 Alrighty, let's watch his first here. All right, so the main impression is that it's this drop here Gets very very slow Now looking at your notes here for the second character, I'm not sure what I can do at the first 15 frames I mean you can just have a you know arm down arm down and then tensing up It's like he knows he sees that this guy's charging him So he gets tensor to get into this pose Into this and you can I mean you can almost have a little bit of a step forward not too much movement You don't want to distract from him But I think a little bit of getting ready into this and probably overall lowering this just in general And maybe just start then a bit lower this silhouette could be a bit clear and Then gets gets into that There's something about this where I Think the head could be just a bit further back and there's something about Gets there's a like a launch and a momentum Going up here That then suddenly stops Flattens out and then drops here. So make sure that it doesn't feel like we're just doing this There's a bit more of a finishing arc and then going down. I think that's the main thing that I see on that guy But yeah as a whole on him I think it starts okay because straight into action with a nice move out even though It's a bit twins. I would just have a bit of an offset there and then even this leg feels Slow and not quite sharp and powerful enough You can see the amount of spacing you have here to get there where I would probably delay that almost a bit more and then And then really go into that cut this frame out and get into this sooner and Stretch it out potentially you really want to feel that boom that impact So right now the many pressures that hits here on that leg is soft and Then that drop feels a bit slow motiony and not quite physics wise Working properly and then you watch out your arcs like the pivot. There's something what he As he goes forward suddenly the head stops and now we're kind of pivoting off this neck for a couple frames there Stuck into the space you want to make sure that it doesn't feel so locked And then you have a bit of a move up and then to the side to give this a bit of a once-over terms of arcs But then like your your your pivot and the center gravity and all that it's going to be through there So if you're going on a backwards move like this, it suddenly starts to drop a bit fast And a bit straight. I feel like you want to be a bit more like that But then after that drop Given the speed if you look at how fast this is it starts to slow down and now we're hovering in space So this is your culprit right there as well. And then after that we're suddenly after this locked move down here We're pivoting out this way Where I would really make sure that it feels like we have a bit of this and right now I feel like we're starting there locked straight down Hovering and then suddenly going forward into the drop there and then your route goes Down and then stops into this and it's a bit of a compression up that can buckle a bit more So you have a bit more of a down impact this feels like it's too Stop and straight over this way and this I would even Cross the chest or not enough right now. It feels like you're you're hitting it here It's kind of a tangent and then we're forming that line We're following that line and only at the end getting into this where I would just either break it more Or does not at all and it feels a bit Pose to pose where I will get into this Sooner it's a bit faster Not so straight get a bit of a nicer arc where I can kind of get back and then settle you want to go from this That to me seems like a transitional period into Another pose where he might go forward again ready to attack the horrible drawing but Going back and then settle. I feel like we're going straight from this pose It's a bit too pose to pose straight pass and it kind of locked where I would go that as a transitional pose Into a settle into your into your ending pose that has a bit of a more dynamic line of action again where you might be attacking more of a lean forward where it doesn't feel so So broken and stiff with that upper body so straight in the head like that All right, that's kind of what I have for this. Thank you Alright, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you