 All right, let's play this whole thing here. You got a new set It's cool. I like it. I think this all works. Well, it's got your Look for once you start splining, you know, we have to careful with things where the drop in and the root and the amount of movement up might get a bit too bouncy this Like right now even in pops, but I know this is just because of step mode Just watch out once you get into that and might just you might have to tone that down a bit and Then things like this where just for a moment I know I see this going on first, but it will be a bit of a twinning Move the move at the same time the angle is very similar That's all cool through here If you can I would just find a breakdown where it's a bit more like this so you have a cleaner silhouette So it's not overlapping in shapes there at both arm with the forearm That's all cool same thing here careful as you continue where Even though they're offset. There's a slight twinning effect there, but also timing wise So just watch out as you continue like as it as a overall pose It's a bit too mirrored So you might not want to work on some offsets and just a change even if something That's that's like this where one arm. We might even hold this belly a bit and one arm is there, you know Stuff like that that I think should be working. Well, I'm just look here's You might have to preface this When he looks up with a frame or two before before this one with a huge facial reaction eyes really wide open mouth open into this So that mentally he is freaking out and then this makes more sense Versus him Just kind of huh and then really in a way overacting The you know the freak out, but I think if you have a big facial reaction then this Will make will make more sense and you can you can buy that buy that more That's all cool. I'm really like this here They'll step back there and that's cool. They'll pose and that he has like the elbow the shoulder turn to it I think that's really nice Once you get to into this you might already want to turn your body and why just a bit so you have a bit of a wider thing where you have a bit more negative space and a bit of that arm there Not like my drawing because that's a bit too twin, but it's not so profile You know even something like this. This is nice Maybe getting into that a bit sooner And you'll mention here. I got in your email You're not sure if the laughing at the end is coming through. I think it's fine It all depends how you get into this, you know, you can have this and you can start a smile They can have a bit of a chuckle bit of up and down in the chest that then leads into this All right, all kind of depends how you go from pose to pose and what actions lead And then once this happens here, let me see the end We still have a little movement in there and not just keep it isolated to that. That's cool This is much better now with the the offsets and how you know, there's some more complexity in there I think that's cool And then you want to have this over more frames like right now happens And I know this is that but once you get into this line, we want enough time for the pause I think Like how long it takes until no movement to movement is good You might happen like another four frames nothing moving, but then I would add like two seconds of Slowly sliding down in that curve this way. I think that was have to extend the shot a bit Now You say the set works a lot better. Yes, I had question with boxing gloves when they're boulders It makes sense for them to slam slam down, but I was thinking about adding some Like the gloves are connected to a big machine. So there will be some shake or back and forth after the hits You can I mean if that's set up where you can have I would probably go from This to that where imagine like this part of the glove would be down here So the glove is much more curved in and the film is here and you can really You know bend this and then you got that in the coil here So it's really Squashed together and then over maybe two frames or so worrying and it can have you know a bit of a bounce in there That's solely fine. I'm curious if Either you want to rotate it in wide this way or this way to give us a nicer Silhouette I feel like we want like some a break in the silhouette of the The thumb so imagine it's almost like this section here. It's kind of we're facing in front and he got the The this here the laces whatever and you know, then imagine the thumb just kind of breaks that silhouette Could be in front of it, you know something where in my horrible drawing the thumb is like that or The other way where we see this round up But the thumb is out here and then you got that like either way But I think that we could just push that a bit more and of course in my crazy quest of avoiding tangents I will bring this a bit over this way so that this is not so edgy There forms a bit of a tangent there Let's give this a bit better room like here even let's go back here That's much better. But same thing here. I almost feel like In why either way and they don't have to be the same So there's a bit of an offset. I think that's cool. It would even be fun to have Like a slight like something not tape or something I almost feel like that's how I was drawing those lines before so that you would have This is the clear section that comes up and it's not just a broken piece I don't know if this is important. This is me being weird about about set pieces You should focus on obviously on the animation But I think it's cute I think this makes Just a bit more sense instead of the the mountains. Of course anybody can argue against it It's all very subjective, but I'm glad you change it. I think I think this works better and you can absolutely start going into Spline or whatever your process is but we so we can kind of see, you know, a few more breakdowns You know, just to see transitions and stuff like this how it's gonna work out once you spline it I'm also glad that you're starting like this that you start the shot on action Instead of feeling where he waits and then and action and then he starts moving so overall lots of good stuff. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way and like and subscribe would be awesome. All right. Thank you