 checking out the hopefully not last critique and you mentioned the jump this is not playing probably because I need to make it all big small again there yeah I can see where you're coming from well I don't know I think for this it would be alright so you're having him go back one thing you can do like so you have you got the fingers so you can argue that he's still holding just the fingers going back but then once he pushes here see how the push starts all over the place here everything is moving including that arm now if he's pushing you want to make sure that initiates the shoulder the shoulder will go up and back a bit that would twist the chest around bring the head down sideways a bit and then bring his root back you want to see a chain reaction basically not everything at the same time and then same thing here this lift you see stuff is happening with the fingers and the hands but the chest and then he pushes off and then you got a slight moment if you watch the head spacing like he goes in a circle and then here it's like a pivot off of here and then comes out forward here so it doesn't feel like it's a specific center where he does like a turn like that feels like he's doing like like a twist and there's another another pivot here and not that he's you know twirls a couple times but there's something about the change of pivot and you got to make sure that that pivot is always out of the center mass like the heaviest point but I think for this you want to make sure that you can see a push off hips first I mean depends if you're pushing off with this right initiating initiating the whole thing with the legs you know is he pushing off with his arms or legs and you can argue if it's a legs and be this going up first then taking the chest and everything else with it so you would have you know you would have a pose where and part of the butt is here but the rest is still down there the chest is here the head is here everything is still there you would just have something like that where you can clearly see pushes off with the butts but the landing is cool again I love all this I mean it's so great you could you know if you want to go into more complexities how he stops here you could argue that this step here this is too high he would be lower around here with the toes and then when he comes to a stop it's boom and then nothing moves right so you could say that after this he would do like a little step forward here a little twist in the legs here some more little movement and settle in his arms if you want to make that a bit more complex potentially look there and this might be a bit strong there at the end like you go there and it's kind of like you're hitting you're going from this right into that and then back into this and it feels like this is your pose a b and back to a as opposed to something else where you might go back and plant his foot here and do like a weight shift where then he's more more like that arms out not that my drawings help anyway it's still a really cool clip and that's the best part is you know how focused you have the head at this point now so it's clear where he looks goes around especially here how he sees it yeah it's great and then this guy same thing as before that's my bad there you go so you mentioned supposed to post stuff breakdowns in between whoop cool I like it there's some tiny things here in there but overall I got a really cool feel to it all right that's all that stuff here so the major points right doesn't work as you continue on you know you can have like a tiny move here not that it has it feels like it's completely completely locked you want to have like a slight little wiggle or something that's fine I think once he goes into this like he goes into all here and then once it lifts here I think you could just bring that head back just a bit further back you know just you know he starts and then as it finally comes up and lifts you will see a change in posing just because of now it's like all through all of this the section of the chest and the head stays the same and then this is a bit tricky here so I love how it settles boom that's great oh right there's a bit tricky where you go down and then here careful you got this moment of this constant backwards move boop and right around here it pivots off his neck almost and then he continues to go back so make sure at this point he always goes back always goes back always goes back into this and then I would make less of a stop it'll be more like and then immediately go forward to because he's countering the whole thing it's not like he's trying to stop he's trying to go against it so to have that pause here feels a bit too weird it's kind of like a pop there kind of moves forward and then I think I think once you go down here I mean it would be so heavy that this would really really really what's the word like you know bring this side down I think you could bring this shoulder out this elbow so it's more like that type of it's got the wrist here and then arm out elbow out and the way you have it here arm out elbow out I guess really really trying in the shoulders up and he's already potentially arching arching back a bit with his back just to make sure that he doesn't let it all drop was quite heavy right so before that we showed that the weight in here to be bent forward I think you would already be bent back a bit because it is so heavy and this is too much of a pause it will be immediately into this so well none of that stopping here I'm not sure if me cutting this will help pretend that this is going to work can be a pop but let's see just idea-wise right and do to do to do and he goes that would be a lot better love your timing of the drop down oh it's great whoop and I think for the ending that's great and then how he hits here that's awesome right but then you could down on the drop here so it's not completely just flat one axis he could drop sideways maybe on one of the shoulders which bounces him more towards us or vice versa whatever and then not that flat you know it could be you could then have kind of a slight twist to it but one leg could be like this and one like this and and I guess you could still hold on to maybe you can drop one arm and so you can see clearly his face and that guy's still here you know something where it's a bit more broken up then just so straight but those are the major points I would look at timing wise but it's really cool I really hope you're gonna continue with that one just some really really nice timing is really nice weight in there all right thank you all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way like and subscribe would be awesome all right thank you