 Alright new version here a new shot even with sound a lot of you people have things to say about my weight You guys are always chastising how I look and you say that my friend has a double chin She does not have a double chin a lot of you people have things to say about my weight You guys are always chastising how I look and you say that my friend has a double chin She does not have a double chin a lot of you so great. I love it That's a funny rig too. Alright hold on let me turn off the sounds just to kind of look at what is going on. So my the main thing I would say is I like it I like all the like how he has this resting on his body that'll tell gestures there like the little pose into a sub pose there like the counting is funny that's great I'm getting into back the looks are funny yeah my main thing would be the question is and this is again there's nothing wrong with this I am thinking out loud in terms of what is he is he sitting on something or is he leaning against something the thought that I had is that if you look at my poorly drawn outline here and then when you scrub through it he stays pretty much in this and I'm wondering depending on how he if he's leaning against something you know then you could have a slight weight shift to then lean imagine he's leaning on this side of the body then lean on this or if he's on a chair just thinking out loud he's on a chair that he could at the end maybe swivel around so that there's some contrast in there again I love all of this I'm thinking out loud in terms of could we add something to give it a bit more contrast so he's not stuck in that position and not just for the for the sake of movement but let me listen to this sound again here so a lot of you people have things to say about my weight so this is like he's addressing the critics and I'm wondering could this be again this is nothing you have to do to miss thinking out loud so that you can think about that stuff where do you want him to be kind of more aggressive or just stating a fact because he could start like this a lot you people have things to say about my weight and I like that he is looking more towards the people as you're breaking the force while he's talking to the camera whatever it is right this could be an interview whatever it is could this be something where he could even turn his whole body to camera so he's facing them so it's quote-unquote bit maybe more aggressive more direct or more confrontational like I'm gonna turn towards you because I'm addressing you and this is important to me type of thing you guys are always chastising how I look and you say that my friend has that could be something where he trails off into like what I'm gonna list things and blah blah and maybe that could have like a slight again imagine he's on a swivel chair turning back to this position so he kind of turns towards us and then turns back into this has a double chin she does not have a double chin or you keep it the way it is like that till here she does not and then maybe on this you turn the body towards the camera yeah I'm just thinking in terms of can we do something where it is character appropriate and it's tied in with how he feels while giving contrast to the scene in terms of just the body position if that makes sense I hope that makes sense it was again he's mostly in this could we add something I'm not saying that let's pretend again he's on a chair that he would swivel all the way to being what's the hockey do I have a hockey this could be this one so that he ends up like this right he could start this and then slowly over the course of the shot be facing us and at the end of the shot he's like this but again I don't know what the setting is this could be something where he's on the chair and then he has posters and frames maybe this is an interview where he's at home you know or he's leaning against a massive skyscraper and you know showing off how tall he is and you got windows for scale and there's like a human back there hanging out dead or something like this is like a casual interview after he destroyed couple buildings and then he would lean from one building to the other I don't know like I don't know it's thinking a lot that could be something that's the main thing that I took away from this if that makes sense other than that let's see here looking at your email you want to push your lip sync a little bit but not super chatty or too bouncy and make it a bit more exaggerated so now again ignoring everything else if you had just go buy this a lot of you people have things my thing is and this is maybe like sometimes I'm more like let's simplify this or sometimes I'm going towards it's make this a bit more real real as in not photo reels has to be like based on reference and copying it but to me is like there is a lot of movement in this it's such a big move that has nothing like the pixels here are completely frozen my thing would be and now this is not fully tied to your exaggeration question about mouth shapes but for me it would be something a lot of you people have things just could this be something where he starts the head maybe a tiny bit lower and over this he raises his head just to give us some life sometimes again depending on how realistic you want to be it could be a lot of you people have things a lot of people have things that's kind of the rhythm you could have tiny bounces in the head and then a bigger bounce at the end a lot of people have things to say about my weight say about my weight like weight could have a weight bit of a move over with an arc in the loop just again thinking out loud like is that something that you could potentially I don't if you want to incorporate that you're saying you did mostly the face and rough spline this is just blocking buttons flying graph so again maybe that's something gonna incorporate later on that's wanted to mention it was again you're paying for this I want to just not hold back people have things to say about my weight the other thing is where we could the other way a lot of you people have things to say about you might be able to simplify this where we don't have this constant opening and closing was again you're dealing with a really big mouth where I think you could do potentially more with the corners with more things to say like I like you have it already there so stuff like that to me is a bit more successful than having constant opening so I'm gonna turn off the sound as quickly if you just look at this color the white and the tongue it's very chattery but about about about about about about about about about that so I think if you go back to the sound a lot of you people have things a lot of you people it can almost be people like like a simplified shape where you have some job movement but it's it's more like why it's too close say about my weight things to say about my way things to say say will go out and wait it's here about my weight and then the weight could have maybe a stronger weight a stronger hold on the W maybe here about my weight because it's you don't quite read it so to me it's like that type of stuff where it gets to me a bit more exaggerated where we simplified it's like the exaggeration is in the simplification that makes sense that should be a t-shirt versus hitting every sound and having all those openings and going broader with corners and extremes the thing that's tricky can you with this we're gonna know like this is such a heart shape on that lip so when you do this it just feels so paper thin is there a way for you to rotate this out so when you're here we see a bit more like a plane out of that works it just seems so thin there wait you guys are all I do love you guys I love on that inhale you got you go up there you guys are all in the change in all this always chastising how I look and the other thing sizing how I look and you say that my friend has a double chin she does not have a double chin yeah again I'm just watching so I'm silent there but so my thing is I see a lot of chatter I guess a lot of opening closing where I would simplify this to get into more exaggeration and then the other thing that you can do because we are kind of stuck in that kind of symmetrical shape or we don't have and that is that's the question for you I'm not familiar with that rig can you push asymmetry with that that lines we don't have you know the same length over the teeth like that's something where you can add exaggeration where he can talk more out of his corner or potentially even like on something like this could this shape be over here to get into like a line of action that's a bit more curved and bring that over there and have maybe a bit more rotation and translate in the jaw it's it's in there in here a little bit so think in terms of giving the left right a bit more archy stuff and giving this less symmetry we're a bit more out of the corners but I don't know if that is possible with that rig because that's the only thing that I'm seeing here even if you do something where we do this this feels more like a lip zip channel plugged in versus maybe having something where we can have maybe a slight arc into this but not just so we feel like this is an arc in here but when he does this you even have the head go down it's as if that shape pulls the head down and on this puts the head back up that's what I mean where you want to have a little bit more up and down in the head as accents at least to me she does not have a double chin like this was really nice here does not have a double chin that's to me like the right amount of simplification while still hitting the accents and giving us contrast a lot of you people have things but then that beginning a lot of you people especially feel so still in here so if you could have the essence of this right where it has more accents without being that big and giving us potentially more something where it's instead of this could it be slightly more out of the corners so for me it's like an exaggeration in terms of the shape language that makes sense without going too much into squashy shapes like I don't think in the line a lot of people have things to say about my weight you guys are always until here I don't see anything where it's appropriate to go like and close it and squash the face sizing how I look and how I look maybe on look and then when he goes how I look and and where you have and could really be like a pushed corner asymmetrical shape there but to me when I read squashy acting mouth shapes it's more like but does the line support that do you have an M a P or a puffing in the cheeks you say that my friend has a double chin she does not have a double chin yeah I don't think I don't think the line will go for that so to me the exaggeration is more yeah the asymmetry corner corner favoritism that's a word and getting your arcs in there but also adding like having almost the weight of the shape changes affect the head by adding accents up and she does not have a double chin I do love that at the end where he goes hmm and has a bit of a haul so many people have things to say about my weight the other thing that you can add is that given that he's so big you would also see and feel more of the breathing and even shoulder so a lot of you people have things to say about my weight that I'm a weight imagine the shoulders go down the body exhales as he says all this and then weight and then weight is almost a bit more again accusatory where he might even rotate his chest back so you have this might start a bit higher and then a lot of things to say about right there we end up a bit lower a bit lean forward wait and then wait up a little bit just a bit because I it there I see that I wait it's also a bit more confidence to not move at all and just stare and just say wait like that but I think we could we could add even if it's like 10 15% where it's more feeling and seeing I think that's gonna help you as well just overall with the shots give this a bit more life you guys are always chastising how I look I love this how I look that'll lean again something you can think in terms of he might start here and that's your line they're always chastising how I look and then at the end he's actually this far so throughout the whole thing you went you already leaning the head and then you have one extra lean that's a bit broader that's this if that makes sense like he's I'm thinking I'm thinking leaning with an extra lean and then he goes back into being a bit straighter so that's to me the the thing I was going to get to being a having a bit more potential side to side could he turn again easy on the chair where is he is this in an office is this an interview and so on and so on I think how you're gonna decide on the setting might also help you in terms of acting choices potential but body movement alrighty that's kind of that yeah any questions let me know I hope that answered your questions you mentioned you want to push your lips in Gilbert wanna end up super chatty or bouncy so to me it is chatty and bouncy right now so the biggest thing would be simplify and add exaggeration through again simpler shapes corners arcs but me potential potential arcs more in the jaw and giving your your head a bit more of a line of action so it's not so symmetrical especially when you have like head on where is he here like head on where it seems really symmetrical so we can push that this is probably the least symmetrical over the face or the eyebrows anyway hope that makes sense let me know and that's that thanks all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way like and subscribe would be awesome all right thank you