 Section 7 of Nonsense Novels, the Slipper Box recording is in the public domain, Nonsense Novels by Stephen Lee Cock, Section 7, Hanna of the Highlands, or the Laird of Locke-Ocher-Lockerty. C'ere mon ye greet, but who to wha? There's muckle yet, love is na'ah, nay more ye'll see, how air ye whine, the bonny breeks of ald langzine. The simple words rang out fresh and sweet upon the morning air. It was Hanna of the Highlands. She was gathering lobsters in the burn that ran through the glen. The scene about her was typically Highland. Wild hills rose on both sides of the burn to a height of seventy-five feet, covered with a dense Highland forest that stretched a hundred yards in either direction. At the foot of the burn a beautiful scotch lock lay in the hollow of the hills. Beyond it again, through the gap of the hills, was the sea. Through the glen and close beside the burn where Hanna stood, wound the road that rose again to follow the cliffs along the shore. The tourists in the Highlands will find no more beautiful spot than the glen of Ocher-Lockerty, nor is there any spot which can more justly claim to be historic ground. It was here in the glen that Bonnie Prince Charlie had lain in hidden after the defeat of Culloden. Almost in the same spot, the great boulder still stands behind which the Bruce had laid hidden after Bannock burn. While behind a number of lesser stones, the covenanters had concealed themselves during the height of the steward persecution. Through the glen, Montrose had passed on his fatal ride to Killy Cranky. While at the lower end of it, the rock was still pointed out behind which William Wallace had paused to change his breeches while flying from the wrath of Rob Roy. Grim memories such as these gave character to the spot. Indeed, most of the great events of Scotch history had taken place in the glen, while the Little Lock had been the scene of some of the most stirring naval combats in the history of the Grampian Hills. But there was little in the scene which lay so peaceful on this April morning to recall the sanguinary history of the glen. Its sides at present were covered with a thick growth of gorse, elderberry, eggplants, and gilly flower, while the woods about it were loud with the voice of the throttle, the linnet, the magpie, the jackdaw, and other songbirds of the highlands. It was a gloriously beautiful Scotch morning. The rain fell softly and quietly, bringing dampness and moisture and almost a sense of wetness to the soft moss underfoot. Gray mists flew hither and thither, carrying with them an invigorating rawness that had almost a feeling of dampness. It is the memory of such a morning that draws a tear from the eye of Scotch men after years of exile. The Scotch heart reader can be moved to its depths by the sight of a raindrop or the sound of a wet rag. And meantime Hannah, the beautiful Highland girl, was singing. The fresh young voice rose high above the rain. Even the birds seemed to pause to listen, and as they listened to the simple words of the Gaelic folk song, fell off the bow with a thud on the grass. The Highland girl made a beautiful picture as she stood. Her bare feet were in the burn, the rippling water of which laid her ankles. The lobsters played about her feet or clung affectionately to her toes as if loafed to leave the water and be gathered in the folds of her blue apron. It was a scene to charm the heart of a burned Jones or an Alma Tadeima or of anybody fond of lobsters. The girl's golden hair flowed widely behind her, gathered in a single braid with a piece of stovepipe wire. Will you sell me one of your lobsters?" Hannah looked up. There, standing in the burn a few yards above her, was the vision of a young man. The beautiful Highland girl gazed at him, fascinated. He seemed a higher order of being. He carried a fishing rod and basket in his hand. He was dressed in a salmon fishing costume of an English gentleman. Salmon fishing boots reached to his thighs, while above them he wore a fishing jacket, fastened loosely with a fishing belt about his waist. He wore a small fishing cap on his head. There were no fish in his basket. He drew near to the Highland girl. Hannah knew as she looked at him that it must be Ian McWinnis, the new Laird. At sight she loved him. You're Sare welcome, she said, as she handed to the young man the finest of her lobsters. He put it in his basket. Then he felt in the pocket of his jacket and brought out a six-penny piece. You must let me pay for it, he said. Hannah took the six-pence and held it a moment, flushing with true Highland pride. I'll no be selling the fush for money, she said. Something in the girl's speech went straight to the young man's heart. He handed her half a crown. Whistling lightly, he strode off up the side of the burn. Hannah stood gazing after him spellbound. She was aroused from her reverie by an angry voice calling her name. Hannah! Hannah! cried the voice. Come away, Ben! Are ye daft last that you stand there keeking in a McWinnis? Then Hannah realized what she had done. She had spoken with a McWinnis, a thing that no McShammis had done for a hundred and fifty years. For nearly two centuries the McShammises and the McWinnises, albeit both dwellers in the Glen, had been torn asunder by one of those painful divisions by which the life of the Scotch people is broken into fragments. It had arisen out of a point of spiritual belief. It had been six generations agon at a Highland banquet in the days when the unrestrained temper of the time gave way to wild orgies during which theological discussions raged with unrestrained fury. Shammis McShammis, an embittered Calvinist, half crazed perhaps with liquor, had maintained that damnation could be achieved only by faith. Whimper McWinnis had held that damnation could be achieved also by good works. Inflamed with drink, McShammis had struck McWinnis across the temple with an oat-cake and killed him. McShammis had been brought to trial. Although defended by some of the most skilled lawyers of Ocker-Lockerty, he had been acquitted. On the very night of his acquittal, Wangus McWinnis, the son of the murdered man, had lain in wait for Shammis McShammis in the hollow of the Glen Road where it rises to the cliff and had shot him through the bagpipes. Since then, the feud had raged with unquenched bitterness for a century and a half. With each generation, the difference between the two families became more acute. They differed on every possible point. They wore different tartans, sat under different ministers, drank different brands of whiskey, and upheld different doctrines in regard to eternal punishment. To add to the feud, the McWinnises had grown rich while the McShammises had become poor. At least once in every generation, a McWinnis or a McShammis had been shot and always at the turn of the Glen Road where it rose to the edge of the cliff. Finally, two generations gone, the McWinnises had been raised to sudden wealth by the discovery of a coal mine on their land. To show their contempt for the McShammises, they had left the Glen to live in America. The McShammises to show their contempt for the McWinnises had remained in the Glen. The feud was kept alive in their memory. And now the descendant of the McWinnises had come back and bought out the property of the Laird of Ackerlockerty beside the Glen. Ian McWinnis knew nothing of the feud. Reared in another atmosphere, the traditions of Scotland had no meaning for him. He had entirely degenerated. To him the tartan had become only a piece of colored cloth. He wore a kilt as a masquerade costume for a Halloween dance, and when it rained he put on a raincoat. He was no longer scotch. More than that, he had married a beautiful American wife, a talcum powder blonde with a doe face, and the exquisite rotundity of the Packinghouse District of the Middle West. Ian McWinnis was her slave. For her sake he had bought the lobster from Hannah. For her sake too, he had scrutinized closely the beautiful Highland girl, for his wife was anxious to bring back a scotch housemaid with her to Chicago. And meantime Hannah, with the rapture of a new love in her heart, followed her father, Oyster McOyster McShamas, to the cottage. Oyster McOyster, even in advancing age, was a fine specimen of scotch manhood. Ninety-seven years of age he was approaching the time when many of his countrymen began to show the ravages of time. But he bore himself straight as a laugh, while his tall stature and his native Highland costume accentuated the fine outline of his form. The costume consisted of a black velvet beetle shell jacket, which extended from the shoulder halfway down the back, and was continued in a short kilt of the tartan of the McShamas's, which extended from the waist halfway to the thigh. The costume reappeared again after an interval in the form of rolled golf stockings, which extended halfway up to the knee, while on his feet a pair of half-shoes were buckled halfway up with the Highland clasp. On his head, halfway between the ear and the upper superfishes of the skull, he wore half a scotch cap, from which a tall rhinoceros feather extended halfway into the air. A pair of bagpipes were beneath his arm, from which, as he walked, he blew those deep and plaintive sounds which have done much to imprint upon the characters of those who hear them a melancholy and resigned despair. At the door of the cottage he turned and faced his daughter. What said Ian McWinnis to you in the burned side? he said fiercely. Twas name, Muckle, said Hannah, and she added, for the truth was ever more to her than her father's wrath, he gave me a sax-pence for a fush. Siller, shrieked the Highlander, Siller from a McWinnis. Hannah handed him the six-pence. Oyster McOyster dashed it fiercely on the ground, then picking it up, he dashed it with full force against the wall of the cottage. Then, seizing it again, he dashed it angrily into the pocket of his kilt. They entered the cottage. Hannah had never seen her father's face so dour as it looked that night. Their home seemed changed. Hannah and her mother and father sat down that night in silence to their simple meal of oatmeal porridge and scotch whiskey. In the evening the mother sat to her spinning. Visually she plied her work, for it was a task of love. Her eldest, born Jamie, was away at college at Edinburgh, preparing for the ministry. His graduation day was approaching, and Jamie's mother was spinning him a pair of breeches against the day. The breeches were to be a surprise. Already they were shaping that way. Oyster McShamas sat reading the Old Testament in silence while Hannah looked into the peat fire and thought of the beautiful young Laird. Only once the Highlander spoke. The McWinnis is back, he said, and his glance turned towards the old flintlocked musket on the wall. That night Hannah dreamed of the feud of the Glen and the Byrne, of love, of lobsters, and of the Laird of Lock Ock or Lockerty. And when she rose in the morning there was a wistful look in her eyes, then there came no song from her throat. The days passed. Each day the beautiful Highland girl saw the young Laird, though her father knew it not. In the mornings she would see him as he came fishing to the Byrne. At times he wore his fishing suit, at other times he had on a knickerbocker suit of shepherd's plaid with a domino pattern negligee shirt. For his sake the beautiful Highland girl made herself more beautiful still. Each morning she would twine a scotch thistle in her hair and pin a spray of burdock at her heart. And at times he spoke to her how Hannah treasured his words. Once, catching sight of her father in the distance, he had asked her who was the old sardine in the petticoats and the girl had answered gladly that it was her father. For, as a fisherman's daughter, she was proud to have her father mistaken for a sardine. At another time he had asked her if she was handy about the work of the house, how Hannah's heart had beat at the question. She made up her mind to spin him a pair of breeches like the ones now finishing for her brother Jamie. And every evening as the sun set Hannah would watch in secret from the window of the cottage waiting for the young Laird to come past in his motor car down the Glen Road to the sea. Always he would slacken the car at the sharp turn at the top of the cliff. For six generations no McWinnis had passed that spot after nightfall with his life, but Ian McWinnis knew nothing of the feud. At times Oyster McOyster would see him pass and standing at the roadside would call down Gaelic curses on his head. Once when her father was from home Hannah had stood on the roadside and Ian had stopped the machine and had taken her with him in the car for a ride. Hannah her heart beating with delight had listened to him as he explained how the car was worked. Had her father known that she had sat thus beside a McWinnis he would have slain her where she sat. The tragedy of Hannah's love ran swiftly to its close. Each day she met the young Laird at the burn. Each day she gave him the finest of her lobsters. She wore a new thistle every day. And every night in secret as her mother slept she spanned a new concentric section of his breeches. And the young Laird when he went home said to the talcum blonde that the Highland Fisher girl was not half such a damn fool as she seemed. Then came the fateful afternoon. He stood beside her at the burn. Hannah he said as he bent towards her I want to take you to America. Hannah had fallen fainting in his arms. Ian propped her against a tree and went home. An hour later when Hannah entered her home her father was standing behind the fireplace. He was staring fixedly into the fire with the flintlocked musket in his hands. There was the old dour look of the feud upon his face and there were muttered curses on his lips. His wife Ellen clung to his arm and vainly sought to quiet him. Curse him, he muttered. Aline kill him the night he passes in his dale machine. Then Hannah knew that Oyster McShamas had seen her with Ian beside the burn. She turned and fled from the house. Straight up the road she ran across towards the manor house of Locker Lockerty to warn Ian. To save him from her father's wrath that was her one thought. Night gathered about the Highland girl as she ran. The rain clouds and the gathering storm hung low with fitful lightning overhead. She still ran on. About her was the rolling of the thunder and the angry roaring of the swollen burn. Then the storm broke upon the darkness with all the fury of the Highland Gale. The sky was rent with the fierce play of the elements. Yet on Hannah ran. Again and again the lightning hit her, but she ran on still. She fell over the stones, tripped and stumbled in the ruts, butted into the hedges, cannoned off against the stone walls. But she never stopped. She went quicker and quicker. The storm was awful. Lightning, fire, flame and thunder were all about her. Trees were falling, hurdles were flying, birds were being struck by lightning, dogs, sheep and even cattle were hurled through the air. She reached the manor house and stood a moment at the door. The storm had lulled, the rain ceased, and for a brief moment there was quiet. The light was streaming from the windows of the house. Hannah paused. Suddenly her heart misgave her. Her quick ear had caught the sound of a woman's voice within. She approached the window and looked in. Then, as if rooted to the spot, the Highland Girl gazed and listened at the pain. Ian lay upon a sofa. The negligee dressing gown that he wore enhanced the pallid beauty of his face. Beside him sat the talcum powder blonde. She was feeding him with chocolates. Hannah understood. Ian had trifled with her love. He had bought her lobsters to win her heart only to cast it aside. Hannah turned from the window. She plucked the thistle from her throat and flung it on the ground. Then, as she turned her eye, she cut sight of the motor standing in the shed. The Dell machine, she muttered, while the wild light of Highland Frenzy gathered in her eye. Then, as she rushed to it and tore the tarpaulin from off it, he'll no be wanting of a mark the night, Oyster McShammas, she cried. A moment later the motor with Hannah at the wheel was thundering down the road to the Glen. The power was on to the full and the demented girl clung tight to the steering gear as the machine rocked and thundered down the descent. The storm was raging again and the thunder mingled with the roar of the machine forced madly towards the sea. The great eye of the motor blazed in front. The lurid light of it flashed a second on the trees and the burn as it passed and flashed blinding on the eyes of Oyster as he stood erect on the cliffside below, musket in hand, and faced the blazing apparition that charged upon him with the old Highland blood surging in his veins. It was all over in a moment. A blinding flash of lightning, the report of a musket, a great peel of thunder and the motor bearing the devoted girl hurled headlong over the cliff. They found her there in the morning. She lay on her side motionless, half buried in the sand, upturned towards the blue Highland sky, serene now after the passing of the storm. Quiet and still she lay. The sea birds seemed to pause in their flight to look down on her. The little group of scotch people that had gathered stood engaged at her with reverential awe. They made no attempt to put her together. It would have been useless. Her gasoline tubes were twisted and bent, her tank burst, her sprockets broken from their sides, and her steering gear in utter wreck. The motor would never run again. After a time they roused themselves from their grief and looked about for Hannah. They found her. She lay among the sand and seaweed, her fair hair soaked in gasoline. Then they looked about for Oyster McShammas. Him too they found, lying half buried in the grass and soaked in whiskey. Then they looked about for Ellen. They found her lying across the door of the cottage, half buried in Jamie's breeches. Then they gathered them up. Life was not extinct. They chafed their hands. They rubbed their feet. They put hot bricks upon their stomachs. They poured hot whiskey down their throats. That brought them too. Of course. It always does. They all lived. But the feud was done for. That was the end of it. Hannah had put it to the bad. End of Section 7. Recording by Tricia G. Section 8 of Nonsense Novels. This LibriVox recording is in the public domain. Nonsense novels by Stephen Lee Cock. Section 8. Soaked in seaweed or upset in the ocean. An old-fashioned sea story. It was in August in 1867 that I stepped on board the deck of the saucy sally, lying in dock in gravesand, to fill the birth of second mate. Let me first say a word about myself. I was a tall, handsome young fellow, squarely and powerfully built, bronzed by the sun and the moon, and even copper-colored in spots from the effect of the stars, and with a face in which honesty, intelligence, and exceptional brain power were combined with Christianity, simplicity, and modesty. As I stepped on the deck, I could not help a slight feeling of triumph as I cut sight of my sailor-like features reflected in a tar barrel that stood beside the mast, while a little later I could scarcely repress a sense of gratification as I noticed them reflected again in a bucket of bilge water. Welcome on board, Mr. Blowhard, called out Captain Bilge, stepping out of the binnacle and shaking hands across the taff rail. I saw before me a fine sailor-like man of from thirty to sixty clean shaven for an enormous pair of whiskers, a heavy beard, and a thick mustache, powerful in bilge, and carrying his beam well aft in a pair of broad duck trousers across the back of which there would have been room to write a history of the British navy. Beside him were the first and third mates, both of them being quiet men of poor stature, who looked at Captain Bilge with what seemed to me an apprehensive expression in their eyes. The vessel was on the eve of departure. Her deck presented that scene of bustle and alacrity dear to the sailor's heart. Men were busy nailing up the masts, hanging the bowsprit over the side, varnishing the lease-guppers, and pouring hot tar down the companion way. Captain Bilge, with a megaphone to his lips, kept calling out to the men in his rough sailor fashion. Now then, don't over-exert yourselves, gentlemen. Remember, please, that we have plenty of time. Keep out of the sun as much as you can. Step carefully in the rigging there, Jones. I fear it's just a little high for you. Tut, tut, Williams, don't get yourself so dirty with that tar. You won't look fit to be seen. I stood leaning over the gaff of the mainsail and thinking, yes, thinking, dear reader, of my mother. I hope that you will think none the less of me for that. Whenever things look dark, I lean up against something and think of mother. If they get positively black, I stand on one leg and think of father. After that, I can face anything. Did I think, too, of another, younger than mother and fairer than father? Yes, I did. Bear up, darling. I had whispered as she nestled her head beneath my oil-skins and kicked out backward with one heel in the agony of her girlish grief. In five years the voyage will be over, and after three more like it, I shall come back with money enough to buy a second-hand fishing net and settle down on shore. Meantime the ship's preparations were complete. The masts were all in position, the sails nailed up, and men with axes were busy chopping away the gangway. All ready? called the captain. Aye-aye, sir. Then hoist the anchor in board and send a man down with the key to open the bar. Opening the bar, the last sad rite of departure. How often in my voyages have I seen it? The little group of men soon to be exiled from their home, standing about with saddened faces, waiting to see the man with the key open the bar, held there by some strange fascination. Next morning, with a fair wind astern, we had buzzed around the corner of England running down the channel. I know no finer sight for those who have never seen it than the English Channel. It is the highway of the world. Ships from all nations are passing up and down, Dutch, Scotch, Venezuelan, and even American. Chinese chunks rush to and fro. Warships, motor yachts, icebergs, and lumber rafts are everywhere. If I add to this fact that so thick a fog hangs over it and is entirely hidden from sight, my readers can form some idea of the majesty of the scene. We had now been three days at sea. My first seasickness was wearing off, and I thought less of father. On the third morning Captain Bilge descended to my cabin. Mr. Blowhard, he said, I must ask you to stand double watches. What is the matter, I inquired. The two other mates have fallen overboard, he said on easily and avoiding my eye. I contented myself with saying, very good, sir, but I could not help thinking at a trifle odd that both the mates should have fallen overboard in the same night. Surely there was some mystery in this. Two mornings later the Captain appeared at the breakfast table with the same shifting and uneasy look in his eye. Anything wrong, sir? I asked. Yes, he answered, trying to appear at ease and twisting a fried egg to and fro between his fingers with such nervous force as almost to break it in two. I regret to say that we have lost the boson. The boson, I cried. Yes, said Captain Bilge more quietly. He is overboard. I blame myself for it partly. It was early this morning. I was holding him up in my arms to look at an iceberg and, quite accidentally, I assure you, I dropped him overboard. Captain Bilge, I said, have you taken any steps to recover him? Not as yet, he replied uneasily. I looked at him fixedly but said nothing. Ten days passed. The mystery thickened. On Thursday two men of the Starbird Watch were reported missing. On Friday the Carpenters' Assistant disappeared. On the night of Saturday a circumstance occurred which, slight as it was, gave me some clue as to what was happening. As I stood at the wheel about midnight, I saw the Captain approach in the darkness carrying the cabin boy by the hind leg. The lad was a bright little fellow whose merry disposition had already endeared him to me and I watched with some interest to see what the Captain would do to him. Arrived at the stern of the vessel, Captain Bilge looked cautiously around a moment and then dropped the boy into the sea. For a brief instant the lad's head appeared in the phosphorus of the waves. The Captain threw a boot at him, sighed deeply and went below. Here, then, was the key to the mystery. The Captain was throwing the crew overboard. Next morning we met at breakfast as usual. Poor little Williams has fallen overboard, the Captain seizing a strip of ship's bacon and tearing at it with his teeth as if he almost meant to eat it. Captain, I said, greatly excited, stabbing at a ship's loaf in my agitation with such ferocity as almost to drive my knife into it, you threw that boy overboard. I did, said Captain Bilge, grown suddenly quiet. I threw them all over and intend to throw the rest. Listen, Blowhard, you are young, ambitious, and trustworthy. I will confide in you. Perfectly calm now he stepped to a locker, rummaged in at a moment, and drew out a faded piece of yellow parchment which he spread on the table. It was a map or chart. In the center of it was a circle. In the middle of the circle was a small dot and a letter T, while at one side of the map was a letter N and against it on the other side a letter S. What is this, I asked. Can you not guess, queried Captain Bilge, it is a desert island. Ah, I rejoined with a sudden flash of intuition, and N is for north and S is for south. Blowhard, said the Captain, striking the table with such force as to cause a loaf of ship's bread to bounce up and down three or four times, you've struck it, that part of it had not yet occurred to me. And the letter T, I asked. The treasure, the buried treasure, said the Captain, and turning the map over he read from the back of it. The point T indicates the spot where the treasure is buried under the sand. It consists of half a million Spanish dollars and is buried in a brown leather dress suitcase. And where is the island, I inquired, mad with excitement. That I do not know, said the Captain, I intend to sail up and down the parallels of latitude until I find it. And meantime? Meantime the first thing to do is to reduce the number of the crew so as to have fewer hands to divide among. Come, come, he added in a burst of frankness which made me love the man in spite of his shortcomings. Will you join me in this? You'll throw them all over, keeping the cook to the last, dig up the treasure, and be rich for the rest of our lives. Reader, do you blame me if I said yes? I was young, ardent, ambitious, full of bright hopes and boyish enthusiasm. Captain Bilge, I said, putting my hand in his, I am yours. Good, he said. Now go forward to the folks all and get an idea of what the men are thinking. I went forward to the men's quarters, a plain room in the front of the ship with only a rough carpet on the floor, a few simple armchairs, writing desks, spatoons of a plain pattern, and small brass beds with blue and green screens. It was Sunday morning and the men were mostly sitting about in their dressing gowns. They rose as I entered and curtsied. Sir, said Tompkins, the bosonsmate, I think it is my duty to tell you that there is a great deal of dissatisfaction among the men. Several of the men nodded. They don't like the way the men keep going overboard, he continued, his voice rising to a tone of uncontrolled fashion. It is positively absurd, sir, and if you will allow me to say so, the men are far from pleased. Tompkins, I said sternly, you must understand that my position will not allow me to listen to mutinous language of this sort. I returned to the captain. I think the men mean mutiny, I said. Good, said Captain Bilge, rubbing his hands. That will get rid of a lot of them and, of course, he added musingly, looking out of the broad old-fashioned porthole at the stern of the cabin, at the heaving waves of the South Atlantic. I am expecting pirates at any time and that will take out quite a few of them. However, and here he pressed the bell for a cabin boy, kindly asked Mr. Tompkins to step this way. Tompkins, said the captain as the bosonsmate entered, be good enough to stand on the locker and stick your head through the stern porthole and tell me what you think of the weather. I, I, sir, replied the tar with a simplicity which caused us to exchange a quiet smile. Tompkins stood on the locker with his head and shoulders out of the port. Taking a leg each, we pushed him through. We heard him plump into the sea. Tompkins was easy, said Captain Bilge. Excuse me as I enter his death in the log. Yes, he continued presently. It will be a great help if they mutiny. I suppose they will sooner or later. It's customary to do so. But I shall take no step to precipitate it as I have first fallen in with pirates. I am expecting them in these latitudes at any time. Meantime, Mr. Blowhard, he said, rising, if you can continue to drop overboard one or two more each week, I shall feel extremely grateful. Three days later we rounded the Cape of Good Hope and entered upon the inky waters of the Indian Ocean. Our course now lay in zigzags and, the weather being favorable, we sailed up and down at a furious rate over a sea as calm as glass. On the fourth day a pirate ship appeared. Reader, I do not know if you have ever seen a pirate ship. The sight was one to appall the stoutest heart. The entire ship was painted black, a black flag hung at the mast head, the sails were black, and on the deck people dressed all in black walked up and down arm in arm. The words pirate ship were painted in white letters on the bow. On the side of it our crew were visibly cowed. It was a spectacle that would have cowed a dog. The two ships were brought side by side. They were then lashed tightly together with bag-stream and binder twine and a gang-clank laid between them. In a moment the pirate swarmed upon our deck, rolling their eyes, gnashing their teeth and filing their nails. Then the fight began. It lasted two hours with fifteen minutes off for lunch. It was awful. The men grappled with one another, kicked one another from behind, slapped one another across the face and in many cases completely lost their temper and tried to bite one another. I noticed one gigantic fellow brandishing a knotted towel and striking right and left among our men until Captain Bilge rushed at him and struck him flat across the mouth with the banana skin. At the end of two hours by mutual consent the fight was declared a draw, the points standing at sixty-one-and-a-half against sixty-two. The ships were unlashed and with three cheers from each crew were headed on their way. Now then, said the captain to me aside, let us see how many of the crew are sufficiently exhausted to be thrown overboard. He went below. In a few minutes he reappeared, his face deadly pale. Low hard, he said. The ship is sinking. One of the pirates, sheer accident of course I blame no one, has kicked a hole in the side. Let us sound the well. We put our ear to the ship's well. It sounded like water. The men were put to the pumps and worked with the frenzied effort which only those who have been drowned in a sinking ship can understand. At six p.m. the well marked one-half an inch of water. At nightfall three-quarters of an inch and at daybreak after a night of unremitting toil seven-eighths of an inch. By noon of the next day the water had risen to fifteen-sixteenths of an inch and on the next night the sounding showed thirty-one-thirty seconds of an inch of water in the hold. The situation was desperate. At this rate of increase few, if any, could tell where it would rise to in a few days. That night the captain called me to his cabin. He had a book of mathematical tables in front of him and great sheets of vulgar fractions littered the floor on all sides. The ship is bound to sink, he said. In fact, blowhard, she is sinking. I can prove it. It may be six months or it may take years, but if she goes on like this, sink she must. There is nothing for it but to abandon her. That night in the dead of darkness, while the crew were busy at the pumps, the captain and I built a raft. Unobserved we cut down the masks, chopped them into suitable lengths, laid them crosswise on a pile and lashed them tightly together with bootlaces. Hastily we threw on board a couple of boxes of food and bottles of drinking fluid, a sextant, a chronometer, a gas meter, a bicycle pump and a few other scientific instruments. Then, taking advantage of a roll in the motion of the ship, we launched the raft, lowered ourselves upon a line and under cover of the heavy dark of a tropical night, we paddled away from the doomed vessel. The break of day found us a tiny speck on the Indian Ocean. We looked about as big as this, period. In the morning, after dressing and shaving as best we could, we opened our box of food and drink. Then came the awful horror of our situation. One by one, the captain took from the box the square blue tins of canned beef which it contained. We counted fifty-two in all. Anxiously and withdrawn faces, we watched until the last can was lifted from the box. A single thought was in our minds. When the end came, the captain stood up on the raft with wild eyes staring at the sky. The can opener, he shrieked. Just heaven, the can opener, he fell prostrate. Meantime, with trembling hands, I opened the box of bottles. It contained lager beer bottles, each with a patent tin top. One by one, I took them out. There were fifty-two in all. As I withdrew the last one and saw the empty box before me, I shroke out, the thing, the thing, oh merciful heaven, the thing you open them with. I fell prostrate upon the captain. We awoke to find ourselves still a mere speck upon the ocean. We felt even smaller than before. Over us was the burnished copper sky of the tropics. The heavy leaden sea lapped the sides of the raft. All about us was a litter of corned beef cans and lager beer bottles. Our sufferings in the ensuing days were indescribable. We beat and thumped at the cans with our fists. Even at the risk of spoiling the tins forever, we hammered them fiercely against the raft. We stamped on them, bit at them, and swore at them. We pulled and clawed at the bottles with our hands and chipped and knocked them against the cans, regardless even of breaking the glass and ruining the bottles. It was futile. Then day after day we sat in moody silence, nod with hunger, with nothing to read, nothing to smoke, and practically nothing to talk about. On the tenth day the captain broke silence. Get ready the lots blow hard, he said. It's got to come to that. Yes, I answered drearily. We're getting thinner every day. Then with the awful prospect of cannibalism before us, we drew lots. We prepared the lots and held them to the captain. He drew the longer one. Which does that mean, he asked, trembling between hope and despair. Do I win? No, Bilge, I said sadly. You lose. But I mustn't dwell on the days that followed, the long quiet days of lazy dreaming on the raft, during which I slowly built up my strength, which had been shattered by probation. They were days, dear reader, of deep and quiet peace, yet I cannot recall them without shedding a tear for the brave man who made them what they were. It was on the fifth day after that I was awakened from a sound sleep by the bumping of the raft against the shore. I had eaten perhaps overheartedly and had not observed the vicinity of land. Before me was an island, the circular shape of which, with its low sandy shore, recalled at once its identity. The treasure island, I cried, at last I am rewarded for all my heroism. In a fever of haste I rushed to the center of the island. What was the sight that confronted me? A great hollow scooped in the sand, an empty dress suitcase lying beside it, and on a ship's plank driven deep into the sand, the legend, Sausie Sally, October 1867. So the miscreants had made good the vessel, headed it for the island of whose existence they must have learned from the chart we so carelessly left upon the cabin table, and had plundered poor Bilge and me out of our well-earned treasure. Sick with the sense of human ingratitude, I sank upon the sand. The island became my home. There I eked out a miserable existence, feeding on sand and gravel and dressing myself in cactus plants. Years passed. Eating sand and mud slowly undermined my robust constitution. I fell ill. I died. I buried myself. Would that others who write sea stories would do as much? End of Section 8, Recording by Tricia G. Section 9 of Nonsense Novels. This Lurevox recording is in the public domain. Nonsense Novels by Stephen Lee Cock. Section 9. Caroline's Christmas or the inexplicable infant. It was Xmas. Xmas with its mantle of white snow, scintillating from a thousand diamond points. Xmas with its good cheer, its peace on earth. Xmas with its feasting and merriment. Xmas with its, well, anyway, it was Xmas. Or no, that's a slight slip. It wasn't exactly Xmas. It was Xmas Eve. With its mantle of white snow lying beneath the calm moonlight. And, in fact, with practically the above list of accompanying circumstances with a few obvious commendations. Yes, it was Xmas Eve. And more than that, listen to where it was Xmas. It was Xmas Eve on the old homestead. Reader, do you know by sight the old homestead? In the pauses of your work at your city desk rich and avaricious, does it never rise before your mind's eye the quiet old homestead that knew you as a boy before your greed of gold tore you away from it? The old homestead that stands beside the road just on the rise of the hill with its dark spruce trees wrapped in snow, the snug barns and the straw stacks behind it. While from its windows there streams a shaft of light from a co-oil lamp that you can see four miles away from the other side of the cedar swamp in the hollow. Don't talk to me of your modern searchlights and your incandescent arcs beside that gleam of light from the coal-oil lamp in the farmhouse window. It will shine clear to the heart across 30 years of distance. Do you not turn, I say, sometimes, reader from the roar and hustle of the city with its ill-gotten wealth and its godless creed of mammon to think of the quiet homestead under the brow of the hill? You don't! Well, you skunk! It was Xmas Eve. The light shown from the windows of the homestead farm, the light of the log fire rose and flickered and mingled its red glare on the windows with the comb yellow of the lamp light. John Enderby and his wife sat in the kitchen-room of the farmstead. Do you know it, reader, the room called the kitchen with the open fire on its old brick hearth and the cookstove in the corner? It is the room of the farm where people cook and eat and live. It is the living room. The only other room beside the bedroom is the small room in front chill cold in winter with an organ in it for playing Rock of Ages on when company came. But this room is only used for music and funerals. The real room of the old farm is the kitchen. Does it not rise up before you, reader? It doesn't? Well, you darn fool! At any rate their sad old John Enderby beside the plain deal-table his head bowed upon his hands, his grizzled face with its unshorn stubble stricken down with the lines of devastating trouble. From time to time he rose and cast a fresh stick of tamarack into the fire with a savage thud that sent a shower of sparks up the chimney. Across the fireplace sat his wife Anna on a straight-backed chair looking into the fire with the mute resignation of her sex. What is wrong with them anyway? Ah, reader, can you ask? Do you know or remember so little of the life of the old homestead? When I have said that it is the old homestead and ex-miss Eve and that the farmer is in great trouble and throwing tamarack at the fire, surely you ought to guess. The old homestead was mortgaged. Ten years ago reckless with debt crazed with remorse, mad with despair and persecuted with rheumatism John Enderby had mortgaged his farmstead for twenty-four dollars and thirty cents. Tonight the mortgage fell due tonight at midnight ex-miss night. Such is the way in which mortgages of this kind are always drawn. Yes, sir, it was drawn with such diabolical skill that on this night of all nights the mortgage would be foreclosed. At midnight the men would come with hammer and nails and foreclose it, nail it up tight. So the afflicted couple sat. Anna, with the patient resignation of her sex, sat silent or at times endeavored to read. She had taken down from the little wall shelf Bunyan's holy living and holy dying. She tried to read it. She could not. Then she had taken Dante's Inferno. She could not read it. Then she had selected Kant's critique of pure reason. But she could not read it, either. Lastly she had taken the farmer's almanac for nineteen eleven. The books lay littered about her as she sat in patient despair. John Enderby showed all the passion of an uncontrolled nature. At times he would reach out for the buttermilk that stood beside him and drained a draft of the maddening liquid till his brain glowed like the coals of the tamarack fire before him. John, pleaded Anna, leave alone the buttermilk. It only maddens you. No good ever came of that. I, last, said the farmer with a bitter laugh as he buried his head again in the crock. What care I if it maddens me? Ah John, you'd better be employed in reading the good book than in your wild courses. Here take it father and read it. And she handed to him the well-worn black volume from the shelf. Enderby paused a moment and held the volume in his hand. He and his wife had known nothing of religious teaching in the public schools of their day, but the first class non-sectarian education that the farmer had received had stood him in good stead. Take the book, she said. Read John in this hour of affliction. It brings comfort. The farmer took from her hand the well-worn copy of Euclid's elements and laying aside his hat with reverence he read aloud. The angles at the base of an isosceles triangle are equal and whosoever shall produce the sides, lo, the same also shall be equal each unto each. The farmer put the book aside. It's no use, Anna. I can't read the good words tonight. He rose, staggered to the crock of buttermilk, and before his wife could stay his hand, drained it to the last drop. Then he sank heavily to his chair. Let them foreclose it if they will, he said. I am past caring. The woman looked sadly into the fire. Ah, if only her son Henry had been here. Henry, who had left them three years agon and whose bright letters still brought from time to time the gleam of hope to the stricken farmhouse. Henry was in Sing Sing. His letters brought news to his mother of his steady success, first in the baseball nine of the prison, a favorite with his wardens and the chaplain, the best bridge player of the corridor. Henry was pushing his way to the front with the old-time spirit of the enderbees. His mother had hoped that he might have been with her at X-Mess, but Henry had written that it was practically impossible for him to leave Sing Sing. He could not see his way out. The authorities were arranging a dance and slaying party for the X-Mess celebration. He had some hope, he said, of slipping away unnoticed, but his doing so might excite attention. Of the trouble at home, Anna had told her son nothing. No, Henry could not come. There was no help there. And William, the other son ten years older than Henry. Alas, William had gone forth from the homestead to fight his way in the great city. Mother, he had said, when I make a million dollars, I'll come home. Till then, goodbye. And he had gone. How Anna's heart had beat for him, would he make that million dollars? Would she ever live to see it? And as the years passed, she and John had often sat in the evenings, picturing William at home again, bringing with him a million dollars, or picturing the million dollars sent by express with love. But the years had passed. William came not. He did not come. The great city had swallowed him up as it has many another lad from the old homestead. Anna started from her musing. She sat at the door, the sound of a soft and timid rapping, and through the glass of the door pane, a face, a woman's face looking into the fire-lit room with pleading eyes. What was it she bore in her arms, the little bundle that she held tight to her breast, to shield it from the falling snow? Can you guess, reader? Try three guesses and see. Right you are, that's what it was. The farmer's wife went hastily Lord's mercy, she said. What are you doing out on such a night? Come in, child, to the fire! The woman entered, carrying the little bundle with her, and looking with wide eyes, they were at least an inch and a half across at Enderby and his wife. Anna could see that there was no wedding ring on her hand. Your name, said the farmer's wife. My name is Caroline, the girl was lost in the low tomes of her voice. I want shelter, she paused. I want you to take the child. Anna took the baby and laid it carefully on the top shelf of the cupboard, then she hastened to bring a glass of water and a doughnut and set it before the half-frozen girl. Eat, she said, and warm yourself. John rose from his seat. I'll have no child of that life. John, John, pleaded Anna, remember what the good book says, things which are equal to the same thing are equal to one another. John sank back in his chair. And why had Caroline no wedding ring? Ah, reader, can you not guess? Well, you can't. It wasn't what you think at all, so there. Caroline had no wedding ring because she had thrown it away in bitterness in the great city. Why, she cried, should the wife of a man in the penitentiary wear a ring? Then she had gone forth with the child from what had been her home. It was the old sad story. She had taken the baby and laid it tenderly, gently on a seat in the park. Then she walked rapidly away. A few minutes after, a man had chased after Caroline with the little bundle in his arms. You're pardon, he said, panting. I think you left your baby in the park. Caroline thanked him. Next she took the baby to the grand central waiting room, kissed it tenderly, and laid it on a shelf behind the lunch counter. A few minutes an official beaming with satisfaction had brought it back to her. Yours, I think, madame, he said as he handed it to her. Caroline thanked him. Then she had left it at the desk in the door of Astoria and the ticket office of the subway. It always came back. Once or twice she took it to the Brooklyn Bridge and threw it into the river, but perhaps something in the way it fell through the air touched the mother's heart and smote her, and she had descended to the river and fished it out. Then Caroline had taken the child to the country. At first she thought to leave it on the wayside, and she had put her little distance off, had thrown mull and stalks at it, but something in the way the little bundle-lake covered in the snow appealed to the mother's heart. She picked it up and went on. Somewhere, she murmured, I shall find a door of kindness open to it. Soon after she had staggered into the homestead. Anna, with true woman's kindness, asked no questions. She put the baby carefully away safely to bed in the best room and returned to her seat by the fire. The old clock struck twenty minutes past eight. Again a knock sounded at the door. There entered the familiar figure of the village lawyer. His astrakhan coat of yellow dogskin, his celluloid collar, and boots which reached no higher than the ankle contrasted with the rude surroundings of the little room. Enderby, he said, can you pay? Lawyer Perkins, said the farmer, give me time and I will. So help me, give me five years more and I'll clear this debt to the last cent. John, said the lawyer, touched in spite of his rough dogskin exterior. I couldn't if I would. These things are not what they were. It's a big New York corporation, Pincham and Company, that makes these loans now and they take their money on the day they call you up. I can't help it. So there's your notice, John, and I'm sorry. No, I'll take no buttermilk, I must keep a clear head to work. And with that he hurried out into the snow again. John sat brooding in his chair. The fire flickered down. The old clock struck half past eight, then it half struck a quarter to nine, then slowly it struck striking. The underby rose picked a lantern from its hook. Mortgage or no mortgage, he said, I must see to the stock. He passed out of the house and standing in the yard looked over the snow to the cedar swamp beyond with the snow winding through it far in the distance the lights of the village far away. He thought of the forty years he had spent here on the homestead, the rude pioneer days, the house he had built for himself the butcher, the old fashioned spinning wheel on which Anna had spun his trousers, the wooden telephone and the rude skidway on which he ate his meals. He looked out over the swamp inside. Down in the swamp two miles away, could he have but seen it, there moved a sleigh and in it a man dressed in a seal skin coat and silk hat whose face beamed in the moonlight as he turned to and fro and stared at each object by the roadside as at an old familiar scene. Round his waist was a belt containing a million dollars in gold coin and as he halted his horse in an opening of the road he unstrapped the belt and counted the coins. Beside him there crouched in the bushes at the dark edge of the swamp road with eyes that watched every glitter of the coins and a hand that grasped a heavy cudgel of blackthorn a man whose close cropped hair and hard lined face seemed nowhere but in the walls of Sing Sing. When the sleigh started again the man in the bushes followed doggedly in its track. Meanwhile John Enderby had made the rounds of his outbuildings. He bedded the fat cattle that blinked in the flashing light of the lantern. He stood a moment among his hogs and farmer that he was forgot his troubles a moment to speak to each calling them by name. It smote him to think how at times he had been tempted to sell one of the hogs or even to sell the cattle to clear the mortgage off the place. Thank God, however, he had put that temptation behind him. As he reached the house a sleigh was standing on the roadway Anna met him at the door. John, she said there was a stranger came while you were in the barn and wanted a lodging for the night a city man I reckoned by his clothes I hated to refuse him I put him in Willy's room will never want it again and he's gone to sleep. Aye, we can't refuse. John Enderby took out the horse to the barn and then returned to his vigil with Anna beside the fire. The fumes of the buttermilk had died out of his brain. He was thinking as he sat there of midnight and what it would bring. In the room above the man in the seal-skin coat had thrown himself down close and all upon the bed tired with his drive. How it all comes back to me he muttered as he fell asleep the same old room nothing changed except them how worn they look and a tear started to his eyes he thought of his leaving his home fifteen years ago of his struggle in the great city of the great idea he had conceived of making money and of the farm investment company the simple system of applying the crushing power of capital to exact the uttermost penny from the farm loans and now here he was back again true to his word with a million dollars in his belt tomorrow he had murmured I will tell them it will be X-mas then William, yes reader it was William, C-line 503 above had fallen asleep the hours passed and kept passing it was eleven thirty then suddenly Anna started from her place Henry she cried as the door opened and a man entered he advanced gladly to meet her and in a moment mother and son were folded in a close embrace it was Henry the man from Sing Sing true to his word he had slipped away unastentiously at the height of the festivities alas Henry said his mother after the warmth of the first greetings had passed you come at an unlucky hour they told him of the mortgage on the farm in the ruin of his home yes said Anna not even a bed to offer you and she spoke of the strangers who had arrived of the stricken woman and the child and the rich man in the seal skin coat who had asked for a knight's shelter Henry listened intently while they told him of the man in light of intelligence flashed into his eye by heaven father I have it he cried then dropping his voice he said speak low father this man upstairs he had a seal skin coat and silk hat yes said the father father said Henry I saw a man sitting in a sleigh in the cedar swamp he had money in his hand and he counted it and chuckled gold pieces in all one million one hundred twenty five thousand four hundred sixty five dollars and a quarter the father and son looked at one another I see your idea said Enderby sternly we'll choke him said Henry or club him said the farmer and pay the mortgage Anna looked from one to the other joy and hope struggling with the sorrow on her face Henry my Henry she said proudly I knew he would find a way come on said Henry bring the lamp mother take the club father and galey but with hushed voices the three stole up the stairs the stranger lay sunk in sleep the back of his head was turned to them as they came in now mother said the farmer firmly hold the lamp a little nearer just behind the ear I think Henry no said Henry rolling back his sleeve and speaking with the quick authority that sat well upon him across the job father it's quicker and neater well well said the farmer smiling proudly have your own way lad you know best Henry raised the club but as he did so stay what was that far away behind the cedar swamp the deep bell of the village church began to strike out midnight one two three its tones came clear across the crisp air almost at the same moment the clock below began with deep strokes to mark the midnight hour from the farmyard chicken coop a rooster began to crow twelve times while the loud lowing of the cattle and the soft cooing of the hogs seemed to usher in the morning of Christmas with its message of peace and good well the club fell from Henry's hand and rattled on the floor the sleeper woke and sat up father mother he cried my son my son sobbed the father we had guessed it was you we had come to wake you yes it is I said William smiling to his parents and I have brought the million dollars here it is my son's waste and laid a million dollars on the table thank heaven cried Anna our troubles are at an end this money will help clear the mortgage and the greed of pinchum and company cannot harm us now the farm was mortgaged said William aghast I said the farmer mortgaged to men who have no conscience whose greedy hand has nearly brought us to the grave mortgaged my boy and he pointed to Anna father said William in deep tones of contrition I am pinchum and company heaven help me I see it now I see at what expense of suffering my fortune has made I will restore it all these million dollars to those I have wronged no said his mother softly you repent dear son with true Christian repentance you may keep the money we will look upon it as a trust a sacred trust and every time we spend a dollar of it on ourselves we will think of it as a trust yes said the farmer softly your mother is right the money is a trust and we will restock the farm with it buy out the jones property and regard the whole thing is a trust at this moment the door of the room opened a woman's room appeared it was Caroline robed in one of Anna's direct war night founds I heard your voices she said and then as she caught sight of Henry she gave a great cry my husband my wife said Henry and folded her to his heart you have left sing sing cried Caroline with joy yes Caroline said Henry I shall never go back gaily the reunited family descended Anna carried the lamp Henry carried the club William carried the million dollars the tamarack fire roared again upon the hearth the buttermilk circulated from hand to hand William and Henry told and retold the story of their adventures the first streak of the Christmas mourn fell through the door pain ah my sons said John Enderby henceforth let us stick to the narrow path what is it that the good book says a straight line is that which lies evenly between its extreme points end of section 9 recording by Trisha G section 10 of nonsense novels this LibriVox recording is in the public domain nonsense novels by Stephen Lee cock section 10 the man in asbestos an allegory of the future to begin with let me admit that I did it on purpose perhaps it was partly from jealousy it seemed unfair that other writers should be able at will to drop into a sleep of four or five hundred years and to plunge head first into a distant future and be a witness of its marvels I wanted to do that too I always had been I still am a passionate student of social problems the world of today with its roaring machinery the unceasing toil of its working classes its strife its poverty its war its cruelty appalls me as I look at it I love to think of the time that must come some day when man will have conquered nature and the toil worn human race enter upon an era of peace I loved to think of it and I longed to see it so I said about the thing deliberately what I wanted to do was to fall asleep after the customary fashion for two or three hundred years at least and wake and find myself in the marvel world of the future I made my preparations for the sleep I bought all the comic papers that I could find even the illustrated ones I carried them up to my room in my hotel with them I brought up a pork pie and dozens and dozens of donuts I ate the pie and the donuts then sat back in the bed and read the comic papers one after the other finally as I felt the awful lethargy stealing upon me I reached out my hand for the London weekly times and held up the editorial page before my eye it was in a way clear straight suicide but I did it I could feel my senses leaving me in the room across the hall the man singing his voice that had been loud came fainter and fainter through the transom I fell into a sleep the deep immeasurable sleep in which the very existence of the outer world was hushed dimly I could feel the days go past then the years then the long passage of the centuries then not as it were gradually but quite suddenly I woke up sat up and looked about me was I well might I ask myself I found myself lying or rather sitting up on a broad couch I was in a great room, dim, gloomy and elapidated in his general appearance and apparently from its glass cases and the stuffed figures that they contained some kind of museum beside me sat a man his face was hairless but neither old nor young he wore clothes that looked like the grey ashes of paper that had burned and kept its shape he was looking at me quietly but with no particular surprise or interest quick I said, eager to begin where am I who are you, what year is this is it the year 3000 or what is it he drew in his breath with a look of annoyance on his face what a queer excited way you have of speaking he said tell me I said again is this the year 3000 I think I know what you mean he said but really I haven't the faintest idea I should think it must be at least that within a hundred years or so but nobody has kept track of them for so long it's hard to say don't you keep track of them anymore I gasped we used to said the man I myself can remember that a century or two ago there were still a number of people who used to try to keep track of the year but it died out along with so many other fattish things of that kind why he continued showing for the first time a sort of animation in his talk what was the use of it you see after we eliminated death eliminated death I cried sitting upright good god what was that expression you used we read the man good god I repeated ah he said never heard it before but I was saying that after we had eliminated death and food and change we had practically got rid of events and stop I said my brain reeling tell me one thing at a time hump he ejaculated I see you must have been asleep a long time go on then and ask questions only if you don't mind just as few as possible then please don't get interested or excited oddly enough the first question that spring to my lips was what are those clothes made of asbestos answered the man they last hundreds of years we have one suit each and there are billions of them piled up if anybody wants a new one thank you I answered now tell me where I am you are in a museum the figures in the cases are specimens like yourself but here he said if you really want to find out about what is evidently a new epoch to you get off your platform and come out on Broadway and sit on a bench I got down as we passed through the dim and dust colored buildings I looked curiously at the figures in the cases by Jove I said looking at one figure in blue clothes with a belt and baton that's a policeman really said my new acquaintance is that what a policeman was I have often wondered what used they to be used for used for I repeated in perplexity why they stood at the corner of the street ah yes I see he said so as to shoot at the people you must excuse my ignorance he continued as to some of your social customs in the past when I took my education I was operated upon for social history but the stuff they used was very inferior I didn't in the least understand what the man meant but I had no time to question him for at that moment we came out upon the street and I stood riveted in astonishment Broadway was it possible the change was absolutely appalling in place of the roaring thoroughfare that I had known this silent moss grown desolation great buildings fallen into ruin through the sheer stress of centuries of wind and weather the sides of them coated over with a growth of fungus and moss the place was soundless not a vehicle moved there were no wires overhead no sound of life or movement here and there they're passed slowly to and fro human figures dressed in the same asbestos clothes as my acquaintance with the same hairless faces and the same look of infinite age upon them good heavens and this was the era of the conquest that I had hoped to see I had always taken for granted I do not know why that humanity was destined to move forward this picture of what seemed desolation on the ruins of our civilization rendered me almost speechless there were little benches placed here and there on the street we sat down improved isn't it said man in asbestos since the days when you remember it he seemed to speak quite proudly I gasped out a question where are the street cars and the motors oh done away with long ago he said awful they must have been the noise of them and his asbestos clothes rustled with a shutter but how do you get about we don't he answered why should we it's just the same being here as being anywhere else he looked at me with an infinity of dreariness in his face a thousand questions surged into my mind at once I asked one of the simplest how do you get back and forwards to your work work he said there isn't any work it's finished the last of it was all done centuries ago I looked at him a moment open mouth then I turned and looked again at the great desolation of the street with the asbestos figures moving here and there I tried to pull my senses together I realized that if I was to unravel this new and undreamed of future I must go at it systematically and step by step I see I said after a pause that momentous things have happened since my time I wish you would let me ask you about it all systematically and would explain it to me bit by bit first what do you mean by saying that there is no work why answered my strange acquaintance it died out of itself machinery killed it if I remember rightly you had a certain amount of machinery even in your time you had done very well with steam made a good beginning with electricity though I think radial energy had hardly as yet been put to use I nodded ascent but you found it did you know good the better your machines the harder you worked the more things you had the more you wanted the pace of life grew swifter and swifter you cried out but it would not stop you were all caught in the cogs of your own machine none of you could see the end that is quite true I said how do you know it all oh answered the man in asbestos that part of my education was very well operated I see you do not know what I mean never mind I can tell you that later well then there came probably almost 200 years after your time the era of the great conquest of nature the final victory of man and machinery they did conquer it I asked quickly with a thrill of the old hope in my veins again conquered it he said beat it out fought it to a stand still things came one by one then faster and faster in a hundred years it was all done in fact just as soon as mankind turned its energy to decreasing its needs instead of increasing its desires the whole thing was easy chemical food came first heavens the simplicity of it and in your time thousands of millions of people tilled and grubbed at the soil from morning till night I've seen specimens of them farmers they called them there's one in the museum after the invention of chemical food we piled up enough in the emporiums in a year to last for luncheries agriculture went overboard eating and all that goes with it domestic labor housework all ended nowadays one takes a concentrated pill every year or so that's all the whole digestive apparatus as you knew it was a clumsy thing that had been bloated up like a set of bagpipes through the evolution of its use I could not forbear to interrupt have you and these people I said no stomachs no apparatus of course we have he answered but we use it to some purpose mine is largely filled with my education but there I am anticipating again better let me go on as I was chemical food came first that cut off almost one third of the work and then came as best as clothes that was wonderful in one year humanity made enough suits to last forever and ever that of course could never have been if it hadn't been connected with the revolt of women in the fall of fashion have the fashions gone I asked that insane extravagant idea of I was about to launch into one of my old time harangues about the sheer vanity of decorative dress when my eye rested on the moving figures in asbestos and I stopped all gone said the man in asbestos then next to that we killed or practically killed the changes of climate I don't think that in your day you properly understood how much of your work was due to the shifts of what you called the weather it meant the need of all kinds of special clothes and houses and shelters a wilderness of work how dreadful it must have been in your day wind and storms great wet masses what did you call them clouds flying through the air the ocean full of salt was it not tossed and torn by the wind snow thrown all over everything hail rain how awful sometimes I said it was very beautiful but how did you alter it killed the weather said the man in asbestos simple as anything turned its forces loose one against the other altered the composition of the sea the top became all more or less gelatinous I really can't explain it as it is an operation that I never took at school but it made the sky gray as you see it and the sea gum colored the weather all the same it cut out fuel and houses and an infinity of work with them he paused a moment I began to realize something of the course of evolution that had happened so I said the conquest of nature meant that presently there was no more work to do exactly he said nothing left food enough for all too much he answered houses and clothes all you like said the man in asbestos waiting his hand there they are go out and take them of course they're falling down slowly very slowly but they'll last for centuries yet bother then I realized I think for the first time just what work had meant in the old life and how much of the texture of life itself had been bound up in the keen effort of it presently my eyes looked upward dangling at the top of a moss grown building I saw what seemed to be the remains of telephone wires what became of all that I said the telegraph and the telephone and all the system of communication ah said the man in asbestos that was what a telephone meant was it I knew it had been suppressed centuries ago just what was it for why I said with enthusiasm by means of the telephone we could talk to anybody call up anybody and talk at any distance and anybody could call you up at any time and talk said the man in asbestos like horror how awful what a dreadful age yours was to be sure no the telephone and all the rest of it all the transportation and intercommunication was cut out and forbidden there was no sense in it you see he added what you don't realize is that people after your day became gradually more and more reasonable take the railroad what good was that it brought into every town people from every other town who wanted them nobody when work stopped and commerce ended and food was needless and the weather killed it was foolish to move about so it was all terminated anyway he said with a quick look of apprehension and a change in his voice it was dangerous so I said dangerous you still have danger I said there's always the danger of getting broken what do you mean I asked why said the man in asbestos I suppose it's what you would call being dead of course in one sense there's been no death for centuries past we cut that out disease and death were simply a matter of germs we found them one by one I think that even in your day you had found one or two of the germs I nodded yes you had found diphtheria and typhoid and if I am right there were some outstanding like scarlet fever and smallpox that you called ultramicroscopic in which you were still hunting for and others that you didn't even suspect well we hunted them down one by one and destroyed them strange that it never occurred to any of you that old age was only a germ it was a small one but it was so distributed in its action that you never even thought of it and you mean to say I ejaculated in amazement looking at the man in asbestos that nowadays you live forever I wish he said that you hadn't that peculiar excitable way of talking you speak as if everything mattered so tremendously yes he continued we get broken that happens sometimes I mean that we may fall over a high place or bump on something and snap ourselves you see we're just a little brittle still some remnant I suppose of the old age germ and we have to be careful in fact he continued I don't mind saying that accidents of this sort were the most distressing feature of our civilization till we took steps to cut out all accidents we forbid all street cars street traffic aeroplanes and so on the risks of your time he said with a shiver of his asbestos clothes must have been awful they were I answered with a new kind of pride in my generation that I had never felt before but we thought it part of the duty of brave people to yes yes said the man in asbestos impatiently please don't get excited it was quite irrational we sat silent for a long time I looked about me at the crumbling buildings the monotone unchanging sky and the dreary empty street here then was the fruit of the conquest here was the elimination of work the end of hunger and of cold the cessation of the hard struggle the downfall of change and death nay the very millennium of happiness and yet somehow there seemed something wrong with it all I pondered then I put two or three rapid questions hardly waiting to reflect upon the answers is there any war now done with centuries ago they took to settling international disputes with a slot machine after that all foreign dealings were given up why have them everybody thinks foreigners awful are there any newspapers now newspapers what on earth would we want them for if we should need them at any time there are thousands of old ones piled up but what is in them anyway only things that happen wars and accidents and work and death when these went newspapers went too listen continued the man in asbestos you seem to have been something of a social reformer and yet you don't understand the new life at all you don't understand how completely all our burdens have disappeared look at it this way how used your people to spend all the early part of their lives why I said our first 15 years or so were spent in getting education exactly he answered now notice how we improved on all that education in our day is done by surgery strange that in your time nobody realized that education was simply a surgical operation you hadn't the sense to see that what you really did was to slowly remodel, curve and convolute the inside of the brain by a long and painful mental operation everything learned was reproduced in a physical difference to the brain you knew that but you didn't see the full consequences then came the invention of surgical education the simple system of opening the side of the skull to it a piece of prepared brain at first of course they had to use I suppose the brains of dead people and that was ghastly here the man in asbestos shuttered like a leaf but very soon they found how to make molds that did just as well after that it was a mere nothing an operation of a few minutes would suffice to let in poetry or foreign languages or history or anything that anyone cared to have here for instance he added pushing back the hair at the side of his head and showing a scar beneath it is the mark where I had my spherical trigonometry let in that was I admit rather painful but other things such as English poetry or history can be inserted absolutely without the least suffering when I think of your painful barbarous methods of education through the ear I shudder at it oddly enough we have found lately that for a great many things there is no need to use the head we lodge them things like philosophy and metaphysics and so on in what used to be the digestive apparatus they fill it admirably he paused a moment then went on well then to continue what used to occupy your time and effort after your education why I said one had of course to work to tell the truth a great part of one's time and feeling was devoted toward the other sex towards falling in love and finding some woman to share one's life ah said the man in asbestos with real interest I've heard about your arrangements with the women but never quite understood them tell me you say you selected some woman yes and she became what you called your wife yes of course and you worked for her asked the man in asbestos in astonishment yes and she did not work no I answered of course not and half of what you had was hers yes and she had the right to live in your house and use your things of course I answered how dreadful said the man in asbestos I hadn't realized the horrors of your age till now he sat shivering slightly with the same timid look in his face as before then it suddenly struck me that of the figures on the street all had looked alike tell me I said there are no women now are they gone too oh no answered the man in asbestos they're here just the same some of those are women only you see everything has been changed now it all came as part of their great revolt their desire to be like the men had that begun in your time only a little I answered they were beginning to ask for votes and equality that's it said my acquaintance I couldn't think of the word your women I believe were something awful were they not covered with feathers and skins and dazzling colors made of dead things all over them and they laughed did they not and at any moment they could enveigle you into one of those contracts uh he shuddered asbestos I said I knew no other name to call him as I turned on him in wrath asbestos do you think that those jelly bag equalities out in the street there with their ash barrel suits can be compared for one moment with our unredeemed, unreformed heaven created hobble-skirted women of the 20th century then suddenly another thought flashed into my mind the children I said where are the children are there any children he said no I have never heard of their being any such things for at least a century horrible little hobgoblins they must have been great big faces and cried constantly and grew did they not like funguses I believe they were longer each year than they had been the last and I rose asbestos I said this then is your coming civilization your millennium this dull dead thing with the work and the burden gone out of life and with them all the joy and sweetness of it for the old struggle mere stagnation and in the place of danger and death the dull monotony of security and the horror of an unending decay give me back I cried and I flung wide my arms to the dull air the old life of danger and stress with its hard toil and its bitter chances and its heartbreaks I see its value I know it's worth give me no rest I cried aloud yes but give it a rest to the rest of the corridor cried an angered voice that broke in upon my exultation suddenly my sleep had gone I was back again in the room of my hotel with the hum of the wicked busy old world all about me and loud in my ears the voice of the indignant man across the corridor quit your blatting you infernal blather-skite he was calling come down to earth I came end of section 10 recording by Trisha G end of Nonsense Levels by Steven Lee Cock