 Isitera pigeantuita, kwa kwa hika na mga, yubian nga kwa kuwia iwe-in kwa kwa wia communit ya, mba ubea mga. Mako, ya kwa mtukwa, na kwa hiki nga nii pwikit nga, isidi nga nii kwa kwa hikia na niki nii kwa ayo. Ya, kwa hiki nga nii kwa kwa kwa hiki nga nii nii kwa kwa hikia na niki nii kwa kwa kwa kwa kwa ubea. Nпu chubak nii kwa kwa. Ya, panu na nii nga na niki nii kwa. I was singing before I started rapping, you know, in high school then I joined some other bands before I decided okay, I want to do hip-hop. Ya, do you know when somebody tells me they've been in a band, I'm just like, whoa, mad respect. If you haven't been in a band then I got to you. You're on another level because you can't just take a mic and start singing to be honest, not in a band. You know, like for you to be in a band that means you're very extremely talented. And I think that's why I think you've gone to those levels of working with, you know, big artists and we can't wait to see what else you're going to work with. So I know Kamakawida, our interviews are usually very quick because of Kafiu. We know by 9, especially when an artist comes to the studio, we have to do this really fast so we can let them go because I know you're trying to keep safe, right? Let's go straight to it. There's a song you've done before the one you've done with Sean Kingston or is it Vice Vasa? Ya, I did one last year. I think two tracks, Ya Elevator and there's another one called Way Up. I didn't shoot a video for that one. I think that Way Up is actually the song that really blew Sean Kingston's mind and wanted to work with me. It's not on YouTube but I think I'm going to like put it on YouTube because of Apple Music and other platforms. So out of curiosity, I want to know how did it come to, you know, that you had to work with Sean Kingston. Like, I mean, let me stop guessing. I was just about to start like, so why are you just chilling and you drop like, you know, slide into my DM. He's like, yo, can we collab? How did it come to fast that you guys work together? Ya, Sean Kingston is big, he's a multi-planet selling artist. It's not easy to work with someone like that. Even people like Khaledraf, it's not easy. So you can imagine how hard it is to get to Sean. So Sean was through his manager. His manager is actually a producer. And there is this platform called Beat Stars where producers and rappers can find beats. So I use it a lot to find beats. So that's how I got connected with this manager, his name is Kelo. So, you know, I started, you know, buying his beats at the time I did not know he was his manager. So until one day he posted a picture of him with Sean Kingston and I was like, you know this guy and he's like, I'm his manager. So I told him I want to work with him. Did you even believe him first? You were like, scar? Ya. I had to do a Google search, you know. Ya. So I saw some of his interviews talking of managing Sean Kingston that way I believed him. And then you were like, yo, how was your boy? Ya. So did you produce a track or at the time you produced the track and then you worked on it? Like how did it work? So it was produced again by another producer I met on Beat Stars. He's based in the UK. He's really talented. His name is Blank Beats. So, you know, the song I had done it on my own. Then I sent it to, now he's manager and he sent it to Sean and Sean loved what I did. So that's where he decided to open the track. Okay. I was just like, as guys are here struggling, we're like, you tears to wear, you would like to work with me for the next tomorrow. These dudes don't even respond. They never respond. You know, I mean to get to Sean Kingston, that's a big step. So for the video, the video that you guys, you've done the video, right? The plan was to do the video in April. Then COVID. COVID came. You know, everything was set up in Miami. I had to go over there and do the video. You know, one thing is that, options is not the only track I've done which one Kingston. I've done up to five songs which one Kingston. So he was like, you know, we cannot wait. Let's just put it out, you know, and start promoting it. Since we've done like five tracks, once COVID ends, you know, you come to Miami, we do videos. Then, you know, we go ahead. So we're going to play just like that, you know, cool. So Sean Kingston told me, like, you know, let's do five tracks and you know, go to Miami. Yeah, Miami. Miami, you know, let's just go to Miami and drop the shoot, you know. That's a big deal. Like it's a really big deal. And I think, so are you considering yourself pushing your music towards, you know, the state so you want to still go with the Kenyan sound and, you know, push it? Yeah. It all starts back here. But also if you have an opportunity to search your music out there, I mean, why not? Like what's your plan like? You know, every artist would love to have a fan base all over the world. Absolutely. Every artist, you know, if you have funds in Latvia and Azerbaijan, you would appreciate that. So for me, anywhere is okay. I'm okay with building a fan base over here, building in the US, UK, you know, Zambia, whatever. So that's the plan. You know, the thing is that if you get an opportunity like this one, you have to take it. You never know when something like that is going to come again. So I had to take it, you know. Yeah. I like that. We're going to be playing you so.