'm moving a fish. Say, Eugene, I've got it. Why can't this picture be an issue? Colossal. That's it, Italy. Ms. Gluck. I know. Mr. Grady, you ordered 10,000 miles of spaghetti. Say, boss. Boss, I've got a better idea. Why can't this picture take place in the United States? United States? So risky. I never thought of that. Why don't you make it New Jersey? New Jersey. That's the place, Ms. Gluck. Get me 10,000 mosquitoes. 20,000 Jersey cows. And 30,000 Jersey sweaters. What an idea! Ms. Gluck, get 10,000 miles of water. 20,000 ocean waves. 30,000. Once you eat jello, you will always remember that extra-rich, price-price flavor. Ms. Gluck, get this between all the piano. One bite. Well, folks, next Tuesday is election day. And we have a candidate who will be endorsed by all parties. The candidate is Jello, and it's always a winner. What's more, Jello has dozens of winning combinations. Here's one of them. A bang-up solid idea that will go over bay even with the men. It's a tasty mixture of crisp, shredded cabbage and diced up pineapple inside a lovely clear mold of lemon jello. Tastes grand with a tangy sort of flavor that's got real come on. Jello tastes twice as good as ever before. Use it for salads as well as desserts, and you'll find it twice as useful. So vote a straight jello ticket when you go to your grocery. Strawberry, raspberry, cherry, orange, lemon, and lime. Just be sure to insist on genuine jello. The last number of the sixth program in the New Jello series, and we'll be with you again next Sunday night at the same time. Oh, yeah. What? What are we going to do with these jellisons? I don't know. I'm going home now. 50,000 taxis, 100,000 free cards. Goodnight, folks.