 intro for 2020 to our stupid reaction to Corbin you met 2021 no because we're doing 2020 today it's a very exciting day we are doing our 2020 our stupid reactions dummy award yeah we're calling up the dummies and so this is a little different than what we did last year last year we did everything that came out in 2020 we did the awards for that obviously there was much less that came out this year but I like this format anyway because it includes anything and everything under the sun and gives a lot of voice hopefully we'll see two films that otherwise wouldn't be talked about yes right and ought to be this is everything in TV and film that we watched and not that came out that we watched in 2020 yep the only exception in television sacred games is being included because we did not include it in the last years and it was the only one we watched so we will be including that into television so that'll give us five TV series to watch but we will go through each category and television and film yep everything we watched this year which is around 75 ish things saying television film and the way we put this together is we collectively came up with the things we felt deserved nomination but then we selected our own winners yes so you're gonna find out what we think ought to win and hopefully there's gonna be some combat and we'll both tell each other how stupid we are and but the nominees were agreed upon by us and you actually ran some of that by the stupid family too some of it yeah hold on let me get my thank your handy dandy list and while he's getting his list we actually are going to form there wasn't time to do it this year but we do want to have an actual award yeah the dummy we'll have it next year we'll have it next year I have some ideas but I think it'll be cool if we ran the ideas by you guys and we could vote on the statue that would be the dummy and we'll send it to every award winner every single one of them to put it right up there next to all of their other awards actually really funny if we did proud really what the is this anyway first it's something that we wish all award shows would implement screen actors Guild gets it right because they do it this is the stunt ensemble section of for television which also is the people who are responsible for fight scenes so obviously it includes every series we've watched sacred games but all lock family man misaper and deli crime that's it so this is obviously for the stunt ensemble so though any of the action how they did so we and I just realized that next year we're gonna have to agree on a winner because we can't give two dummies out if we both don't choose the same thing that's true so we'll do that next year next year but the fighting is this year sorry two one miserable great job great job guys you guys get the first dummy and it's also it had the most action so it kind of had an advantage they got to see the most yeah but it had some of the best action we've seen in anything and the staging I mean just like just that one the one thing where they were attacking the house and they came from the water and the camera followed it up through the window it's the totality of the stunt the team the final fight scene in oh yeah end of season 2 yep whenever anybody got shot the what the red wedding yes yeah so a bunch of great some work but up there was a bunch great some work in all these true but this was probably the one that I felt deserved it I agree most yep so next will be the actor in a supporting role pam pam pam pam pam pam pam pam pam pam pam pam pam they are not necessarily in any particular order they would be pankaj tropathy for sacred games Abhishek Banerjee Patolog Rajesh Taleng for giving the miss financial name sir in Delhi crime Devyani Sharma Mirzapur and Ali Faizal in Mirzapur all phenomenal choices yes this is very difficult and it's Ali Faizal isn't it I think so Yeah, Ollie Faisal. And the winner is three, two, one, Ollie Faisal. Wow. Oh! This was actually a very difficult category. Very hard category. I could have honestly had an argument for every single one of these. Yes. And this was a very difficult category for me to pick, but I picked him because he was actually one that, at the beginning of the series, I was like, I'm probably not gonna like his character very much. And his character was a difficult character. A mean head. We talked about how hard that is. He did it incredibly well. So yeah, I... And then had to transform into pretty much a lead without the guy that was playing opposite him, went through a very interesting character arc, had to carry the physicality of woundedness from scene to scene that he did well. So yeah, absolutely phenomenal. Our dost. Yes, Ollie. And the next category would be actress in a leading role in a television series. Now this is one we're gonna talk about here because the nominees are Shafali Shah. There you go. Which means the winner is Shafali Shah. Great job. Where are all the leading actresses? Obviously, we have only seen five series. Yeah, but there's a... And none of them outside of this really had a leading, most of them were supporting. We're almost all supporting. Tons of supporting actresses. Obviously, we haven't seen every series yet out there. So I'm sure there's a bunch of series that have leading actresses we just haven't got to. But out of the five we saw, there was only one leading actress and she did a phenomenal job. So the award is yours. You phenomenal actress, you. She did a great job. And she would have been nominated anyway. Yeah, and probably deserved it regardless. Exactly. But yeah, I found it crazy that out of five shows, we really only could find one leading actress to nominate. Yep. Yep, craziness. So actress in a supporting role in a television series. And this is probably the most difficult category of all of them. Of everything. Film, TV, everything. Every single one of these would have won. And I could have argued that they should have won. 100%. So the nominees are... The nominees for actress in a supporting role are Rasika Dougal and Merzeper. Radhika Apke in Sacred Games. Kubrasate, Sacred Games. Rasika Dougal in Deli Crime. And Swastika Murkaji in Patalo. Crime, word. All of these. I know. All of these definitely, also double nominated for... Yep, Rasika. Exactly. Great job. Will that cancel out? That often happens. The winner is... Three, two, one. Kubrasite. Wow! We just should have picked them together. Yes! Yeah, I just go back to remembering how great of a job she did in this show and in that character. We loved her just as much as we loved Nawaz. We genuinely wondered if this was a transgender woman. It was an actress we'd never seen work holding her own with Nawazid and Siddiqui. When her character's gone, we're freaking pissed off because she made such a presence. That, for me, was the stuff that put her barely. Just one fraction of an inch across the line than the other actresses. Absolutely. But like I said, I could have argued for every single one of these. Sure, me too. The second closest probably would have been Rasika and Mizapur. But I could have once again argued for every single one of these and they all deserved it. So next category is actor in a leading role in a television series. And the nominations are Nawazid and Siddiqui, Sacred Game, Pankaj Tripathi, Mersever, Manoj Bojpayee, Family Man, Jai Deep Alat, Patalok, and Saif Alikan, Sacred Game. We've only not interviewed one of those. Whoa, we're safe. What's going on? That's pretty cool, actually. That is amazing. That's pretty cool. That is amazing. Anyways, the winner is 3, 2, 1, Pankaj Tripathi. Well, I thought we were going to have some debate. Me too, some fighting. But it was between him and probably Nawaz in Sacred Gams. But Pankaj Tripathi was just right when he came on screen. He was giving me Brando and Godfather presents. Do you know what it really does come down to? Yeah, the neck. The neck, this is actually just for the neck. It goes to Tripathi's neck. That's it. So congratulations to you, Dost. And now, a lot of you have been asking this question. What is our favorite television? Actually, this is the best television series. This technically wouldn't be our favorite. It might be. I don't know. But this is the best television series drama, I suppose, because that's all we watched. Right. Sacred Gams, Patalo, Family Man, Mizapur, and Delhi Crimes. And the winner is 3, 2, 1, Mizapur. Wow, we have been unanimous. Wow, we are very predictable, I guess, amongst each other. We have disagreed once. And that's all of TV. So we agreed about everything in television. Obviously, this is not really as fair, because one, some came before others, some inspired others. One, some only have one season. And none of them were bad. Love every one of these shows. I'd watch any one of these shows again. And I could have argued for all of these for best television series. Because the writing in Pataloque is so phenomenal, and it's obviously all well done. Obviously, Sacred Gams is almost equally as good as Mizapur. Especially season two. But it was hard not to pick Delhi Crime because of the importance of that. And Family Man just had a bunch of unique aspects to it that none of the other ones had. It's true. It was hard not to pick Delhi Crime because it's such an important story compared to the mall, because it's this true story about this ridiculously evil occurrence that these kinds of things still go on. But when I included everything, including the moral conundrums that take place, and the character developments, and everything, the edge. And it was by just a smidge for me above Delhi Crime. So that's no good to you. Yeah, those were the two. I love Sacred Gams. But if Mirzapur hadn't been in this, it would have been Delhi Crime just because it was so grounded, so real, so well done. It was between Mizapur and Pataloque for you and Sacred Gams. Oh, wow. Yeah, those were the three that I was choosing from. But Mizapur, you get the dummy. We love you. We can't wait for season three. And we can't wait for Family Man. Family Man season two is coming out. Oh, like I said, this whole thing is not equal because some came out in other years. Some have, we've seen more seasons than others. So it's kind of unfair. I have a feeling that the proverbial doo-doo is going to hit the fan in the film area. I think we're going to have Disagreements in film. Well, yeah, the first category in film is actually short film. Yeah, we included short film because we've seen quite a few. This year, and this is once again, just this year. We only saw one the prior year, so. Really? Yeah. Oh, really? We really did. We saw all of the majority of our short films juice. That was the only one? Yeah. Really? Yeah. Well, no, and two. Oh, yeah, we saw two. Juice and two. Yeah. The nominations are Rogan Josh, Chutney, Auch, Kanika, Kier, Devi, Bypass. You know what's interesting? They have short titles. They do. Short films, the short titles. It's kind of fitting. And the winner is three, two, one, Bypass. I knew you'd pick Bypass. I knew you'd pick Bypass. Honestly, it wasn't hard for me. Yeah. Obviously, actually, it was probably between that, Rogan Josh. I loved it a lot. I thought it was phenomenal, Chutney as well. What about the ladies? Devi was great. They were off-rate. We've only seen one bad one. I don't know if you can say it to the channel yet. But yeah, that was my favorite. It was so well done on your kashi up, obviously. Your fun and the waz. They didn't speak. And it was so powerful and great. So that's why that one was for me. I knew you would do that. But I could see Devi as well. Yeah, Devi was such an, you didn't know what was going on when it first started. It's all women. It's, again, like Delhi Crime, talking about something tremendously important. Absolutely. So for me, that is what put it up over the edge. Yeah. I don't have a problem with you picking Bypass. Next is Stunt Ensemble in a Film. Stunt Ensemble who do fight scenes. And so there are four nominations in this one. Yep. And once again, this is all unfair. These all came out in different years. But this is how we are doing it. Let's try. Which is why we're not including visual effects because that's really not fair to do, to compare a film that had visual effects in the day. That would be way too complex to do visual effects or sound, those really technological things that you can't, it's very, very difficult. You know, you could say, let's compare the Wizard of Oz to Endgame. OK, really? So you can't do that. So Stunt Ensemble, Ludo, Sanchiria, Varachanai, Jalikatu. Oh, phenomenal stunt. Great stunt ensemble. Yep. But the winner goes to three, two, one, Jalikatu. Varachanai. Oh. Yeah. All right. I think the film, one, I enjoyed that film, but it was a ton of action in that film, including a bunch of great fight scenes, especially the tent fight scene was a phenomenal. I think that just put it over the top. It was actually between that and Ludo. Ludo, I thought, had great stunt. These all had great stunt work. That's why we chose them all. Exactly. But those were mine. Why did you pick Jalikatu? I picked Jalikatu because it was one of the more subtle. So much of the film is driven by the ensemble and the frenetic frenzied running. And night stunt work is way more dangerous than daytime stunt work, especially when you're dealing with the kind of lighting that we know he said he had to work with. And then the final body count, flapping, jumping on top of each other, chasing the bull, falling into the pit, falling, running, and chasing each other. There wasn't one particular stand-up thing like the tent fight scene. And I don't have a problem with that being the one that gets it. But because I felt like so much of the stunt work was understated and underappreciated, I appreciated it all the more. Gotcha. Yeah. Cool. Excellent. Next category would be actress in a supporting role. Another tough category. It was? Jiko, go ahead. We have Karuna Banerjee in Path of Panchali. Anominal. Rinku Rajguru in Serrat. Radhika Apte in Rat Akeli Hai. And Manisha Kerala in Bombay. Absolutely. All right. And the winner goes to? Three, two, one. Rinku Serrat. Ruma Banerjee. I knew. I told you we wouldn't agree in film. No. I knew you were going to pick the Bengali. Yeah. That wasn't a shock. But I absolutely, she was phenomenal. She was one of my favorite parts of the entire Poo Trilogy. She was so, so, so good. Every female in that, I feel that series was phenomenal. Really, really good. But my favorite was the girl in Serrat. I thought she did a phenomenal job, even though I thought she was stupid in the end. Right. But the actresses fault, she did a phenomenal job. And yeah, that's. There you go. Yeah. Well, not a surprise. You? Yep. No, I just, the screen presence was so shocking. I remember just being, of all the actresses that we saw in supporting roles, there wasn't anyone whose screen presence astonished me as much as hers. Just the beauty of her presence, the way she embodied the role. I felt 100% of the time she was this person. And I also lean credit-wise toward the era in which this being done and the intimacy of Saatchajit Rai's filming, a way more difficult role to pull off than many would think at face value. So, but I have no problem. All of these ladies did great. Actor in a supporting role in a film. Who might it be? Who could it be? Very. Who's going to get the Dami? Difficult. Very. Category. Very. One of the most difficult. Yes. Go ahead. Jayesh Moir in Hela Rao. Manoj Bajpayee in Satya. Yep. Niraj Kabai in Sheep of Thesis. Phenomenal. Riddhi Sen in Nagatana. This is crazy. And Fahad Faseel in Kumbulandji Nights. Are you kidding me? And? Honorary mention, the Bolan Jolli Kattu. We had to. You had to mention them. You had to mention them. Had to give some notoriety to the Bolan Jolli Kattu for the supporting work. Like the Bear in The Revenant. Yeah, yeah, it was great. You got it. And the winner goes two, three, two, one, Fahad Faseel. There's no way I'm picking against Fahad Faseel. I knew you wouldn't. And zero chance. I, I, I, okay. So what? But I, I almost picked Riddhi Sen. Okay. So why did you pick Fahad Faseel over Riddhi Sen? It's that performance. Just the man crush. The man crush and the weight of that performance, the way it introduced me to him. And he, even though the entire film was phenomenal, he's what really pushes it over the edge and his performance, especially, I'm not gonna give it away because I want you to watch this film. The ending. Man, that was. Agreed. If it was any less of an actor, it wouldn't have worked. So yeah, I just, I couldn't pick against Fahad Faseel. Yeah, and I couldn't pick against Riddhi Sen because he was my runner up. A thousand times. Yeah. You know all the reasons why. If you haven't seen that film, everybody, please, he does such, such a beautiful job. He's so believable, 100% believable in that role and an important role. So there you go. On to score. Ooh. Ooh. This is, I think, people are gonna be interested in this one. I agree. The nominations are, Mahul Sorti for the score in Hellerau, A.J. and Atul Gogoval for Serat, a newcomer, A.R. Rahman for Bombay, A.R. Rahman for Tramasha. Wow, double nominated. Yes, and Pritam Chakraborty for Yajwani Haidwani. I think that's, that one's gonna surprise a lot of people. Yeah. When we talked about this, we, you brought it up first. And I was like, yeah, I can't deny that. That absolutely. We have multiple songs in our play that we love so much. So, absolutely. So, I guess say the winner, the film, the film name. Yeah, just say the film name? Yeah. Okay. Yeah, cause we probably pick the one composer who's, anyway, three, two, one, Sairat. You can say the names for me for Sairat. Yeah, well for Sairat, it's A.J. and Atul Gogoval. And then, well, and for me, for Tramasha, it was A.R. Rahman, which is what I told you to say. I thought you said, say the film, cause we would say A.R. Rahman, and we wouldn't know which film we're talking about. Yeah. Cause he was nominated twice. This film's one, you know, I love the film. But the score in this was one, extremely unique. Yeah, I agree. Extremely, you get to hear a score like this. I've listened, I think all the songs are on my playlist, but they're just so unique and so well done. They were done here in Los Angeles, and they're just extremely powerful and unique. I think the uniqueness put it over the top. It's like nothing else. And it's obviously has that orchestra feel, but it's also has that very Indian feel to it. Agreed, and I can't deny that in any way, shape, or form. But yeah, well tell us why A.R. Rahman is good. Yeah, he's good cause we like him. That's true. And that's all that matters. Is that still one of your favorite films, Tramasha? That's what, yeah. The whole feeling of the film is the, the music throughout is what is the emotional template that carries everything through for me. And while I cannot deny the musical genius and gorgeousness of your choice, just of the two films, I love Tramasha so much. Yeah, just love that film. Next, extremely difficult category. Yes. It is screenwriting, a underappreciated... Yes. And this is an interesting one for us because our appreciation of this is gonna be driven far more by story than the way we would critique screenwriting with an American film. Because in American film, we can appreciate nuances in the dialect and nuances of what's meant with grammar and the English language that we cannot get in any other films that come out of India. So this is primarily story that we can grade. We cannot grade actual technicalities of screenwriting where we could in an American or English-speaking film. But, the nominees are Anirag Kashyap for Ugly. You knew he was gonna make an appearance. Anirag Basu, Samrat Chakraborty, and Safe Turan for Ludo. Vikramaditya Motwan, Anirag Kashyap, Devanshu Singh, and Satyamshu Singh for Udan. Siam Pushikaran for Kambalanji Knights. And Suniyana Dutta, Bhaskar Hazarika, Sagar Saurabh for Amis. And then R. J. Akumar and Harish S. for Jali Kattu. So there's actually six in this category. And yes, let's just go for the film name. Because there's too many names to try to decide. All of these deserve it. Yes. Absolutely, this is one of the, once again, hardest categories I had to pick. Very hard, but it was hard to pick nominees for this category. That's true. Three, two, one. Jali Kattu. Kambalanji Knights. That was my number two. My number two was actually either Ludo or Ugly. Yeah, I know how much you loved Ludo. Yeah. Ugly, come on, it's on your own. Ludo was so unique, even though I know it didn't win. But it was an extremely unique screenplay for Indian cinema that we've yet to see. So I thought it was phenomenal. But yeah. Kambalanji Knights was my number two. Kambalanji Knights. But Jali Kattu was my number two. You know how much I love it. And I think the writing was extremely well done and unique and everything about that film. Yeah, it's one of those where, you know, when we watch the Oscars, if you're, there's oftentimes where the one you picked didn't win, but when the one, the other one wins, you're like, I'm really happy for them. They deserve it. I would feel that way. But for me, taking that story and that metaphor for Jali Kattu is again an underappreciated way of screenwriting. So both Molly Yellen. Yep. That's true. Okay. Do, do we want to do this? Yeah, let's do this one now. So like the Oscars, we want, whenever we do this every year and do the dummies, we want a lifetime achievement award. Uh-huh. And oftentimes when an award ceremony does a lifetime achievement award, for the first time, they will name the lifetime achievement award for the recipient. So we're doing that. And every year, there's only one person, there's no nominees. This is just a lifetime. It's to honor somebody. There was nobody that I think we even, the minute we've both thought of it, it was no one else comes close. Lifetime achievement for the year of 2020 that people should always remember their work and never forget it. And we're going to name the lifetime achievement award the name of this actor, and that's Irfan. The Irfan. It will be the Irfan. So whoever receives the lifetime achievement award from here on out would receive the Irfan because I've said that before, he's not only one of my favorite actors of all time and like my top three, regardless of region, but he's my favorite male actor I've ever seen out of Indian cinema. And the lifetime of work, and we still have more stuff to see. A lot more. But he deserves it in this year where we had to say goodbye. So. He absolutely deserves it. Yep. Next. Cinematography. Ooh, it's getting deeper and richer and thicker. Another really good category. Go ahead and hit those. All right. Girish Gangadharan for Jelly Katsu. Anurag Basu and Bhushan Kumar for Luda. Girish Gangadharan for Angamaladharis. Trivand Babu Salinani in Hela Rao. And Subrata Mitra for Pappar Panchali. And the winner is? Film name, right? Yes. Okay, three, two, one. Jelly Katsu. Yeah, there's no other option in this for me. The only other one that would have come close for me is Pappar Panchali because of the nature of the groundbreaking times and what was going on with Satish Rai. But Charlie Taco had some of the best cinematography I've seen in a film ever. And it's the one that should go to the Oscars for international film. So, yeah, no question. No question. Next, Direction. Ooh, who's directing this? Go ahead. Abhishek Shah, Hela Rao. Which, this is, how many, I didn't count the nominations but Hela Rao has shown up a lot. I think the most, well, I think this category probably is the most that's shown up, honestly. So, Abhishek Shah for Hela Rao. Anirag Basu for Ludo. Madhu C. Narayanan for Komalangi Nights. LJP for Jolly Katu. Anand Gandhi, Ship of Thesis. Film name or, no, we're just, yeah, film name. Film name, yeah. Three, two, one. Jolly Katu. Yeah. He was, same goes along with, it was his film. Yep. And him and the cinematography were the most extraordinary parts of that film. Yeah. And no, there were, I could have, honestly, given you arguments for all these. All of them. Absolutely, every single one of these. I could have given you strong arguments for it but he was the one that edged it out every single time. Yeah, I absolutely agree. I think, again, all of these were worthy of being nominated and noted and obviously our favorites of the year but the level of artistry and Jolly Katu and then our interview with him where he explained how they did the lighting. It just, and the bull, everything just ratcheted up another 100,000 notches for me. And he's everything we've envisioned him to be in more. So, yeah, yeah. Next actress in a leading role, Corbin's mom. Go ahead. Shrata Dangar, Hela Rao. Charmille Tagore, The World of Opu. Lima Das, Ames. This might surprise you. Depeca Padacón, Tamasha. And this might surprise you. Banita Das, Village Rockstars. Yay! Yay! And the winner, let's go with... Filmed? Yeah, sure. Some of these I can't pronounce. Sure, sure, sure. Three, two, one. Hela Rao. World of Opu, Opu. I said Opu, The World of Opu. You said Hela Rao, oh! So say their names for me. Yeah, for Hela Rao, it's Shrata Dangar and for The World of Opu, it's Charmille Tagore. Yes. I loved everything about Hela Rao. This actress was one of the main reasons she did such a phenomenal job throughout the film of just making you feel for this character. And it was so well-written, so well-acted. Yeah, it was so. Member supporting role for Path of Panchali, right? Even more so for her. This, I was, I remember when she first came on screen and then I started asking Andrani about her and looking up pictures of her. There's been a few actresses who when I first encountered them on screen, I thought just, I was just mesmerized at how much the camera loved them. And it was, it was her. Extremely tough category. Yeah, great category. Really hard. Second to last category. Du du du du du du du du du du du du du du du. Extremely hard category. You know what I appreciate with this award ceremony? What? We've had to do no playoff music for the acceptance speeches. Oh wow. Everybody's been really tight on this. Really good, really good. So, the nominations are, you wanna call them out? No. Okay. Nawazuddin Siddiqui, Raman Raghav 2.0, Manoj Bashpahi, Aligarh, Rajat Barmehka, Udan, Vicky Kishaw, Masan, and Sumitra Chatterjee, the world of opu. And an honorary mention to the flyaniga. Had to do it. Yes. Had to do it. He might win. Because even as an honorary mention, not only did he have the audacity to be so good on film in this motion picture, but he then lands on Mike Pence's head. That's true. Who would have thought? It takes a giant shit. Who would have thought? Very much, very much responsible for the turning of the whole election. Yeah, absolutely. So, but the extremely difficult category. Yeah. Man, this is hard. This one, I'm gonna tell you, it was hard for me to pick the number one because my number two I wanted to pick so bad. Me too. So, three, two, one. Nawaz Adansadiki. His performance was phenomenal. Runner up. Manoj Baishvai for me. Oh, for you? You don't guess who mine was. The one from Bengali. The Bengali, yes, of course. It was, even saying Nawaz. Mine. And he's 100% deserving. There's a very special place in my heart for us having Sumitra Chatterjee because of how well he did and he's no longer with us. So, but you can't, the role in Raman Raghav is as good a role as Bill the Butcher in Gangs of Newborn. It's an iconic legendary role. So many great scenes where they had to do by himself that he had to do believable that most actors would fail at and make look cheesy or stupid. It was just such a phenomenal performance. Obviously every single thing he does is phenomenal. Yeah, but I would, where would you place this in terms of the roles you've seen him do so far? His top three. It's my number one for him. Yeah, he has so many of the great ones that it would be very difficult for me. He really does, but this for me, like of all the things that Daniel de Lewis has done, I love every single one of them. My favorite incarnation for him is Bill the Butcher. It just always has been. Yeah, and he also has so much more we haven't seen yet. Right, right. So up to now. That's very exciting. There you go, but Manosh was actually my runner up. Got it. I very well, I went back and forth. Manosh was my winner for a while and then I switched it to Noyes. The same way it was hard for me, my number two, I love so much. The same is true for the final category. My number two, it was hard for me not to pick it, but I had to pick my number one. The nominations for best picture of 2020. The most stupidest of the stupidestestest we've seen thus far. The nominations are Hela Rao, Kumbalanji Knights, Ship of Thesis, Jali Taku, Ames, Panther Panjali, Udan, Village Rockstars, and, say, Naga Kurtan. Naga Kurtan. I'm sure I'm butchering that too, but look at that right there. Those nine films, every single one of those films is a film I would tell somebody, you gotta see that film. Also, Agudrati, Amali Alam, I believe it's Hendi. Yeah. Amali Alam. Bengali. Ames. Ames. Ames. Ames. Bengali. Yep. Hendi, and then another Asamese, and then a Bengali. There you go. And there was actually more that probably could have been on here. For sure. As well, that we just, we didn't have enough slots. Yeah. But the winner of the best picture of 2020. Once again, these are just films that we saw in 2020, not including the ones we saw in the year before. It's three, two, one, Jolly Topu. Jolly Topu Nights. You knew it was gonna end. Wow. Really? Absolutely. So why wasn't that your choice for the international submission? It came out the year before. Oh yeah. In fact, Jolly Topu also came out the year before, which is why I qualified. Yeah, I don't understand why it was. Well, Hela Rao did too. Yeah. But the extra cushion that the Academy gave, Jolly Topu Nights didn't meet. It was still too early in 2019. Really? So if Jolly Topu and Kumballanji Nights had been side by side, you would have picked Kumballanji Nights. In fact, if Hela Rao and Kumballanji Nights would have picked them before, Jolly Topu. See, my number two that was hard not to pick was Hela Rao. Because of the two films, the one I'm most likely to watch over and over and over and over again is Hela Rao. Yeah. But artistic-wise, artistic-wise, I totally get it. I totally get it. Yeah. I totally get it. You know I love that film. It's just, there's very few films I've loved more than Kumballanji Nights. I know. It's a phenomenal, phenomenal film. It actually shows me how long this year was. Because when we started this, I was like, we didn't watch Kumballanji Nights this year. We watched it like January 2nd or something like that of 2020. It stuck with us. And so it won most of the categories for me because it's that good of a film. It is. It's so, so good. Riding, directing, acting, cinematography, everything makes me wanna go to Kerala. Yeah, it does. So yeah, that's why I- And it would just depend on the mood. If I saw, if I opened up like Netflix and I saw side by side, I could watch Jolly Katsu or Kumballanji Nights. Kumballanji Nights. I would, it would depend on the mood on it. No, it would never depend on the mood, man. Yeah, it would for me. Because even though I, artistically- But if Hela Rao was up there? If Hela Rao was up there, I'm jumping to Hela Rao. That would be a conversation. Okay. I love Hela Rao. It's just because Jolly Taku is a, I think I said it in a view. I don't know if it's anybody's favorite film in terms of, I could watch this a thousand times because it doesn't have a character in it. That you can- Of course. That's one of the reasons people love, in terms of it being your favorite, is because you can relate to it, you care for a character. Well, that wasn't the point of that film. No, and it's like Schindler's List absolutely should win Best Picture, but no one wants to watch it over and over again. Yeah. That's not taking anything away from Jolly Taku. No, I know. I love that film. Exactly. But though my favorite and overall best, it might even win of everything we've ever seen. Well, and see for me, another thing that I like Hela Rao- My truck should be up there though. It is. Hela Rao compared to Kambalanji Nights for me, I would be more likely to recommend Hela Rao to Americans to see first than Kambalanji Nights. I don't know. Yeah. We'll have to see. We'll have to see. Let us also, we both picked a Mali Alam for our Best Picture. We sure did. Mali Alam got Best Picture, which isn't a surprise. We love a lot of them. I'm pretty sure all the Mali Alam would be like, yeah, that's exactly what it is. And I obviously picked quite a few Bengali things, but the, which shows the diversity of our palette of cinematic love in India. And now we'll do this with each year because there really isn't enough stuff to come out and for us to see, we should give credit. I love that in the same conversation we were just talking about Best Picture. It's Jallikantu and Pathir Panchali. Yeah. You know, we got the Opu trilogy and then we got this new cutting edge and I love this. Yeah. So let us know what you thought of our picks. What were your picks from our nominations? Let us know why we're idiots. Yeah, why are we dummies? I'm sure you will down below. Also, come February, it will be classic months. We will only be watching classic films. I don't know the exact date, but it's going to be pre-80s. So anything, it has to be made before the 1980s. 1980s, qualify for us to watch it. It might even be before that. I don't know. Oh, it could be. Yeah, way earlier than that. But I just wanted to let you know that all of February from every region, we will only be watching classics. So let us know what you thought about it. Let us know your opinions if you have any good ideas for a statue that we should come out to all. Yeah, I had an idea. I had an idea for the dummy to be the pose of Amir Khan sitting on the butt from Three Idiots. Just when he's sitting like this and the butt's underneath him, I thought, would you just get that? But you let us know. What should the dummy look like? Let us know down below. Da, dinde, dinde. Dinde, dinde, dinde, dinde. Deena deena deena deena dinde. Deena dinda dinda. Dinda, deek, deek lease. Deen, dinda, deen, dinda dinda, deena.ANgestellt the mother child. Hahahaha!