 All righty, let's put it in the full here. We got more fire All right cool cool cool. I think since you're adding more fire you might as well Not more fire here give them really a reason for That even here just a bit more That's all cool and then what's happening here Yeah, that's cool Watch out. There's a little bit of something where he jumps really high and kind of Just kind of lands there It feels like that much momentum going this way. You're initiating an arc That would be maybe a bit more this way. I know this kind of unravels a few things, but I mean you could potentially Just make sure that that arc really continues. So when he's here, he's actually around here And just globally move that chair around move that set piece around you have to do too many changes Then we have the chair I mean there you can see I'll get we see the level rising here Yeah, I'm still wondering if there's something at the end if you're open to Something different then just holding on to this and Then a look I know this would unravel and add new things I'm just wondering if that or if you're okay with just ending it like that where I Mean everything is on fire. He's about to die unless he goes out there But it could be something. I think last time I mentioned arms reaching out. Maybe Does this maybe on that he would be looking up and on this actually be here Trying to reach it But even then I mean you could just do that. I mean you do this Like the fire is here this new fire appears and then he pulls his arm back to hold on to this more tightly and Then that's the ends, you know, maybe something like that. I'm just wondering just a little Thinking out loud. So let me look at That seems pretty good What maybe a bit fast? It's not super stylized in its movement. So I feel like just that moment through there Those couple of frames where everything including chest and head are moving as one piece here What feels a bit fast? I Think I would really look at This is going to push first and It might be a slight drag on the chest and efforts. I'm straightening drag and then as you get to here Once that bodies are over here, then the body continues and goes forward as well to end up maybe here If that makes sense you're like this you push off which brings that body back a bit through all of this It's maybe more here and then as this comes forward for a step I mean by now like I said, then You hook up into what you have here. This is also slightly off-balance there. There's something a bit odd You go this way. I'm looking at the route It's the change of direction how that's not too bad. I'm just looking at the Just that section on that turn maybe it's maybe it's just the floppiness of The chest going back, but they're not really like you have a straightening and then it kind of stops And it doesn't continue to straighten or the head doesn't go up It just kind of stops where then it goes forward and especially that's the one I'm reacting the most To where if you look at those lines goes down goes down bam One frame direction change where it feels like it hits a wall and In here we're getting a bit Where I wouldn't go as far What's the other leg doing? Let's see you take a step. So maybe with that step You are more like this and then on that turn you start to turn pivoting off the heel But that foot will be maybe back here So that when you go whoa Because that foot is here You will be a bit more balanced This feels slightly off I was always expecting that hand to go back here and push against the wall and That push is what brings that route forward because right now That is a feels too fast But also there's no way if you're slightly behind this and your balance is off How can that route go forward either you bring out that leg in the air and it's the weight of this that changes the balance or That leg is enough this way to have a force Pushing this way or you are off balance and leave it the way it is But then you do put your hand here to push off into that That's how cool. I do like whoop that. I would still work on those arms As they Lands kind of come down but come straight up then hit that wall here And go forward and then down and all that simping in both so it feels a bit wiggly and messy hitting some harsh Harsh spacing there. I would soften that maybe to some broader swings with those arms strong and Then again watch out with route changes and body changes like that It's quite the move up and forward, but then it kind of stops for boom right there and Then that change to the left is also a bit abrupt On that route just watch out for moments like that Same thing here actually It's this here Lifting this leg and then going this way. How is the route moving so far so quickly this way without This leg Helping with that push this way Imagine if you're lifting just that leg fall over. So now you're lifting this There's no pressure on that leg. Everything has to come through that leg But the balance is not enough to be over this leg to move over this way if that makes sense So I would have a reaction of whoa But keep that leg down here as much as you can So that is a push even just 34 frames and then once you're around here And it's a bit more balanced and you got that momentum going this way Then you lift that leg Into this again, we are very far over almost off balance here. So if you go to the right Same thing here. We're so far. How is the body able this route here to go to the left while being so far off balance? So you have to just go not as far maybe only this far and Then ease into that move back a bit more with the hips and that's okay here Maybe a bit fast there's something where fast But then a long hold and then a fast jump if you watch this in real time I know to me it feels like I would add a couple frames even if it's just three frames During this to slow this down a little bit for then a hold to then jump but then do What I mentioned last time Look at that route the route goes up. I mainly see the route doing this versus that and then Yeah, let me know what to do at the end or just leave it like that. I'm curious if you're open to more changes for that That's it. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you