 I would say for me, I think the residency has changed the theater because it's given a greater awareness in terms of engagement with new writers besides me in terms of having productions at their theater, recommendations for writers to not just commission but also engage in different programming. It's also embedded some of the skills that I've had outside of the theater in terms of mentorship, like translating that to programming that we're doing in terms of helping to run workshops for like the Naked Stages program that we have and also for me, like just a greater awareness of who our audiences are for the work that we do and the kind of work that I write. So I think that's been some of the things that have impacted the theater I think also for me as the playwright. It's been also like just learning more about who my co-artistic directors are as artists. Also different ways that I can work on plays that kind of expand what I'm used to doing but also responding to who those audiences are for those plays inside our community. I think I believe anyway that the residency has given Christina a sense of security to be able to write the plays that she can write and that she wants to write of course but rather than trying to write what she thinks the American theater wants to see, she now has a home base and she has an audience and a particular collection of folks that she can write for and I think that there's some security in that and that's not a bad word in this case. I think it also as I say that I also think that security allows her to take risks and I'm really happy about that. Yeah I think also the combination of networks that both the theater and Christina as an artist and Christina as an artist who is part of another organization, the way that all has come together has strengthened all of those networks and has allowed artists especially to move back and forth across those and has created a wider net and awareness of the work that a lot of folks are doing. I think one of the really interesting impacts on both the theater and your work I think has been the nimbleness with which we were able to respond artistically to the 2016 election and which was kind of creating a new way of doing making work and doing commissioning and an acceleration of that kind of thing that had both a theater and artist impact and has given us a way to continue that kind of practice going forward. And one more thing I just want to add that I think being a part of the organization really puts an audience in front of her face so there are people there are actually people that know her that she has gotten to know that are looking forward to her work you know it's not just some faces out there there are folks that know her and really want to hear what she has to say.