 D.O.C. and I got to get I quote the D.O.C. came to him before he left to go to California. I can't tell you one D.O.C. song. Formula. Nick, you young. You don't know formula. That's what I'm saying. Dallas don't get behind their rappers. They should they should they should be playing it. We was in Houston and I'm gonna tell you something. Houston play Houston music on the radio continuously all day. They do. All day. Did you hear what I just said? I know. I know. I showed my wife I was like they played they played everything. You probably like what the fuck is that? I was like dang they jamming all this music. So let me ask you this because I had asked LeKiki. Man we love Dallas. It's I think this. The way we do music is different from them because we like we say we came from the screw tape and just to be honest I was screwed tapes didn't go that way as hard as that. I tell people this all the time Dallas is a very big market and their market is more up. If you notice and I would love for them a lot of Dallas artists don't do a lot of shows here on Austin but they go up Oklahoma, Arkansas that way which is great because to be honest when you trying to get a deal you need to break the but Dallas market a little bit faster than you break it the deal the the majors love the Dallas market is just that I think we had more in based on the screw tape era we had more individual legend it's more of a legend city you know I'm saying all these different and and I will I will um I will fan base really follow us very very hard you know I'm saying I don't from a standpoint I don't know if Dallas fan base follow the Dallas artist as hard as the Houston fan base follow the Houston artist so we don't have a Dallas Houston thing you know I was in Dallas we got love down and I asked ESG to ESG said the reason that Houston went before Dallas and keep cuz they found they sound he said but Dallas the different people he talked about the quint black days to all the different rappers out the blue chipoo all of them sounded different then like Houston they all kind of sounded the same it's kind of how you explained it to me but we had already identified our sound that's what it is that's a difference yes you feel the same yes so you think if you go from Nemesis then you go from Quint black you go from you see I'm saying yes you keep no different type none of them sound alike that's why I'm sound alike so there's no certain sound now Dallas has always been a big media city though you feel more right but media and takes everybody come this year oh yeah now once like my Dougie came out and different things Dallas thought identifying a certain sound you feel I'm saying is that what you think you see what I'm saying what makes what makes Houston develop so much faster and so much more than a than a Dallas when they come down to our foundation they got bosses in charge okay if I get into a one thing I can go I can go with another boss out there and everything be good we'll squash this you put this and you'll squash this or here in Dallas the young the rappers is the bosses animal dope dealers in the rap the rappers are bigger than dope dealers the rappers are bigger than dope dealers I agree with that because the entrepreneurship took over all the dope all the dope dealers in Dallas want to be rappers or sell dogs sell dogs me and Bobo was talking I gotta ask you this question man I gotta ask you this question ain't that a dope dealer oh nigga they want to be a rapper that's what I'm gonna ask you who if who do you think in your eyes don't put mode three in this but our mode three who should have been the biggest rapper to ever come out of Dallas young black young black boy he had deal he had Dallas a lot what happened why didn't he become that they dropped the ball how did he drop the ball it just the people he just dropped the ball do you young black young black would be any young black have five songs and his attitude to I can't lie that motherfucker there was a cocky motherfucker I booked the verse for him I booked the verse for him with a nigga I forgot the nigga name and young black told him a brain of money bring out 20s black was a cocky motherfucker back today that's the thing man you you you like because people make these statements you know some people say that you know my partner Bobo say snake did a lot for the city when he was doing the music this was a long time ago the engineer yeah for the music said that doc and I got to get I quote the doc came to him before he left to go to California I can't tell you one DLC song formula with the wisdom since of a rich man knowledge in the rhythm this is what I'm using to come up with a stop that's what I'm saying Dallas don't get behind their ever they should they should they should be playing they don't say they don't play it on the radio that was a big user they go play they play and be on say old stuff they play all the old stuff I can't tell you one one DLC song why they don't play it though right I don't know what we need that's why I'm trying to figure out we need everybody to get collective understand they should be playing DSR every now and then they should be playing DSR they should be playing luching them every now and then they should be squeezing they should squeeze all that shit a number of people say that don't make a jam you know you're right they don't do it because they don't look good they know nobody like all rappers and collective and all people that's in charge of a curve about they self and they own orders but sometimes people be thinking I be caring about what I got going on but I try to speak for the whole Dallas because I need them to get back high man if I give Dallas back back how I'm gonna be booking a 34 thousand dollar show